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Celebrity Catchphrase - (Oct 12th)
The Voice UK - (Oct 12th)
The Beat with Ari Melber - (Oct 12th)
Michael McIntyres The Wheel - (Oct 12th)
Gutfeld - (Oct 12th)
Jesse Watters Primetime - (Oct 12th)
The Five - (Oct 12th)
Special Report with Bret Baier - (Oct 12th)
The Ingraham Angle - (Oct 12th)
Strictly Come Dancing- It Takes Two - (Oct 12th)
The Katie Phang Show - (Oct 12th)
Alan Carrs Picture Slam - (Oct 12th)
Great British Home Restoration - (Oct 12th)
Tomorrows World Today - (Oct 12th)
John and Lisas Weekend Kitchen - (Oct 12th)
Marketplace - (Oct 12th)
The Fifth Estate - (Oct 12th)
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Really good watch, will eventually watch again, and can recommend, but less so for younger audiences. I never remembered all the weird adult humor in this, it is usually just the charming grinchiness of Jim Carey's overacting that sticks with me, and maybe the Christmas spirit of Mary Lou Who. The movie manages to ride this wonderfully line between keeping the spirit of the book (even rhyming at times) and being new and refreshing, but it does do that by playing to the adults that would have read the book as a child rather than endearing a new generation of children, but I think they intended to try to do both. Jim Carey embodies the Grinch like no one else possibly could (I think Mike Myers proved that in "The Cat in the Hat"), and that is the majority of this so if you don't enjoy him, then you won't enjoy this movie. I do think they added some refreshing character interactions, though some of the execution is much better than others. While it is far from a perfect movie, my biggest gripe is their stupid noses: it seriously bothers me the entire movie. It bothers me more than them dressing the Grinch, which points out that he is naked a LOT with his "co lead" being a young girl: you can see it just distracts from the spirit of the movie. I don't think that everyone is going to love this movie, but it's hard to imagine that people will hate it.
Really good watch, will eventually watch again, and can recommend, but less so for younger audiences. I never remembered all the weird adult humor in this, it is usually just the charming grinchiness of Jim Carey's overacting that sticks with me, and maybe the Christmas spirit of Mary Lou Who. The movie manages to ride this wonderfully line between keeping the spirit of the book (even rhyming at times) and being new and refreshing, but it does do that by playing to the adults that would have read the book as a child rather than endearing a new generation of children, but I think they intended to try to do both. Jim Carey embodies the Grinch like no one else possibly could (I think Mike Myers proved that in "The Cat in the Hat"), and that is the majority of this so if you don't enjoy him, then you won't enjoy this movie. I do think they added some refreshing character interactions, though some of the execution is much better than others. While it is far from a perfect movie, my biggest gripe is their stupid noses: it seriously bothers me the entire movie. It bothers me more than them dressing the Grinch, which points out that he is naked a LOT with his "co lead" being a young girl: you can see it just distracts from the spirit of the movie. I don't think that everyone is going to love this movie, but it's hard to imagine that people will hate it.
I'm not gonna lie, this version of the Grinch scared the crap out of me when I was a kid! But as I got older I started to get use to it. The trick was to just listen to the whole thing without looking at it and gradually (each year take a peak).
At first I didn't like this movie. It's one of my daughters favorites tho. So she would always want to watch a lot around Christmas time. Now I don't mind it and it's like a Christmas tradition for us now to watch this movie.
This is my favorite version and has been my favorite since I was a small child.
