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Something's missing and that is entertainment lacking. Fans of the genre won't notice it much but someone who loves fast-paced crime will. I did.
This isn't so much a story about the notorious murderer, but more one of two investigative journalists who meticulously followed the case and tried to establish the truth behind these gruesome crimes. Loretta McLaughlin (Keira Knightley) was largely responsible for taking the initiative to her editor (Chris Cooper) but that published, convincing, analysis drew considerable disdain from the police and she was swiftly booted off the story. Undeterred, she persisted and ultimately with the more experienced Jean Cole (Carrie Coon) is reinstated and allowed to develop her theory that - well, maybe there isn't just one strangler! To be fair, I am not particularly well versed in the history of this, but I did find this a very dry and procedural drama that reminded me a little of "Official Secrets" (2019). Again, this saw Knightley in a smilier sort of role, and again delivering it very much as if it were straight off the page. There is little evidence of passion here. The tenacity and perseverance of these two women - at times putting the safety of themselves and their families on the line - isn't really captured here. It's wordy, at times a little too earnest and though it looks good it's just all a bit sterile. This is a fascinating story that looks at serial killings, copycat killings and strong investigative journalism all in the face of a rather linear (and sexist) approach taken by the authorities. It ought to be scintillating and intriguing - but this is certainly not.
Mortimer Brewster, a newspaper drama critic, playwright, and author known for his diatribes against marriage, suddenly falls in love and gets married; but when he makes a quick trip home to tell his two maiden aunts, he finds out his aunts' hobby - killing lonely old men and burying them in the cellar!
A young transgender man explores his gender identity and searches for love in rural Nebraska.
San Jose, California, 1906. Isolated in her labyrinthine mansion, eccentric firearm heiress Sarah Winchester believes that she is being haunted by the souls of those killed by the guns manufactured by her company.
The starship Enterprise and its crew is pulled back into action when old nemesis, Khan, steals a top secret device called Project Genesis.
Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.
In an attempt to pull her family together, Adèlle travels with her young daughter Sarah to Wales to visit her father. The morning after they arrive, Sarah mysteriously vanishes in the ocean. Not long after, a little girl bearing a striking resemblance to their missing daughter reveals that she has retuned from the dead — and that Sarah has been taken to the Welsh underworld.
Two victims of traumatized childhoods become lovers and serial murderers irresponsibly glorified by the mass media.
A reporter unearths an urban legend about a home being constructed from rooms where horrific tragedies have occurred.
Mumbai, India, November 26, 2008. While several terrorists spread hatred and death through the city, others attack the Taj Mahal Palace Hotel. Both hotel staff and guests risk their lives, making unthinkable sacrifices to protect themselves and keep everyone safe while help arrives.
Warsaw, Poland, during the Cuban Missile Crisis, 1962. Josh Mansky, a troubled math genius and former US chess champion, is recruited to hold a dangerous public match against the Soviet champion, while playing the deadly game of espionage hidden in the darkest shadows of a hostile territory.
A packed cruise ship traveling the Atlantic is hit and overturned by a massive wave, compelling the passengers to begin a dramatic fight for their lives.
