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Now you are in my world-darkness! Eyes in the Night is directed by Fred Zinnemann and adapted to screenplay by Guy Trosper and Howard Emett Rogers from Baynard Kendrick's novel The Odor of Violets. It stars Edward Arnold, Ann Harding, Donna Reed, Stephen McNally, Katherine Emery, Allen Jenkins, Stanley Ridges and Friday the dog. Photography is shared between Robert Planck and Charles Lawton and the music is scored by Lennie Hayton. Plot finds Arnold as blind detective Duncan Maclain, also a judo expert, he is always accompanied by his intelligent seeing-eye dog, Friday. Maclain is called on to a murder case for his friend, Norma Lawry (Harding), but the body is missing and there appears to be something very sinister going on at the Lawry family home. A cracking little thriller boosted by a top cast (Donna Reed playing a bitch step-daughter!) and moody photography. What it lacks in simplicity of plot it more than makes up for in terms of execution and tone, with the added "gimmick" of the detective being blind further enhancing the effectiveness of the picture. In fact, that Arnold is so good, and his dog so brilliant (seriously, this is one great dog), it marks this out as ingenious considering the limits of the Wartime story. Zinnemann knits it together skillfully, never letting the pace sag or the tension drop, while there's some great scenes dotted throughout: such as one filmed in total darkness, lit up intermittently by the flash of pistol fire. With the film 99% set at night of in darkened rooms, this lets Planck (The Canterville Ghost/Moonfleet) & Lawton (3:10 To Yuma/The Tall T) dally in atmospheric shadows and murky low lights. Clocking in at a slim 80 minutes with never a dull moment, Eyes in the Night is one of the more enjoyable film's of its type. Deserves a bigger audience. 7.5/10
This is quite an enjoyable thriller with a strong performance from Edward Arnold as "Jim McLain" - a blind detective who is sought out by his old pal "Norma" (Ann Harding) to try to help her put off one of her old boyfriends who is courting her 17 year old stepdaughter. When the cradle-snatcher is found murdered and his friend is the chief suspect, he arrives at her home with his agile guide dog "Friday" and soon discovers a complex Nazi plot to obtain secret papers from her husband. Frankly, the plot's all a bit far-fetched, but Arnold is on super form - especially on the organ, as is his very fleet-of-foot canine companion. Mantan Moreland also shows up now and again in his usual butler's guise to add a little humour to the proceedings and all in all this is a decent piece of wartime cinema.
If you were a brilliant young scientist diagnosed with only months to live, what choices would you make? To have faith that you were taken early for a reason and go quietly, or to use cryogenics to hope you could be cured someday in the future, or to download your consciousness into computer memory where you could still continue to interact with the ones you love?
A black detective becomes embroiled in a web of danger while searching for a fortune in missing drug money. During the course of his investigation, he encounters various old connections, ultimately confronting the criminal responsible for Shame's expulsion from the force. He must also deal with two women, Angela, a beautiful old flame, and Peaches, his energetic but annoying sidekick.
This titillating bit of pulp sensationalism was the last in a string of "B" films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.
Juan, a secret service agent, approaches Wendy, a young Filipina who works as a maid for a suspicious couple.
In a 16th-century European town, the ruling family has been given a prophecy that, should there ever be twin boys born, the younger will murder the older; so is dismayed when twins are born to the popular baron. The older grows to be a selfish, slovenly man, who inherits the castle at his father's death and becomes ruler over the formerly happy villagers. He enjoys his power until he learns his younger brother is returning from abroad and, afraid of the prophecy, he determines to murder his sibling, hide his body in the "black room" - an old torture chamber sealed away behind the fireplace - and then impersonate him, right down to his withered arm. In this way he hopes to not only avoid the prophecy, but also escape consequences of his other criminal deeds and obtain marriage to a local girl of the nobility...
In a cheap motel near Peckham California, a maid discovers a man's corpse in one of the rooms. The dead man, Professor Grabowski, is associated with the Brandt Research center, and an autopsy reveals he died of a massive coronary during sexual intercourse. Another similar death is discovered almost immediately, this time a younger man. This causes the federal government to send in Agent Neil Agar (William Smith) to get to the bottom of things. The socially distant Dr. Susan Harris (Anitra Ford), who is in charge of some mysterious research in bee culture, becomes a key suspect for Agar.Agar manages to piece the puzzle together himself, but before he can apprehend Dr. Harris, she lures Julie into her lab and begins the transformation process on her. Agar arrives in time to stop the procedure, firing a bullet into Harris's machine and breaking it. The lab begins to explode, and the bee girls slowly die, including Dr. Harris. The film ends as Agar and Julie begin a romantic interlude.
Ned Ravine is a police officer and lawyer who occasionally defends the delinquents he arrests. He crosses paths with seductive Lola Cain during an assignment and promptly begins an affair with her. Meanwhile, Ned's wife, Lana, is deep in an affair of her own. Lana and her lover are planning to murder Ned in an elaborate fashion so they can collect on his triple indemnity life insurance policy.
In the late 1950s, British police officer Tony Aaron resigns from the force after sleeping with Hazel, wife of the man whose house he was supposed to guard. In his new job as a fake private investigator, he helps couples get divorces by photographing Hazel having "affairs" with the husband. When she is murdered during a job, Tony begins having an affair with the dead man's mistress, Angeline, while trying to prove his innocence.
'Rocks' Owen, the well-off owner of a car-hire business, is found murdered; the last place he was seen alive was the Blue Parrot nightclub. Scotland Yard go in to investigate, with the help of a visiting American detective and a nightclub hostess who may not be all she appears to be.
A mysterious artifact unearthed below a London subway station proves to have powerful psychic effects on the people around.
Bank teller Mike Donovan (Barry Sullivan) takes the first step on the road to Perdition when he fails to report a $49,000 shortage. Accused of theft, Donovan is fired from his job. He is then prevented from finding other employment by Javert-like insurance investigator Gus Slavin (Charles McGraw). Despite many setbacks, Donovan attempts to clear his muddied name.