O mužoch, ženách a deťoch

Social ballad. Three short stories – "Uzlík tepla", "Chlapec a pánboh" and "Rubári" – depict three different human stories, the common denominator of which is suffering and existential threat.

The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.

Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.

Pitch: A student gets absurd while working in a baseball club, and depicts the conflict that takes place in it. Electrical Technician: On the day of the written exam, Hyeon-woo finds Jong-beom cheating and informs the teacher of this fact but it didn't work. Spring: A wood factory in a deep mountain valley. Three young people live there. Chi-woong likes Hye-mi. Hye-mi wants to leave, and Seong-cheol follows Chi-woong like he's the king. Chi-woong tries to get in with Hye-mi by using Seong-cheol, but fails every time. Chi-woong and Seong-cheol's behavior is becoming more excessive, and Hye-mi's flower pot from the rooftop dropped, eventually killing someone. No one left that place after the incident.

Four different women discuss life, love and marriage with people from their past and present during the course of one day at a café in Seoul.

Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 2: In Too Deep contains nine complete films: Till Kleinert's "Cowboy" starring Oliver Scherz and Pit Bukowski; Håkon Liu's "Lucky Blue" starring Tobias Bengtsson and Tom Lofterud; Matthieu Salmon's "Weekend In The Countryside" starring Théo Frilet, Pierre Moure, and Jean-Claude Dumas; Soman Chainani's "Kali Ma" starring Kamini Khanna, Brendan Bradley, and Manish Dayal; Julián Hernández's "Bramadero" starring Cristhian Rodríguez and Sergio Almazán; Craig Boreham's "Love Bite" starring Will Field and Aidan Calabria; "The Island" featuring director Trevor Anderson ; Arthur Halpern's "Futures (and Derivatives)" starring Kelly Miller, Cam Kornman, and Bill Barnett; and Tim Hunter's "Working It Out" starring Simon Kearney, Paul Ross, and Glaston Toft.

Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 3: American Boy contains seven complete films: Adam Salky's "Dare" starring Adam Fleming, Michael Cassidy, and Marla Burkholder; Jody Wheeler's "In The Closet" starring J.T. Tepnapa and Brent Corrigan; Dennis Shinners's "Area X" starring Matt Schuneman and Antony Raymond; Julian Breece's "The Young & Evil" starring Vaughn Lowery, Diana Elizabeth Jordan, and Reggie Watkins; Brian Krinsky's "Dish :)" starring Matthew Monge, Jeff Martin, and Octavio Altamirano; Carter Smith's "Bugcrush" starring Josh Caras and Donald Cumming; and Kyle Thomas Coker's "Astoria, Queens" starring Aaron Michael Davies, James Heffron, Sangeeta Parekh, and Hayley Thompson-King.

Elliot Tittensor (TV's Shameless) stars as Daz in headlining film PROTECT ME FROM WHAT I WANT, a gripping British film debut that sees him woo a young lad in an underpass, only to be threatened with a break-up the following morning. Passive and submissive roles are tackled and tugged in gay graffiti tale VANDALS and Icelandic grapple-fest WRESTLING, while POSTMORTEM, MY NAME IS LOVE, and Iris Prize-winner STEAM look at promising encounters that turn awry. Rounding out the collection are HEIKO, an alternative ode to foot fetishes, BREATH where 12-year-old Erik swims out to sea to make a daring move on his best friend's father, and the crème de la crème from this collection TREVOR, which won multiple prestigious awards from Sundance, Berlinale, and even The Academy Awards (Oscar) for Best Short Film.

The hero of the opening story, the Postman Puppet (directed by Zdeněk Troška), works as a postman in the mountains. When his wife is taken to the maternity ward, he goes on his usual hike through the solitudes. Little Libor goes after the father of two girls (Petr Pospíchal), who longs for a son. Meanwhile, the weather on the ridges worsens sharply. An experienced mountaineer and his little friend spend the night in a makeshift shelter... The second episode of Hádanka (directed by Jan Ekl) has a criminal plot. A new father (Vlastimil Hašek) gets drunk with friends in a wine bar and the next day becomes a suspect in a murder. He doesn't remember the critical moments, but his testimony leads to the capture of the real perpetrator... The main character of the final short story True Love (directed by Vladimír Drha) is a frat boy (Pavel Zedníček) who spends whole days in pubs. He gets a harsh lesson from his wife, who refuses to let him see the baby...