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The Last American Vagabond - (Dec 30th)
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**This fantasy film deserves our sympathy and attention.** This is a good film to watch with the family because it will easily appeal to young people and adults alike. However, I think it never received the attention it deserved, perhaps due to the fact that it was released at a time when the fantasy genre was dominated by a group of other much stronger and more relevant films. The film also strives to show the hidden side of knowledge as something dangerous, less than desirable, following the logic of “there are things we simply shouldn’t know”. The story begins when a recently divorced woman moves with her children to a rustic house in the forest, which belongs to a great-aunt hospitalized as crazy. This house has been closed for a long time, there is salt on all the windows and an industrial amount of tomato sauce and honey in the kitchen pantry. Intriguing. It is quite evident from the beginning that the brothers get along badly, and that the youngest is very attached to his father and waits for him to return. And it is precisely he who begins to hear noises that convince him that there is something more in the house. He discovers a book with a dark warning, but still decides to read it, finding himself in the power of a series of hidden knowledge that should never have reached him, and that were collected eighty years earlier by a great-uncle, who disappeared without a trace. Like I said, it's a good film and tells a good story. The characters are good, from the humans to the enchanted figures, and there's a lot of entertainment and creativity here. It didn't have a great reception in America, but it was a success in Europe and continues to appear on television from time to time. Directed by Mark Waters, who already has some experience in films for young people, but was far from being a name to consider from the outset, it has a good group of actors. Freddie Highmore shows talent and commitment, which opened many doors for him in the following years, and Irishwoman Sarah Bolger is not far behind. David Strathairn and Joan Plowright are the adult actors who deserve the most praise for their efforts here. Both were very good, and brought credible and adorably magical characters to life. Nick Nolte also makes a cameo appearance. Technically, the film relies heavily on high-quality CGI, great visual impact and scenic effect. There's no doubt that there was a lot of money invested in the visuals and cinematography, and it paid off: the film doesn't feel unrealistic or overly fanciful. The enchanted objects and characters seem realistic, worthy of the credit we want to give them. The colors are magnificent, the light is ideal, the studio filming was well done and the house where the film takes place is visually magnificent, worthy of a fairy tale. James Horner provides the soundtrack in an effective but not memorable way.
Luke Skywalker leads a mission to rescue his friend Han Solo from the clutches of Jabba the Hutt, while the Emperor seeks to destroy the Rebellion once and for all with a second dreaded Death Star.
The story of Salvador Puig Antich, one of the last political prisoners to be executed under Franco's Fascist State in 1974.
In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.
Summer is the time to travel, enjoy life, and do or leave what you want. A motor home with two occupants makes its way south. But the two travelers do not travel voluntarily, and certainly not together.
The Sea Inside is about Spaniard Ramón Sampedro, who fought a 30-year campaign to win the right to end his life with dignity. It is the story of Ramón’s relationships with two women: Julia a lawyer who supports his cause, and Rosa, a local woman who wants to convince him that life is worth living.
Maggie, a quiet retiring grandmother, finds herself helpless as her grandson’s health deteriorates. When one last chance appears, but money is desperately short, Maggie acts to raise the cash in a fashion that surprises everyone but her.
Focuses on three very different siblings, all searching for happiness. Hans-Jörg is a sex addicted librarian, who is interested in young students. Werner is a successful politician with a dysfunctional family. Agnes, a trans woman, works as a table dancer in a night club. The three brothers just have one thing in common: their longing for a happy life.
Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness - and similarities to their mother - gradually gets on Martine's nerves.
Croatia, 1991. Two sisters prepare a special homecoming for their father on the day he’s set to return after three months as a prisoner of war.
Sven arrives in nowadays Auschwitz to do his civil service at the memorial. He encounters unfriendliness, especially by Stanislaw Krzeminski, the 85 year old KZ-survivor, and Krzysztof Lanuszewski, brother of his early love affair Ania. Even his boss Herold, the places manager, does little to help Sven familiarize. But when problems accumulate Sven realises that he already has become involved.
Emilio Fernandez directs Dolores Del Rio and Pedro Armendariz in a classic tale of family and obsession. Raimunda's daughter Acacia hates her stepfather Esteban, and in order to escape her suffocating home life she's accepted a marriage proposal from a man she doesn't even love. But Esteban has become obsessed with Acacia, and in order to ensure that she doesn't leave he's plotting to murder the girl's unsuspecting fiancée. As Esteban's true nature emerges, mother and daughter must band together to support one another and make sure that their family bond remains strong even in the darkest of times.