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Much is made of the physical history of this film. The fact that it's only decent copy lies safely in the vaults of UCLA but I wonder if maybe that's not the best place for this rather unremarkable melodrama? The story centres around "Isabella" (Ann Harding) who marries "Sir Robert" (Conrad Nagel) who accepts her son but his sister "Cornelia" (Cecilie Loftus) doesn't. She now gets up to a bit of manipulation and stirring and that ends up driving the mother away, and to Paris where she makes a new life for herself - never forgetting the child she was forced to leave behind. When it turns out that the encroaching Prussians are going to upset her apple cart and an explosion puts her in the care of physicians who advise that that a darkened room is needed if she is to save her sight, she decides she must return to Britain and see her young lad whilst she still can. There are one or two scenes here where the dialogue is suitably robust for Harding to deliver well, especially when facing down her meddling sister-in-law, but for the most part this is really nothing special. The story follows a fairly predicable path of woe and merriment and more woe and try as I did, I just couldn't really get invested in the affairs of "Isabella" or her predicament - even if her treatment by the men in her life was at best indifferent, at worst cruel and possessive. The photography's fine and all in all it's an adequate drama, but one I think I'll only ever watch once.
Tom is a grossly engineered man who is getting a bit old now. Despite his age, he wants to learn to play the piano. However, his music teacher Tina is search desperate for his talent. And so Tom has to find his own language and access to music.
A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.
The lives of two young families who lived in the same house, starts turning upside down when they find the amulet that La Llorona uses to try to pull her children from the waters and bring them to life. While the authorities investigate what appears to be abused children, the spirit of La Llorona intensifies her attacks on those families.
During an ordinary car ride to a friend's house, father and son share a conversation about their estranged relationship.
Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.
Sophie, a quiet and shy maid working for an upper-class French family, finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers.
Mitsuomi Kozuka quits his job due to his boss. He decides to return to his hometown for the first time in 10 years. The town is located in the countryside. There, Mitsuomi Kozuka meets Yamato Kumai. Yamato Kumai is the stepson of old man Kumai. The old man runs a farm near the home of Mitsuomi Kozuka's parents.
After a year away for work, a husband spends his first night back home trying to reconnect with a wife who seems more distant than he remembered.
A man named Farmer sets out to rescue his kidnapped wife and avenge the death of his son – two acts committed by the Krugs, a race of animal-warriors who are controlled by the evil Gallian.
A man who lost his family in the September 11 attack on New York City runs into his old college roommate. Rekindling the friendship is the one thing that appears able to help the man recover from his grief.