Christmas in Big Sky Country 2024 - Movies (Dec 22nd)
Spithood 2024 - Movies (Dec 22nd)
Starve Acre 2023 - Movies (Dec 22nd)
Welcome Week A College Horror Anthology 2024 - Movies (Dec 22nd)
Pink Butterfly 2024 - Movies (Dec 22nd)
Catching Dust 2023 - Movies (Dec 22nd)
A Normal Family 2023 - Movies (Dec 22nd)
Sonic the Hedgehog 3 2024 - Movies (Dec 22nd)
Model House 2024 - Movies (Dec 22nd)
Four Souls of Coyote 2023 - Movies (Dec 22nd)
Vulgar 2024 - Movies (Dec 22nd)
Bad Tidings 2024 - Movies (Dec 22nd)
Buffalo Kids 2024 - Movies (Dec 22nd)
Nothing Even Matters 2024 - Movies (Dec 21st)
Katy Perry Night of a Lifetime 2024 - Movies (Dec 21st)
Happy Howlidays 2024 - Movies (Dec 21st)
Megalopolis 2024 - Movies (Dec 21st)
The Holiday Club 2024 - Movies (Dec 21st)
Diabolik - Who Are You 2024 - Movies (Dec 21st)
Stalked 2024 - Movies (Dec 21st)
Cold Road 2023 - Movies (Dec 21st)
The Count of Monte Cristo - (Dec 23rd)
The Famous Five - (Dec 23rd)
The Great Christmas Light Fight - (Dec 23rd)
Baddies Midwest - (Dec 23rd)
Joselines Cabaret Texas - (Dec 23rd)
Green Eyed Killers - (Dec 23rd)
Watch What Happens Live with Andy Cohen - (Dec 23rd)
The Chase Australia - (Dec 23rd)
The Real Housewives of Potomac - (Dec 23rd)
Married to Medicine - (Dec 23rd)
Snapped - (Dec 23rd)
A Plan to Kill - (Dec 23rd)
Letters and Numbers - (Dec 23rd)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Switzerland is presently the only country in the world where suicide assistance is legal. Exit: The Right to Die profiles that nation's EXIT organization, which for over twenty years has provided volunteers who counsel and accompany the terminally-ill and severely handicapped towards a death of their choice.
Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a character hardly found today. The film retells Frisch’s story as a witness of the unfolding 20th century, wondering if such “voices” are needed at all, or if we could do without them.
When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.
A documentary about Ibrahim Gezer, who escaped from war in Kurdistan to Switzerland. All is lost, except his love for beekeeping.
This fascinating program presents the story of Jerusalem and the Holy Land against the backdrop of history and prophecy. Jerusalem is the city where history began, and where many believe history will end.
In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.
An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.
Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.