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Jules and Gregs Wild Swim - (Jan 6th)
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The Travelling Auctioneers - (Jan 6th)
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"French" (Jeremy Pope) is an itinerant gay man who, estranged from his prison office mother "Inez" (Gabrielle Union), has concluded that the only way to stop himself becoming subsumed into an underworld of drugs, disease and most likely death, is to join the US Marines. Having failed at just about everything else, his mother is somewhat sceptical, but to bootcamp he goes where he encounters the stereotypically brutish gunnery sergeant-major "Laws" (Bokeem Woodbine). It's all based on a true story directed and adapted from his own story by Elegance Bratton, so jeopardy here there isn't. That said, Pope and Woodbine are both on good form as the former runs the gamut of a tough training regime coupled with a prejudice against his sexuality that proves distinctly dangerous. His trainer offers him nothing by way of support or sympathy, intent on instilling the most primitive of "survival of the fittest" mentalities amongst all of his recruits. It is a little procedural, but it's still an interesting tale from a man who resisted the temptations to jack it all in - and sends a clear message of perseverance and determination that does resonate to a certain, predictable, extent. Essentially, though, it's a television movie that doesn't really need a cinema screening and though watchable and important, it isn't a story that will linger in the memory for long afterwards, I'm afraid.
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.
Ronia lives happily in her father's castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronia have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.
Imprisoned in the 1940s for the double murder of his wife and her lover, upstanding banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden. During his long stretch in prison, Dufresne comes to be admired by the other inmates - including an older prisoner named Red - for his integrity and unquenchable sense of hope.
The Maclean brothers, Paul and Norman, live a relatively idyllic life in rural Montana, spending much of their time fly fishing. The sons of a minister, the boys eventually part company when Norman moves east to attend college, leaving his rebellious brother to find trouble back home. When Norman finally returns, the siblings resume their fishing outings, and assess where they've been and where they're going.
While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.
In the style of a documentary this tragic comedy tells the story of a relationship crisis between two married couples and their longing to break out of their miserable daily lives. In this East German post-wall movie Andreas Dresen introduces the sad everyday life of two couples from Frankfurt an der Oder in a honest and tolerable manner.
A federal agent searches for a potential killer among the bizarre residents of a dilapidated Los Angeles hotel.
A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.
Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in taboo trysts and a tangled love triangle.