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FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/other-films-watched-spoiler-free-review-sundance/#emily "Emily the Criminal boasts two phenomenal performances from Aubrey Plaza and Theo Rossi, but its by-the-numbers crime-thriller narrative lacks sufficiently creative ideas to make it more than just an average viewing. The actress proves her immense talent once again, but it's actually the actor who surprises in a more grounded role that breaks many stereotypes related to this particular type of character. A good ending may leave the audience with an opinion more positive than what the film warrants, but it's admittedly entertaining and interesting enough... for a home release." Rating: C
Emily the Criminal is a brilliant look at the stakes a person will go to in order to dig themselves out of crippling student debt. I had a really good time with the film, Aubrey Plaza is fantastic as the lead, she carried this movie and made it an absolute treat to watch. The story hits on a lot of elements that the resonant with millennials while exploring them in a way that feels genuine. The plot is pretty good, although the main story points are almost all revealed in the trailers, which was a bit disappointing. There were times where I was having a hard time believing she could continue to get away with all the illegal activity she was getting up to without even raising suspicion, but I was able to turn my mind off and still have a solid experience. **Score:** _75%_ **Verdict:** _Good_ **Theater Verdict:** _See It_
**Emily the Criminal's intriguing story and committed performance from Aubrey Plaza brought great high notes, but slow sections and a sad conclusion added some low notes.** Emily the Criminal chronicles a woman's impossible struggle to find work and survive with the insurmountable burden of her criminal record standing in the way. Eventually, honest employment seems impossible, so she turns to a more lucrative but more illegal method of income. Her path to success in the credit card fraud racket was interesting, with all the dangers of her new work and the pressure of avoiding getting caught. Unfortunately, the plot's pacing ebbed and flowed between long sections of an engaging and exciting story and long sections of slower, less interesting content. The title's meaning transformed as the movie progressed and the characters developed, but the final moments just saddened me. The character growth came at the expense of others and kept me from being able to cheer for where everything ended.
Solid film, very cool to see Aubrey Plaza in more serious roles (I'm mostly familiar with her through *Parks and Rec*). Ending didn't really give me the resolution I was looking for, however, and mirroring the way Emily started (except now in South America) felt a little too easy from a storytelling point of view.
While “Emily the Criminal” isn't for everyone, it does succeed on many fronts. It's not your run-of-the-mill crime flick; instead, it's an in-depth look at the mind of its main character and examination of criminal behaviour. The film's overall noir vibe appeals to me, and I think its effectiveness as a small-scale thriller stems from its commitment to staying grounded, scaled down, and focused. Additionally commendable is Plaza's performance, and given that this is John Patton Ford's directorial debut, he, too, is deserving of recognition for his efforts. Yet, despite its entertaining nature, the film fails to make a lasting impression. ___ **Rating**: 7.0/10 _(Good)_
Aubrey Plaza is very good in 'Emily the Criminal'. I've predominantly seen her in comedic roles, so it's good to see her act in something thriller-ly. I enjoyed her performance from beginning to end, no complaints whatsoever. Theo Rossi also puts in a strong performance, while the rest of the cast are solid. It's an entertaing story, one that wraps up in a different way to what I would've predicted - but that's not a bad thing. Elsewhere, the music is decent - even if one bit of the score sounds straight out of 2011's 'Drive'. The run time is pleasantly short to boot. Rewatchable, in a word.
Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.
Axel Foley returns to the land of sunshine and palm trees to investigate the near-fatal shooting of police Captain Andrew Bogomil. With the help of Sgt. Taggart and Det. Rosewood, they soon uncover that the shooting is associated with a series of "alphabet" robberies masterminded by a heartless weapons kingpin—and the chase is on.
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.
In early-1970s Las Vegas, Sam "Ace" Rothstein gets tapped by his bosses to head the Tangiers Casino. At first, he's a great success in the job, but over the years, problems with his loose-cannon enforcer Nicky Santoro, his ex-hustler wife Ginger, her con-artist ex Lester Diamond and a handful of corrupt politicians put Sam in ever-increasing danger.
All grown up in post-apocalyptic 2018, John Connor must lead the resistance of humans against the increasingly dominating militaristic robots. But when Marcus Wright appears, his existence confuses the mission as Connor tries to determine whether Wright has come from the future or the past - and whether he's friend or foe.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
NYPD cop John McClane's plan to reconcile with his estranged wife is thrown for a serious loop when, minutes after he arrives at her offices Christmas Party, the entire building is overtaken by a group of terrorists. With little help from the LAPD, wisecracking McClane sets out to single-handedly rescue the hostages and bring the bad guys down.