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I don't know that honesty is always the best policy, but I think that this melodrama might have gone much more smoothly for the married "Dorothy" (Sally Eilers) and "Eddie" (James Dunn) if they, especially the latter, had just been a little more upfront with the other. She basically thinks all men are predatory wastrels; he that women just want to shop their way trough life. Despite these obvious misgivings, and because he treats her with almost as much disinterest as she does him, the pair start to quite like each other. She's got a brother who is a controlling pain in the neck, so they come up with a plan to get her married so she's out of his ambit. Swiftly, with a baby looming, he loses his job and desperate times call for desperate measures - all against a tapestry of mistrust and scepticism! There are times when I just wanted to bang their heads together and I took that as a sign that they were all doing their jobs properly. Dunn delivers quite engagingly, especially as the film progresses and his character's inability to simply be honest and less priggish just worsens his problems. It takes a while to get going, but once the dynamic is laid out for us, then this is quite an amiably presented look at the stupidity of human nature and of the breadwinning custom and is well worth ninety minutes - though maybe not if you're headed to a maternity ward anytime soon.
During Civil War Reconstruction, the Connelly family is romantically restored to their former glory when Will Connelly marries a Yankee farm girl, Joanna Tate, despite the objects of his temperamental father Bob Connelly.
A runaway heiress makes a deal with the rogue reporter trailing her but the mismatched pair end up stuck with each other when their bus leaves them behind.
When war is declared in 1914, glamorous Russian Carla Vanirska manages to get to Vienna from Luxembourg, with the help of Captain Rudolph Ritter of the Austrian army. Meanwhile, Ritter is assigned to detect the identity of a spy.
A naive farmer encounters a beautiful burlesque dancer on the streets of New York and agrees to pose as her husband during her mother's visit.
At one of his many visits to his doctor, hypochondriac George Kimball mistakes a dying man's diagnosis for his own and believes he only has about two more weeks to live. Wanting to take care of his wife Judy, he doesn't tell her and tries to find her a new husband. When he finally does tell her, she quickly finds out he's not dying at all (while he doesn't) and she believes it's just a lame excuse to hide an affair, so she decides to leave him.
A slacker switches up his cleaning job by pretending to be a mental coach's assistant and consults an injured ice skater who has lost her confidence.
New York City tenement dwelling neighbors Blondie and Lottie are longtime best friends. When Lottie makes the cast of the Follies and moves up in the world, she arranges for Blondie, as well, to join the cast and gain the advantages. But the friendship goes awry when Lottie's sweetheart, wealthy Larry Belmont, falls for Blondie and she for him.
A Depression-downtrodden waif uses her brains instead of her body to rise from tyro con artist to crime boss.
