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Jim Jarmusch's 2008 film The Limits of Control concerns a nameless hitman (Isaach De Bankole) as he prepares to carry out an assassination in Spain. It is not overtly stated that he is a professional, but his uncompromising posture, his unchanging expression and the omnipresent suitcase make it clear from the very first minutes of the film. Isaach De Bankole is perfect in this role, as he has a face that seems carved out of granite. The hitman's few intimations of humanity are thus all the more shocking. As the film proceeds, the hitman meets a series of individuals who send him onwards in his journey to pick up necessary equipment and finally confront his victim. These employees of his mysterious employer are left nameless, though often referred to by items they carry or other qualities: "Guitar" (John Hurt), "Blond" (Tilda Swinton), "Violin" (Luis Tosar), "Mexican" (Gael García Bernal), and "Molecules" (Youki Kudoh). In engaging the assassin in conversation to subtly convey their messages, they end up delivering eccentric monologues. Many critics lambasted these lines as so much metaphysical babble. In fact, everything said relates very directly to the plot, but this is the sort of film that demands a second viewing to really tie everything together, and those who fail to be intrigued enough on the first viewing to go on to a second may find this film a failure. Though Jarmusch alludes to America under the Bush administration at points, this is ultimately a psychological drama: the hitman's task and contacts represent only parts of his own psyche. While some have tried to view this as a simple Freudian struggle between the id, ego, and superego, I feel that Jarmusch is aiming for something more subtle, something that he has great difficult putting into words and, even with his best efforts, this film can only hint at. THE LIMITS OF CONTROL feels like a cinematic analogue to the late albums of Scott Walker, where the songs' characters, cultural references and "plot" only serve to express some burning flame in the artist's own psyche. Jim Jarmusch has always stated that his aesthetic is to absorb everything he can from prior films (and books, music, etc.) and let those inspirations reflect in his own films.The Limits of Control abounds with references to the film canon: Jean-Pierre Melville (namely "Le Samouraï"), Orson Welles ("The Lady from Shanghai"), Alfred Hitchcock, Aki Kaurismäki ("Le Vie de Bohème"), Alejandro Jodorowsky (that auteur's entire trippy aesthetic), and probably more that I just didn't recognize. The film's lack of conventional interaction between characters and the compilation of references ultimately makes THE LIMITS OF CONTROL feel relatively cold and lifeless compared to Jarmusch's many other films. Still, the visuals of the film make it a worthwhile experience in spite of its flaws. With Christopher Doyle, funny enough, working the camera, we get a number of beautifully composed shots that will prove memorable.
Obsessive scientist Nathan and his lover, the naturalist Lila, discover Puff: a man born and raised in the wild. As Nathan trains the wild man in the civilized ways of the world, Lila fights to preserve the man’s natural state. In the power struggle that ensues, an unusual love triangle emerges.
A drama about a Maori family living in Auckland, New Zealand. Lee Tamahori tells the story of Beth Heke’s strong will to keep her family together during times of unemployment and abuse from her violent and alcoholic husband.
Lisbon Story is Wim Wenders' homage to Lisbon and films. A sound engineer obtains a mysterious postcard from a friend who at the moment is filming a film in Lisbon. He sets out across Europe to find him and help him.
Intent on seizing control of South East England's cocaine business, small-time crime boss Randall hires notorious hit-man Walker to take out his competition. When Randall betrays the hit-man, however, the tables are turned.
(Long Synopsis) "When former tennis pro Owen “Game Set” Match gets fired from his cushy job instructing at the affluent Fountain Club, he’s forced to take a position at the gritty public courts of the Derby City Recreation Center. There he contends with his new co-workers, a ragtag group of tennis pro misfits; his boss Sherry, a strong-willed, single mother; and her son Jake, a goth teenager and secret tennis hopeful. Slowly Owen begins to win over his colleagues, mend his broken friendships and help Jake fix his serve … and develops a romantic connection with Sherry, despite her insistence that she doesn't date tennis pros. Just when things seem to be looking up, Owen’s former boss and court nemesis challenges the Derby City club to a showdown in the annual Combo Cup tennis tournament. As he leads his team of oddball amateurs, Owen learns the most valuable lesson of all … On the court or off, everyone deserves a second chance!"
(Long Synopsis) "In this sexy, urban psychological-thriller, handsome Andrew Walters (Johan Earl) leads A Perfect Life, with a high-powered career as a corporate executive and his adoring, beautiful, blonde wife, Helen (Heidi Houghting), by his side. But Andrew lives a parallel existence that Helen knows nothing about and not since Fatal Attraction has an extra-marital affair gone so terribly wrong. When Rachel (Amelia Kaldor) decides she’s no longer happy as the other woman and that their relationship has no future, she plots a deadly, heart-stopping “game” of truth-or-dare in which she makes all the rules. Also starring Joe Estevez and Belinda Gosbee."
A woman with a troubled past is saved from drowning in a river and brought to a strange community hidden in the woods.
1984, Sandusky, Ohio. A naive 17-year-old navigates heartbreak and self-expression as he explores his sexuality.
A small Egyptian police band travels to Israel to play at the inaugural ceremony of an Arab arts center, only to find themselves stuck in the wrong town.
A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.
Three mischievous employees of a bank in a small deserted town all make plans to rob it at the same time, however none of them knows about the others.