A Cruel Love- The Ruth Ellis Story - (Feb 17th)
The Equalizer - (Feb 17th)
The Last American Vagabond - (Feb 17th)
The View - (Feb 17th)
The Last Socialist Artefact - (Feb 17th)
LIVE with Kelly and Mark - (Feb 17th)
The Good Stuff with Mary Berg - (Feb 17th)
Watson - (Feb 17th)
TMZ Live - (Feb 17th)
The Real Housewives of Potomac - (Feb 17th)
Married to Medicine - (Feb 17th)
Grimsburg - (Feb 17th)
Krapopolis - (Feb 17th)
Signs of a Psychopath - (Feb 17th)
90 Day Fiance- Pillow Talk - (Feb 17th)
Evil Lives Here - (Feb 17th)
Tournament of Champions - (Feb 17th)
Countryfile - (Feb 17th)
The White Lotus - (Feb 17th)
Dancing on Ice - (Feb 17th)
A documentary revisiting the global television phenomenon LOST. Featuring interviews with the cast and crew, as well as members of the loyal fan base who still celebrate the show twenty years after it originally aired.
A documentary film investigating the 1928 murder of a Pennsylvania farmer and the allegations of witchcraft that shocked the nation.
No sick days. Mandatory diets. Boob jobs. Endless rehearsals. It's what showgirls do for love-and a steady job-in the Las Vegas spotlight. 'A Chorus Line' meets 'Real Sex' in this sexy yet poignant documentary that follows the mounting of a new all-female musical revue in Las Vegas-from auditions through opening night-over the course of ten pressure-packed weeks.
A film about the importance of heirloom seeds to the agriculture of the world, focusing on seed keepers and activists from around the world.
King of disco in the 70s with the band Chic, producer of Bowie, Mick Jagger, Madonna, Daft Punk, Pharrell Williams and many others... Nile Rodgers is today pursuing his fascinating career. We take a behind-the-scenes look at the genesis of some of the greatest hits, and at the complex alchemy between Nile Rodgers and the biggest stars of the last 35 years: Madonna, David Bowie, Diana Ross, Duran Duran, Bryan Ferry, Grace Jones, Michael Jackson, INXS, Mick Jagger, Rod Stewart and David Guetta. What are the secrets of this genius of the music world, who has succeeded in transcending successive eras, reinventing himself every time?
Following the artist from the bustling streets of New York to her rain-soaked hometown of Bergen, the film includes interviews with AURORA's closest friends, as well as uniquely stripped-back performances of tracks including “Warrior” and “Murder Song (5, 4, 3, 2, 1).” Whether she’s reminiscing on her childhood with her sisters, dancing through the city streets in her headphones, or discussing the secret life of apples, there’s a spellbinding quality to everything the artist does.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
This documentary short is a portrait of Leader of the Progressive Conservative Party and 13th prime minister of Canada, John George Diefenbaker (1895-1979). Diefenbaker's political career spanned 6 decades. When he died in 1979, his state funeral and final train trip west became more a celebration of life than a victory for death.
He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?