Bring Me to Light

Shortly after WWII, the DEFA Studios produced a series of operas and operettas which belonged to the classical German musical heritage. This enchanting film, the very first opera production of DEFA, stands out because of its lavish decor and costumes, its outstanding actors and their masterful voices of that time.

An all-star cast highlights this vibrant musical adaptation of Lewis Carroll's immortal tale. One day, plucky young Alice follows a white rabbit down a hole and discovers a world of bizarre characters.

Undisputed masters of black metal Cradle of Filth bring their extreme vision to the screen on this home-video release. Cradle of Filth: PanDaemonAeon features the group's first music video, for the song "From the Cradle to Enslave" presented in its original uncut version as well as a documentary on the making of the clip and the chaos that is Cradle of Filth's existence.

This 58 minute DVD video is one of the Dead Kennedy's last ever live concerts, captured on film just months before their breakup in 1984. This 14-song performance at San Francisco's On Broadway catches Jello and company at the height of their punk powers.

An overview of the early years-late 1970s, early 1980s-of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.

Rahul and Anu Verghese meet on the same day, while both are held by the police on charges of creating a disturbance, and running away respectively. They meet again, and love happens. Rahul helps Anu to be independent, and seek a job. Then Anu is discovered by a talent agent to be a model, which she accepts. Rahul wants to marry Anu, but first must establish himself.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

Taken in by the musical world as a young orphan, Rick Martin grows up with a desire to play pure jazz instead of the commercial gigs he lands, whilst also coping with the problems caused by his tempestuous marriage to an aloof heiress.

The Man is bound in an endless loop of fascination with a woman who haunts his thoughts. On the brink of a breakdown he desperately tries to break free before he is consumed.

After a series of traumatic childhood events, a psychosomatically deaf, dumb and blind boy becomes a master pinball player and the object of a religious cult.

Upon receiving his draft notice and leaving his family ranch in Oklahoma, Claude heads to New York and befriends a tribe of long-haired hippies on his way to boot camp.