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He nose you know! Chinatown is directed by Roman Polanski and written by Robert Towne. It stars Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez and John Hillerman. Music is by Jerry Goldsmith and cinematography by John A. Alonzo. Private investigator J.J. Gittes (Nicholson) is working on an adultery case but quickly finds himself embroiled in murder and corruption. The gathering of Polanski, Towne, Nicholson and Robert Evans (producer) put their respective skills together to craft one of the most lauded neo-noir films of all time. It's a searing picture awash with the staples of the film noir and gumshoe detective movies that graced cinema in the 40s and 50s. From the characterisations (suspicious femmes - mouthy coppers - sleazy kingpin - tough protagonist in a whirlpool of unravelling layers), to the hard boiled script, violence, sex and brutal revelations, it's a noir essential that only lacks chiaroscuro and expressionistic swirls to seal the complete deal. Allegoraries unbound, iconography assured and dialogue now in the lexicon of legends, Chinatown is not to be missed, not just by fans of noir, but fans of cinema, period. 9.5/10
**Great.** I can't say much about Roman Polanski because I feel I've seen too little of his work to make a more global analysis: I have only seen _The Ninth Gate_, _The Pianist_ and, now, this film. It's not much… but the truth is that they are three films that I really liked, and about which I have a very good opinion. This film is very good, fitting into a style that we can call “neo-noir”, insofar as its visual aesthetic is heavily inspired by noir, with the caveats that are due, as it is a color film and not black and white. Polanski is an attentive and meticulous director, who provides the audience with quality work, in which every detail has been thought of. With a story set in San Francisco during the 1930s, the film is very similar to the gangster movies that came out in the 40's and 50's. The story revolves around a private detective, an ex-cop, who is hired to watch a man in what appears to be just another case of adultery. Everything changes when he discovers that the woman who hired him is not a jealous wife. The search for answers will lead him to a web of intrigue and crimes that involves an important Californian company and a public works contract that can be decisive for the city's water storage. It's an excellent story, capable of holding us in the first few minutes and that harmoniously combines tension, romance and suspense, in the right measures. In addition to an excellent story, with a very well written script, the film presents us with a high quality cast headed by Jack Nicholson, at a time when he was still young and elegant enough to play heartthrob roles. The actor is very good and leaves in this film one of the most interesting works of his career. Faye Dunaway is not far behind and is simply wonderful, dignified and elegantly seductive, as a “femme fatale” should be. John Huston (Nicholson's father-in-law in real life, at this time) also appears in the film and makes a very positive and interesting participation. In addition to these qualities, the film also has superb production values: impeccably shot, with great angles and sharpness, it has very good cinematography, beautiful colors and light and shadow effects, in addition to excellent sepia tones that are called reinforcing the dominant "vintage" ambience. The film was a very detailed production, in which special attention was given to the creation of the sets and the choice of filming locations, so that everything fit well into the historical period. The choice of cars (which are important in the course of the plot) and the design of the costumes and props was also very careful. Last but not least, a note of praise for the excellent soundtrack, which was conceived by Jerry Goldsmith.
I think this might be my favourite role from Faye Dunaway. She is "Evelyn", a woman who suspects that her husband "Hollis" (Darrell Zwerling) is playing away from home. She engages the services of the cynical PI "Gittes" (Jack Nicholson) and pretty soon people are dead and he is embroiled in an internecine story of adultery, corruption and manipulation that proves pretty perilous for a detective who is working with one women he suspects is being a bit frugal with the truth and another whose identity he is desperately struggling to discover. Nicholson is also on super form, his performance is natural and engaging with a solid chemistry between his and Dunaway adding a richness to this rather quirky plot. Roman Polanski has assembled a strong supporting cast - notably John Huston who features sparingly but effectively as her wealthy, untrustworthy, father "Noah" and the photography does a great deal to help generate a sense of accumulating intrigue as we gradually make some headway through this complicated and interesting character study. The production looks great - the 1930s costume and motor cars alongside a smattering of the simmering attitudes that prevailed at the time are encapsulated well too. It's a shade over two hours, but it hits the ground running and never really stops until the ending that though not entirely unexpected, still has enough elements of surprise to keep it compelling.
Batman raises the stakes in his war on crime. With the help of Lt. Jim Gordon and District Attorney Harvey Dent, Batman sets out to dismantle the remaining criminal organizations that plague the streets. The partnership proves to be effective, but they soon find themselves prey to a reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as the Joker.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in tequila and decide to take one last trip to the sea. Drunk and still in pajamas they steal the first fancy car they find, a 60's Mercedes convertible. The car happens to belong to a bunch of gangsters, which immediately start to chase it, since it contains more than the pistol Martin finds in the glove box.
A police chief in the war-torn streets of Los Angeles discovers that an extraterrestrial creature is hunting down residents - and that he is the next target.
After years of war, the Federation and the Klingon empire find themselves on the brink of a peace summit when a Klingon ship is nearly destroyed by an apparent attack from the Enterprise. Both worlds brace for what may be their deadliest encounter.
Two men answer the call of the ocean in this romantic fantasy-adventure. Jacques and Enzo are a pair of friends who have been close since childhood, and who share a passion for the dangerous sport of free diving. Professional diver Jacques opted to follow in the footsteps of his father, who died at sea when Jacques was a boy; to the bewilderment of scientists, Jacques harbors a remarkable ability to adjust his heart rate and breathing pattern in the water, so that his vital signs more closely resemble that of dolphins than men. As Enzo persuades a reluctant Jacques to compete against him in a free diving contest - determining who can dive deeper and longer without scuba gear - Jacques meets Johana, a beautiful insurance investigator from America, and he finds that he must choose between his love for her and his love of the sea.
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.
Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.
Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.