One of Them Is Named Brett

This is the face of someone the world assumes was stripped of her potential at the age of 18. But tragedy is not Mallory Weggemann's reality. Suddenly paralyzed from the waist down, she was turned loose to become a Paralympic Champion and activist. As Mallory's story unfolds, we come to understand that it was because of, not in spite of, that moment that she discovered who she really is.

As they play carefree music, their musicianship is met with surprise, wonder, and sometimes even laughter. Captivating all who watch, Otoasobi Project’s rich variety of expression reshapes the concept of improvised music. Formed in 2005 in Kobe, Japan, Otoasobi Project has some 50 members, including people with intellectual disabilities, musicians, and music therapists, who pursue music and well-being through improvised performances. After many years of numerous workshops, concerts, and other activities, they even held their first tour in the UK in September 2013. The movie “Whereabouts of Sound” depicts the appeal of the improvised music Otoasobi creates, and the beauty of its natural, honest expression.

Champions is a documentary in which filmmaker Helgi Piccinin follows the quests of his autistic brother Stéphane and his atypical friend Audrey. Born with an intellectual difference, Stéphane and Audrey want to prove to the world that they too can win medals. For three intense years marked by training and competitions, we follow them until the end of their ambitious dream, that of competing at the Special Olympics World Games in Dubai. Intertwining both sports odyssey and human portrait, this feel-good documentary offers an immersion into a fascinating world where athletes with an intellectual difference are at the forefront.

A documentary about an innovative Disability Studies class at NYU Tandon School of Engineering where engineering students and adults with cerebral palsy learn to communicate, connect, and cultivate their abilities by making movies.

The film director Niko von Glasow undertakes a journey to athletes, who compete at the Paralympic Games in London 2012. He himself is a short-armed avowed hater of sport who cannot understand how anyone could take on such an odeal voluntarily. Even more since everyday life for people with a disability is most often challenging enough. He meets U.S.archer Matt Stutzman, Norwegian table tennis player Aida Dahlen, German swimmer Christiane Reppe, Greek boccia player Greg Polychronidis and a Sitting Volleyball team. Niko neither spares the athletes nor himself asking questions about life, sport and fears. With an ever growing appreciation for sport Niko attends the Paralympic Games and travels back to the ancient city of Olympia, where everything began and where boccia playing is prohibited.

As a visibly disabled person, filmmaker Reid Davenport is often either the subject of an unwanted gaze — gawked at by strangers — or paradoxically rendered invisible, ignored or dismissed by society. The arrival of a circus tent just outside his apartment prompts him to consider the history and legacy of the freak show, in which individuals who were deemed atypical were put on display for the amusement and shock of a paying public. Contemplating how this relates to his own filmmaking practice, which explicitly foregrounds disability, Davenport sets out to make a film about how he sees the world from his wheelchair without having to be seen himself.

A professional company of actors with disabilities defies expectations by taking center stage in Chicago the musical.

Animator Mathieu Labaye's tribute to his father, who suffered from multiple sclerosis and was confined to a wheelchair.

Ramba Zamba: a theater with handicapped and non-handicapped people/actresses and actors, which has been living and working on inclusive integrative togetherness impressively every day for thirty years now. The film accompanies the mentally and physically impaired actresses and actors for six months through the theatrical production of the play GOLEM, from the beginning of rehearsals to the premiere. In doing so, the film is also partly influenced by the portrayed persons themselves, quasi inclusively co-determined, by them capturing their own view and perception, their view of reality itself on film.