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A Quiet Place Day One 2024 - Movies (Oct 2nd)
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Julias Stepping Stones 2024 - Movies (Dec 18th)
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Chris Bumsteads the Raw Story 2024 - Movies (Dec 17th)
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Stacey Solomons Crafty Christmas - (Dec 19th)
The Dog House - (Dec 19th)
The Beat with Ari Melber - (Dec 19th)
The Bold and the Beautiful - (Dec 19th)
Lets Make a Deal - (Dec 19th)
The Price Is Right - (Dec 19th)
The Talk - (Dec 19th)
The Good Ship Murder - (Dec 19th)
Portrait Artist of the Year - (Dec 19th)
The Young and the Restless - (Dec 19th)
Black Comedy in America - (Dec 19th)
Tyler Perrys Assisted Living - (Dec 19th)
House of Payne - (Dec 19th)
The Tucker Carlson Show - (Dec 19th)
Salvage Hunters - (Dec 18th)
Action - (Dec 18th)
Deadline- White House - (Dec 18th)
The Last American Vagabond - (Dec 18th)
Katy Tur Reports - (Dec 18th)
Deal or No Deal France - (Dec 18th)
The unique testimony of the tragic events and crimes of russia through the eyes of Ukrainians, which the entire world must see and feel. Film was created from 200 hours of chronicles: survival, resistance, and life during the war. Every minute was filmed by Ukrainians with their mobile phones. Each story in the documentary is a film captured and filmed by Ukrainians on their devices.
During the Occupation, René Carmille, a graduate of the Ecole Polytechnique, founded what was to become INSEE and created the future national insurance number. This military officer, who became a manager in the Vichy administration, developed his modernist vision of mechanography, the forerunner of computer science, and increased the number of statistical surveys on the French population, at the risk of seeing them serve the antisemitic policy led by Pétain. But Carmille was pursuing a secret goal...
Due to the full-scale Russian invasion of Ukraine, tens of thousands of Ukrainians, fleeing the war, found refuge in Uzhhorod in western Ukraine. The local director decides to attract non-professional actors -displaced people - in bringing his dream into life - to stage the King Lear play. The theatrical performance helps them find themselves and their purpose in a new world where there is war, and the director finds an answer to the eternal question of what love is and why this world should not perish.
This is a once in a generation event that needs to be examined without the usual spin that is delivered by the controlled media. While the video will be interpreted one way or the other, it is one that supports the voice of reason and of peace rather than jingoistic war drums and the cacophony of white noise.
During the Fall of 2021, Ukraine was slowly emerging from a global pandemic. Around this time, a film crew began shooting a documentary focused on the country’s wine-making regions. Then, in 2022, things took a sharp turn when Russia escalated a war against Ukraine. This film tells the stories of hard-working people who, against all odds, remain engaged in continuing in business.
In April 1918, a disease of unknown origin swept across the five continents. In 18 months, millions of lives that had not been taken by the war were swept away by a virus that would cause the worst pandemic in history: the Spanish flu.
The protagonists of the film are the Zainichi Korean women living in Kawasaki. They were tossed about by the war, and after many trips to and fro across the sea in search of a place to live, they finally arrived in Kawasaki, where they have lived modestly and vigorously.
Alyona, Alika and Katya dream of love and friendship, but most of all of leaving Putin’s Russia. When the war against Ukraine breaks out, it becomes harder for the three young women to leave the vast country in the East, but also even more unbearable to stay. So one has left for Georgia, another for Spain, while the third stays behind in Russia. Their generation does not believe that political engagement changes anything. Instead, they show their resistance by living a modern and more Western life, where gender, sexuality, pop music and identity issues are vital. Set at night in cars, apartments and backyards, Sybilla Tuxen’s dark and artistically uncompromising debut film tells the story of a rebellious yet resigned section of Russian youth on the fringes of established society.
A Hazara film director follows a gravestone maker, a water girl and a man who buried his limb, as their daily lives unfold in a graveyard.
The fears and resiliencies within a group of teenage refugees from Ukraine are uncovered in this film that brings the camera steps away from the front lines to the Ukraine-Poland border.