His Three Daughters 2024 - Movies (Sep 9th)
The Front Room 2024 - Movies (Sep 9th)
The Twisters 2024 - Movies (Sep 9th)
Kill 2023 - Movies (Sep 9th)
Junkyard Dog 2023 - Movies (Sep 9th)
Inside Out 2 2024 - Movies (Sep 9th)
The Crow 2024 - Movies (Sep 9th)
Blink Twice 2024 - Movies (Sep 9th)
Beetlejuice Beetlejuice 2024 - Movies (Sep 8th)
Escape 2023 - Movies (Sep 8th)
Watchmen Chapter I 2024 - Movies (Sep 8th)
Revealed KillJoy 2024 - Movies (Sep 8th)
Slaughterhouse On The Hill 2024 - Movies (Sep 8th)
Woods Witch 2023 - Movies (Sep 8th)
A Thousand and One 2023 - Movies (Sep 8th)
Scooped 2024 - Movies (Sep 7th)
Better Not Kill the Groove 2024 - Movies (Sep 7th)
Dont Turn Out the Lights 2023 - Movies (Sep 7th)
Off Ramp 2023 - Movies (Sep 7th)
Head Over Heels 2024 - Movies (Sep 7th)
Shoshana 2023 - Movies (Sep 6th)
The Bold and the Beautiful - (Sep 10th)
The Talk - (Sep 10th)
90 Day Fiance- The Other Way - (Sep 10th)
The Young and the Restless - (Sep 10th)
The Great North - (Sep 9th)
Sherwood - (Sep 9th)
Panorama - (Sep 9th)
Fight Night- The Million Dollar Heist - (Sep 8th)
The Answer Run - (Sep 9th)
The Boy That Never Was - (Sep 9th)
Escape to the Country - (Sep 9th)
No Gain No Love - (Sep 9th)
Baddies Caribbean - (Sep 9th)
Bobs Burgers - (Sep 9th)
Bargain Hunt - (Sep 9th)
The Chase Australia - (Sep 9th)
Tipping Point- Lucky Stars - (Sep 9th)
Mancháns Europe By Train - (Sep 9th)
The Amazing Race Australia - (Sep 9th)
Letters and Numbers - (Sep 9th)
This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.
Award-winning artist Wim Helsen proves in his fifth theater performance that he not only has deep, absurd thoughts, but is also a good listener.
Registration of the matinee performance written by the Dutch comedian Youp van 't Hek, commissioned by Toneelgroep Centrum.
Micha Wertheim asks himself and his audience how to live and survive in a gloomy future perspective. Populism seems to have been taken for granted by both right-wing and left-wing parties. Racism, sexism, anti-Semitism seem to be increasing. The planet is dying. The factory farming industry is still booming. We have reached a dead end and we are standing with our noses against a blank wall. All we can do now is turn around to see how we got here, with our backs against the wall.
Registration of the theatre program by the Dutch musical comedy duo Het Monica Da Silva Trio (Tim Kamps and Arjen Lubach).
Registration of the second theatre program by the Dutch comedian Paulien Cornelisse.
The debut of this Dutch comedy duo. They won the Dutch Cameretten festival which a short (early) version of this show.
TV recording of the hommage to the Dutch lyricist Jurrian van Dongen. Van Dongen wrote countless song lyrics for theater and television. He has been writing for the children's program Het Klokhuis for decades. He also writes for theater programs by Wende Snijders, Jenny Arean, Paul de Leeuw, Alex Klaasen and many others. In addition, he was a teacher at a cabaret academy for a new generation of lyricists.
The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.