**A movie about Christmas, and about the way we face it.** For starters, I must clarify that I have never seen any other material about Grinch, much less the original book where this character was created. I will judge this movie for what it is, without weaves comparisons. He is not my Christmas favorite, never was, I even think it is a little scary for smaller children, given the mischiefs and attitude of Grinch. But it has a good story, good dialogues and other qualities. What is Christmas? Many will say that's the family or children's party. I accept, but in fact, it is the symbolic date that the Catholic Church marks the birth of Jesus. No one knows when Jesus was born, but the Church chose the date for convenience, coinciding the feast with an older pagan celebration, Saturnalia. For centuries, Christmas was just a festive day when Catholics confessed themselves, listened to Mass and ate fish (the consumption of meat and candy is forbidden on holy days, even though the elites did, by paying cash indulgences... in my country it's still tradition to eat codfish in Christmas Eve). The "invention" of modern Christmas happened in the late nineteenth century, with capitalism, and the creation of toy industries and food industries that allowed the middle classes a more interesting supper and the gift for children, offered to them by Baby Jesus and, later, for the invented character of Father Natal (in Spain, this exchange of gifts is only made on the day of kings in January, what I think makes full sense). This is how, in England, Germany and the US, Christmas became more commercial, more focused on consuming, gift distribution and conviviality, and the religious aspect was putted in the background. This movie, released in the 1980s, shows us an evil character who learned to see Christmas as futile due to this obsession with toys, gifts and food. He does not know how to express this in the best way, he's unaware that behind this is a greater meaning, but what Grinch rejects is precisely this "commercial Christmas." And I couldn't agree more with him… So, through his mischiefs, Grinch will help people to rediscover the meaning of Christmas, even if this is not his real purpose. This is the beauty of this story, for me: Grinch will help the Whoos while they will help him to understand that Christmas is more than gifts or food. Directed by Ron Howard, a director whose credits do not require presentations, the film is very well done and was a gigantic box office hit and critical success. It became a Christmas classic, although today it is not so popular. With no dead moments, it has an excellent pace, it does not lengthen too much, it is not tiring, and the script does what it needs, although with various flaws and several jokes that are not working. I liked, in particular, the narrator's interventions and rhymes, something that reinforces the idea that this is a children's story. Cinematography is amazing, with vibrant and flashy colors, and the soundtrack, not being memorable, has good qualities. Jim Carrey did very well in accepting the difficult task of bringing Grinch to life. I can only imagine how boring it was for him to be subject to that make-up routine every day, but it was totally worth the time and sacrifice: he's unrecognizable and absolutely credible and authentic under that thing, and has a natural gift to model the voice as he wants and suits to the character. Sir Anthony Hopkins also deserves praise for his participation, having lent his voice to the narrator. The rest does a positive job, but merely supports Carrey in its task of building the movie around it.
The old Spanish filmmaker Luis Buñuel (1900-83) imagines a movie plot, set in Toledo in the future 2002, about the fantastic adventure of three actors, who play him and his friends, the painter Salvador Dalí (1904-89) and the poet Federico García Lorca (1898-1936), and their search for King Solomon's table, a mythical artifact capable of revealing the past, present and future.
Sparks fly between a romance novelist and a blacksmith as they try to save a charming village during the holidays.
Jacob tries to keep a tradition alive by throwing a Christmas party for his distant friends. The night takes a deadly turn when they brush off an antique Christmas board game. It proceeds to show him his friends aren't who they seem.
Amélie, a young Belgian woman, having spent her childhood in Japan, decides to return to live there and tries to integrate in the Japanese society. She is determined to be a "real Japanese" before her year contract runs out, though it precisely this determination that is incompatable with Japanese humility. Though she is hired for a choice position as a translator at an import/export firm, her inability to understand Japanese cultural norms results in increasingly humiliating demotions. Though Amelie secretly adulates her, her immediate supervisor takes sadistic pleasure in belittling her all along. She finally manages to break Amelie's will by making her the bathroom attendant, and is delighted when Amelie tells her the she will not renew her contract. Amelie realizes that she is finally a real Japanese when she enters the company president's office "with fear and trembling," which could only be possible because her determination was broken by Miss Fubuki's systematic torture.
WWII has ended and Hanna is still grieving over her husband's disappearance. When the Christmas Comet appears for the first time in 70 years, Hanna is caught in a terrible storm and knocked unconscious. When she wakes up, she's in 2016.
When the opportunity to co-host a talk show with the fabulous talk show diva Veronika presents itself two weeks before Christmas, Emily thinks this is her big break. To her surprise, she discovers she has stiff competition with Charlie, the local TV anchor who is her near equal on another station. With such interest and support for both reporters, a contest is created: for the two weeks leading up to Christmas, who can cover the best and most meaningful Christmas stories on the local news?
Upon her untimely death, a workaholic finds herself in training to be a Christmas Angel in Heaven. Despite being the worst recruit in the history of Christmas, she’s assigned a hard luck case. As she’s forced to help solve his problems, she’ll start to discover the meaning of Christmas and maybe even fall in love along the way.
Appearing in his own TV commercials, unscrupulous toy maker, Wally P. Nezzer has convinced all of Dinkletown that "Christmas is when you get stuff!" With the town's children begging for more toys, it's sure to be the worst Christmas ever - until one brave little Buzz-Saw Louie doll decides to take matters into his own hands! The Toy That Saved Christmas reminds children of all ages that "Christmas isn't about getting; it's about giving.
Flanders, Hispanic Monarchy, 1616. The inhabitants of the small town of Boom are busy organizing the annual local festivities when the arrival of the Duke of Olivares, who rules the country on behalf of the King Philip III of Spain, is announced. While the male citizens cowardly surrender to panic, the brave female citizens decide to become the best hosts the Spaniards can ever meet. (German version of the French film La Kermesse héroïque, 1935.)