El sirviente

Britney Spears has said that her conservatorship had become “an oppressive and controlling tool against her”. This New York Times investigation reveals much of how it worked, including an intense surveillance apparatus that monitored every move she made.

The misty forests above North Vancouver, British Columbia are hallowed ground for mountain biking, a place so harrowing it’s influenced every aspect of the sport for over 30 years. It’s also where Betty Birrell, at age 45, picked up mountain biking after a career as a mountaineer and professional windsurfer. Three decades later, the single mother is a role model for her son, her friends and anyone she’s met along the way – and proof that you’re never too old to send.

WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.

This feature length documentary sheds a light on British presence in India from 1609 till 1947. The documentary aims to focus on the factors behind India getting Independence apart from the Freedom Movement by the National leaders.

In the shadow of Bryant-Denny Stadium stands one of the most iconic Tuscaloosa restaurants, Rama Jama's. This local diner is a key tradition in the Alabama Football season, and its own story has much to tell.

As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.

With the aim of studying sexuality and the role of disciplinary power in controlling the female body for a Philosophy of Communication course, the short follows accounts by non-straight women about their process of discovering their sexuality and acceptance.

Award-winning French writer Christine Angot goes on a business trip to Strasbourg where her father lived before dying several years ago. It is the city where she met him for the first time at the age of 13, and where he sexually abused her over the following years. His wife and children still live there. Angot takes a camera and knocks on the doors of her family to push them to clarify their attitudes to her father’s crime that stretched over so many years. A cinematographic journey that challenges social norms and family perspectives in dealing with incest.

1972 in Haute-Savoie (France) : the Bertrand's farm, with a hundred dairy cows owned by three bachelor brothers, is filmed for the first time. In 1997, they were the subject of Gilles Perret's first movie, as they let their farm to their nephew Patrick and his wife Hélène. Nowadays, 25 years later, Gilles Perret take another look at this farm, managed by Hélène who will step down. Through their words, an intimate, social and economic history of the rural world.