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Undoubtedly still awful viewing, but... I found it a tiny bit more watchable than its predecessor. '365 Days: This Day' still has nothing that even closely resembles a plot, still has extremely limited actors and still shouldn't even exist. However, I'd be lying if I said I disliked it as much as the 2020 original. It's almost like taking out the sexual violence actually makes it more digestable, who'd a thunk it?! Unlike that other release, this falls into the more common category of just simply being rubbish. I will say, though, the music kinda slaps. The film is pretty much comprised of a series of sexual music videos placed back-to-back-to-back. Some of music used is well chosen I can't deny, I Shazam'd a couple... admittedly that probably says more about my taste in music than anything else! ¯\_(ツ)_/¯ There's even some minor neat cinematography, too. The positives I note are minimal, though, and don't overly help this 2022 production. I have more negatives, which also include an overlong run time and that shoddy ending. At least it marginally improves upon the film it follows, I wonder if its own sequel will do likewise? I plan to find out!
Oh hell naw!
FULL SPOILER-FREE REVIEW @ https://leakedcinema.com/en/movie/829557/365DaysThisDay Oh, that's beautiful: two people (?) sitting in the sunset, both beautiful, the guy has a tattoo on his palm, nowhere else (Redflag!!), she stares deeply in love at his quivering lips. The male lead looks as if the coke delivery from the wholesaler hasn't arrived, she's naked again. And then, wow, that look - like someone fell asleep on Instagram's sepia filter slider. Everything looks so beautifully even. In addition, the lovely sounds of the best that the German charts have to offer jingle from positions 58 to 72. Is it always the same song? Or lots of them that always sound the same? Is it even music or has someone kicked the neighbor's cat in the shin again? I don't know it. But no time to think. One of the mega hot soft sex games is just beginning, which is always really nasty and unpleasant. It's sooo romantic. She says “Fuck me”, he says nothing as usual, but his look has now changed from a coke hit to a stroke. And then he licks it. Oh, great. With the whole tongue, once across the face and the adjacent table leg. Luckily, the endless banter is filmed in super slow motion, so the torture...cinematic ecstasy lasts much, much longer. Suddenly he says... no, that's not true, he doesn't say anything. We only speak here in emergencies. Even if there's probably some kind of mafia plot being told, which I overlooked in all the constant fucking around. Unfortunately, I didn't understand who all these people were until the end. Well, of course it's stupid that I didn't see the first part, but it's also a little bit unusual that this sequel doesn't make any effort to give these characters any depth. Or to explain what is actually going on here. Is anything even going on? Well, it doesn't matter. The guys are supposed to be cute and the women are supposed to be persistent and stupid. And oh - they start slobbering on each other again 😍😍😍 ———— “365 Days - This Day” is like “Fifty Shades of Gray” for sexually frustrated amoebas like Dr. RTL2's summer question page is filmed as if the Netflix executive suite was personally shitting in your brain, in slow motion. Infuriatingly misogynistic, absurdly badly acted and of course at number 1 on the Netflix charts. When is there a power outage when you need one?
If I were in the mood to watch adult content, Netflix would definitely not be my first choice. The movie I stumbled upon was a total disaster, making me extremely uncomfortable, especially when children unexpectedly walked into the room. It was a messy experience that I strongly advise against. "365 Days" seems to be all about sex and trying to engage the audience solely on that basis. The sequel follows the same pattern, and both films are filled with excessive plot holes, acting issues, and seem to lack a meaningful storyline. It feels like they are veering towards the wrong direction, almost resembling pornography rather than a film with substance. Despite being somewhat enjoyable, these movies left me questioning why they were even made. I only watched the sequel because I had seen the first one and felt compelled to review both at the same time, even though I found them both to be quite terrible.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman.
In the middle of the Los Angeles ghetto, drugs, robberies and shootings dominate everyday life. During these times, Furious tries to raise his son Tre to be a decent person. Tre's friends, on the other hand, have little regard for the law and drag the entire neighborhood into a street war...
Leonard is an English tailor who used to craft suits on London’s world-famous Savile Row. After a personal tragedy, he’s ended up in Chicago, operating a small tailor shop in a rough part of town where he makes beautiful clothes for the only people around who can afford them: a family of vicious gangsters.
Two friends stumble their way through marriage. Feeling exhausted, they start to question if getting married must be the ultimate goal of relationships.
Devoted to her family’s rice-cake–making business and the high school baton club, Tamako is a little slow when it comes to love. She’s oblivious to her childhood friend Mochizo’s affections, even though all their friends know. With graduation closing in and Mochizo leaving for Tokyo, will Tamako realise her feelings and tell him in time?
The story of Tom and Joann Hammil, a divorced couple who explore new relationships while maintaining their mutual affection a year after their sixteen-year marriage has ended. A sequel to Breaking Up (1978).
A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.