Ajayante Randam Moshanam

A noble warrior seeks revenge against the ruler of his kingdom, who killed his father. At the same time, he also ends up upsetting the neighbouring enemy kingdom's ruler.

Orange picker Leroy Jones inadvertently becomes a union leader and is forced out of town, leaving behind his sex-obsessed father, Rufus, and timid spouse, Annie Mae. He heads for Los Angeles, where he falls for union organizer Vanetta. Annie Mae seeks solace from local preacher Lenox Thomas, who eventually impregnates her. When Leroy catches wind, he heads home for a showdown with Lenox.

As Father Severino Mallari, a 19th century priest during the Spanish occupation, descends into madness, his life and work as a parish priest in Pampanga is recounted, where he reportedly murdered 57 people to aid his ailing mother.

The film is based on the novel (of the same name) by the Chilean writer Francisco Coloane, and on the chronicles of the Romanian engineer Julius Popper, a nationalized Argentine and one of the principle actors in the genocide of the Selk'nam, one of the indigenous peoples who inhabited the Tierra del Fuego Archipelago.

Set between 1945 and 1951 in the pre-Independence state of Hyderabad, the film tells the story of a young peasant, Ramiah, who rebels against the corrupt rule of the Nizam. Baring witness to the oppression and hardship faced daily by those around him, Ramiah leaves his village. However, after befriending a Marxist activist and participating in the Independence struggle, he eventually returns to wage guerilla warfare against the landlord class.

Rodrigo returns to his childhood home of Salamanca after a four-decade absence and a career as a guerrilla in Latin America, a secret agent in the Eastern Bloc and an official for an international agency. While Rodrigo may have attempted to put his past life behind him, the memory of his now deceased mother and his old-world family returns to haunt him. In an old city dominated by the weight of tradition, Rodrigo discovers a daughter about whose existence he had never known, as well as a grand-daughter, the enigmatic and beautiful Octavia. A rebellious teenager, Octavia dismisses her grandfather's old politics, possessing her own sense of what freedom means. Patino's film is a poetic, assured contemplation on the pain of returning somewhere you never really left and the accompanying ironies of a man obsessed with history who cannot face his own.

A successful art historian who has trouble telling people difficult truths, finds himself in an inescapable situation when a small lie quickly gets out of hand.

Hans, a German director, is in Madrid to film a television production about the capital and the Civil War, 50 years after it occurred. Accompanied by Lucía, his editor, and Goyo, his cinematographer, he films shots of the modern city, searching for spaces and people related to its past. At the same time, he views materials related to the past. In this search, Hans questions the point of his project, and disagrees with his producers until he discovers a project that he is passionate about.

On the night of his brother's wedding, best man Charlie gets the old gang back together for a fun-filled, post reception after party, at the newlyweds' home, where he has been staying for several weeks. Unsure of how to proceed with his own troubled marriage, Charlie reunites "the fellas" fifteen years after high school, in hopes that revisiting the past will help him find clarity for the future. What he finds, however, is that while his friends have all taken different paths, they are all faced with similar conundrums that comes with being in one's thirties.

Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left; to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left - the seventh, and he must not miss his target!

Concerning the Mátyás era in Hungarian history, during the reign of Matthias Corvinus (1443–1490), the film focuses on three eras of the king's life: the young Mátyás fights for the throne, the older Mátyás as king, and the fate of the royal crown and the royal heir after his death.