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Love Island - (Jul 3rd)
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An investigative look and analysis of gender disparity in Hollywood, featuring accounts from well-known actors, executives and artists in the Industry.
Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'
This documentary movie explores why women get less than 2% of Venture Capital funding and how we can change that situation. The women include Dawn Lafreeda, whose money making means have been a main source of controversy. As one of the top franchise owners of Denny's Corp, Ms. Lafreeda makes her money at the expense of animals who are enduring extreme cruelty in Denny's supply chain. This has been brought to her attention, as well as Denny's top leadership, and the issue continues to be brushed aside. The movie may leave you wondering... should we applaud women profiting from animal abuse just because they are women?
A conceptual short film starring Natalie Merchant as various archetypal female characters, plus a series of music videos from Merchant’s first two solo albums.
Nabila Djahnine, president of the feminist association Thirghri N'tmetout, died in hands of an armed group in Tizi Ouzou (Algeria) in 1995. The Islamists forced women, on pain of death, to wear the hijab or stop working. It was the first time a feminist woman paid with her life. Nabila wrote a letter to her sister Habiba in 1994. This documentary is her answer. In 2006 Habiba comes back to the place to restore her sister’s memory, her point of view, the day of her death and the political moment Algeria was going through at that time.
French powerhouse climber Mélissa Le Nevé tries to become the first woman to traverse Action Directe, one of the most revered and challenging routes in the sport.
"Nobody told us that they would kill us, but neither did they tell them they would not silence us". Women journalists from several parts of Mexico who cover the beat of hard news, reveal the challenges they face when doing their work with various actors: their sources, law enforcement officers, drug trafficking and the state. Mexico is one of the most dangerous countries in which to practice journalism. Several reporters have been assassinated since 2000. Within this context, female journalists face a double challenge: firstly, to work in a country with a high level of anti-press, violence, and, secondly, the state and situation of their gender in a country riddled with femicide.