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Manhunt - (Jan 28th)
The Young and the Restless - (Jan 28th)
The Price Is Right - (Jan 28th)
FBI- International - (Jan 28th)
Come Dine with Me - (Jan 28th)
Chris Jansing Reports - (Jan 28th)
The Bidding Room - (Jan 28th)
Katy Tur Reports - (Jan 28th)
Dogs Behaving (Very) Badly - (Jan 28th)
Murder Trial - (Jan 28th)
Inside the Factory - (Jan 28th)
Worlds Most Evil Killers - (Jan 28th)
Piers Morgan Uncensored - (Jan 28th)
Betting on Paradise - (Jan 28th)
Andrea Mitchell Reports - (Jan 28th)
Escape to the Country - (Jan 28th)
Lets Make a Deal - (Jan 28th)
The Chase Australia - (Jan 28th)
Fist of the North Star - (Jan 28th)
Family Feud Canada - (Jan 28th)
Just found this in the bargain bin for $3. What a cast! Shia had such potential, very intense, perfect for this role. Maybe he can find his way out of wherever he is now and become the great actor he was on the brink of being. In general, the cast just looked old and tired for the activities they had to perform. I found that took away from what was a very interesting and varied plot line with enough twists to keep me interested for the whole 2 hours plus. I do recommend this film and it will go on my 'keepers' shelf for future viewing.
The Company You Keep keeps excellent company; Robert Redford, Chris Cooper, Susan Sarandon, Nick Nolte, Terrence Howard, Sam Elliott, Stephen Root, Julie Christie, Richard Jenkins. I would usually say that no movie can be bad that includes these people (even Stanley Tucci and Shia LaBeouf; Anna Kendrick as an FBI agent, on the other hand — that dog will not hunt, Monsignor), but the movie turns out to be too much of a good thing; these actors are capable of generating such a massive amount of gravitas that Redford, who also directs, ends up losing control and the film falls under its own weight. All those names in the credits make TCYK seem deeper than it really is, until we discover that screenwriter Lem Dobbs didn't bother to give them anything to do or say; as good as this cast is, they’re not miracle workers — in Lear’s words, “nothing will come of nothing.” Thus, many of them are reduced to glorified cameos, which tends to be counterproductive. What's the point of a Richard Jenkins cameo when nine out of 10 people in the audience have not the slightest idea who Richard Jenkins is? Or, if they recognize Root, it’s in a Troy McClure sort of way; i.e., "you may remember me from Office Space or Dodgeball." Redford, doing a The Fugitive routine as a former member of the Weather Underground, briefly insinuates himself, only to depart as abruptly as he appeared, into the lives of these individuals, none of whom we ever see again. You don't need Nick Nolte for this; for this you get Gary Busey (the poor man's Nick Nolte) and move on. Curiously, the real-life Weather Underground had strong Black Power ties, but all the ex-members we see in the film could very well pass for WASPs. At the same time, the only black character, federal agent Cornelius (Howard) is a representative of law and order — but no more of an 'Uncle Tom' than hippies playing revolution turned middle-class bourgeois three decades later.
A misguided museum guard who loses his job and then tries to get it back at gunpoint is thrown into the fierce world of ratings-driven TV gone mad.
When Russian neo-nationalists hijack Air Force One, the world's most secure and extraordinary aircraft, the President is faced with a nearly impossible decision to give in to terrorist demands or sacrifice not only the country's dignity, but the lives of his wife and daughter.
New York girl has a dull boyfriend and seems destined for a dull marriage when she meets a rich playboy who has money to burn and places to go.
The gorgeous Margot supports her aged father by seducing men on trains, slipping them a Mickey Finn (a beso de sueño) and robbing them. One night her victim is a currency smuggler taking 100 million pesetas out of Spain. He's being watched by a cop and by a burned-out alcoholic.
Two young men and a girl, going through all the dilemmas of their generation, live together and try to build different world, to find their place in society. The manner of their life, understanding of truth and justice, love and passion, gets each of them in conflict with environment, with people who want to change their relationship and fit them into accepted moral norms. They are giving in slowly, and their whole world changes. Some of them will fit the dull everyday's life, and some will find strength to resist.
When Jack and Diane find themselves in an unexpected adult situation, the A-Squad comes to their rescue. In order to help their friend Diane, the A-Squad goes where no cheerleader has gone before: taking on a little after-school project known as bank robbery. But the A-Squad does things their way - with sugar and spice - forever changing their friendship, their future and the nation's notion of teen spirit.
The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the I.R.A., the U.V.F., and members of his own team.
A journalist lives his smooth citizen life, married to a woman from respected family. But, conflicts with manager at work are becoming more often, his marriage is unstable and the outer manifestation of all this is a strange skin disease. Doctors recommend resting in nature and self-examination. In the mountains, in a lonely house near the lake, he meets a woman, also unadjusted and lonely. The consequences of this encounter are beneficial. Capable to love again, he gets his moral strength, and disease retreats. He breaks off his contacts with his wife's family and with "petit bourgeois" of his former life, confronts his boss and wins, realizing that this is only a first victory which has straightened him up.
Professor Philip Goodman devotes his life to exposing phony psychics and fraudulent supernatural shenanigans. His skepticism soon gets put to the test when he receives news of three chilling and inexplicable cases - disturbing visions in an abandoned asylum, a car accident deep in the woods and the spirit of an unborn child. Even scarier - each of the macabre stories seems to have a sinister connection to the professor's own life.
A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During the day many thoughts and images pass through his mind - the memories of childhood, ex-wife, current girlfriend, but mostly his father who died in a war.