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Intrinsically Verhoeven, _Total Recall_ is a film from my youth that I probably shouldn't have been watching quite as early as I did, but that I still love to this day. All the practical effects, exquisite violence & nudity and provocative sci-fi themes you've come to expect from this sort of thing, but twists and turns that start just five minutes in and keep running all the way through to the end. _Total Recall_ is a must-see. _Final rating:★★★★ - Very strong appeal. A personal favourite._
Verhoeven bonkers adaptation of a P. K. Dick story. Doug Quaid keeps getting recurring dreams about a visit to Mars. In spite of his friends warnings, he decides to have a memory implanted Mars holiday. But during the implantation he remembers being a secret agent who is fighting evil Mars boss Vilos Cohaagen. Things are about to go very intergalactic bonkers indeed. Total Recall finds director Paul Verhoeven on particularly OTT form, with the often maligned director cranking up the action and violence to the max. So then, who better to play out the carnage than the big Austrian oak himself, Arnold Schwarzenegger? It was actually Schwarzenegger who brought Verhoeven into the picture. The idea for the film had been kicking around for years, a number of director's came and went, David Cronenberg famously worked on a screenplay for a year only to have it jettisoned for being too close to the P. K. Dick short story "We Can Remember It For You Wholesale". The makers wanted a high energy sci-fi blockbuster, a star vehicle for Schwarzenegger, and Verhoeven was only too happy to oblige. Total Recall is a fascinating concept as we find ourselves wondering what in fact is reality? Quaid himself is never quite sure as the film takes a delicious twist at the midpoint to further compound the confusion, but in true Verhoeven style, it all comes crashing together in a giant ball of bangs, crashes and explosions. It should be noted that the film is far removed from the cerebral essence of Dick's story, and really when one saw that Schwarzenegger was to star in a Verhoeven directed adaptation, one really should be prepared for the high octane brain dumb down that Total Recall is. Something which was beyond some highbrow critics who are still baffled by the gargantuan financial success of the film (it made over $260 million worldwide). Fleshing out the cast are a stoic reliable bunch. Rachael Ticotin, Ronny Cox, Sharon Stone & Michael Ironside deliver the expected tongue in cheek professionalism. While the effects prove to be a mixture of the poor and the decent; tho it's nice to see the often lost art of model work being of a pretty high standard. All of which leaves me personally with a film that I find to be a hugely enjoyable piece of uber violent popcorn fodder. 8/10
Aside from maybe "Predator" (1987) this is probably my favourite outing from Arnold Schwarzenegger. He ("Quaid") goes off to have an harmless implant of memories from an holiday on Mars (that he hasn't had) only to find that his life starts to unwind very quickly afterwards. Even his girlfriend "Lori" (Sharon Stone) becomes a would-be assassin and he is soon under attack from just about every other quarter too. Why? Well, that's what we now explore as he decides that he - helped by a video iteration of himself - must travel back to the red planet and get to the bottom of things. My flaw - well Ronny Cox is just dreadful as "Cohaagen" which does prove important towards the end of the film, but for the main part it is an action packed and well directed vehicle for a very much on-form star. It's one of the first films I recall that started messing about with timelines. We are not quite sure what happened when or if, indeed, at all - and Paul Verhoeven keeps that tempo running well right from the start of the film. Arnie has a chance to deliver some quite fun one-liners and the visual effects enhance, sparingly, the production rather than impose themselves on it. It has dated a little, some of the sets do look a bit static, but thirty-odd years on, it's still standing up well and is well worth seeing.
Man, it's almost like Saw with it's torture-porn thing... only the over-the-top gore actually fits beautifully into the story in the most entertaining way possible, even when it is so 80s cheese that it's almost comical. But the ultra-violence is part of the fun of these types of films. It's part of the reason why people love them... and it's over-the-top in a way that can't really be done today. It's also pretty stylistic and fun and that brings you into the world that the story is trying to create, while at the same time it leaves the viewer thinking that they are watching one heck of a mystery. Like Blade Runner, if you wanted to, you could walk away thinking that it's all an illusion, that what you thought was real was fake... if you wanted to be that deep. But let's face it, no one really bothers to debate that because what we are watching is an action sci-fi movie that is so well done, we don't want it to be as deep as it really is.
The classic illustrations of Pauline Baynes from the Chronicles of Narnia book series are lightly animated as Prince Caspian narrates the adventures of the Dawn Treader preceding the sudden appearances of Lucy, Edmund, and Eustace.
Alex Rider thinks he is a normal school boy, until his uncle is killed. He discovers that his uncle was actually spy on a mission, when he was killed. Alex is recruited by Alan Blunt to continue the mission. He is sent to Cornwall to investigate a new computer system, which Darrius Sayle has created. He plans to give the new computer systems to every school in the country, but Mr. Blunt has other ideas and Alex must find out what it is.
Simon Templar (The Saint), is a thief for hire, whose latest job to steal the secret process for cold fusion puts him at odds with a traitor bent on toppling the Russian government, as well as the woman who holds its secret.
In 2176, a Martian police unit is sent to pick up a highly dangerous criminal at a remote mining post. Upon arrival, the cops find the post deserted and something far more dangerous than any criminal — the original inhabitants of Mars, hellbent on getting their planet back.
Navy SEAL Shane Wolfe is handed a new assignment: Protect the five Plummer kids from enemies of their recently deceased father - a government scientist whose top-secret experiment remains hidden in the kids' house.
Raised as a slave, Danny is used to fighting for his survival. In fact, his "master," Bart, thinks of him as a pet and goes as far as leashing him with a collar so they can make money in fight clubs, where Danny is the main contender. When Bart's crew is in a car accident, Danny escapes and meets a blind, kindhearted piano tuner who takes him in and uses music to free the fighter's long-buried heart.
Set in the ghettos of Paris in 2010, an undercover cop and ex-thug try to infiltrate a gang in order to defuse a neutron bomb.
Marshall Lawson is the commander of an elite military unit. Marshall Lawson loses his strike-team in a cold-blooded and seemingly random attack, and he takes it upon himself to investigate the attack, with the help of his girlfriend Tia and his friend Dwayne.
Carmen and Juni think their parents are boring. Little do they know that in their day, Gregorio and Ingrid Cortez were the top secret agents from their respective countries. They gave up that life to raise their children. Now, the disappearances of several of their old colleagues forces the Cortez' return from retirement. What they didn't count on was Carmen and Juni joining the "family business."
This time, a cataclysmic temblor hits Los Angeles, turning it into an island. The president views the quake as a sign from above, expels Los Angeles from the country and makes it a penal colony for those found guilty of moral crimes. When his daughter, part of a resistance movement, steals the control unit for a doomsday weapon, Snake again gets tapped to save the day.