Follow the Rain 2024 - Movies (Dec 29th)
Nosferatu 2024 - Movies (Dec 29th)
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Better Man 2024 - Movies (Dec 29th)
Scary Tales Dark Walker 2024 - Movies (Dec 29th)
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In a Violent Nature 2024 - Movies (Dec 29th)
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Sonic the Hedgehog 3 2024 - Movies (Dec 29th)
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Darby and Joan - (Dec 30th)
On Cinema - (Dec 30th)
The Journal Editorial Report - (Dec 30th)
Letters and Numbers - (Dec 30th)
A Bite to Eat with Alice - (Dec 30th)
Snapped - (Dec 30th)
The Last American Vagabond - (Dec 30th)
60 Minutes - (Dec 30th)
Mudtown - (Dec 30th)
Have I Got a Bit More News for You - (Dec 30th)
LIVE with Kelly and Mark - (Dec 30th)
The View - (Dec 30th)
90 Day Pillow Talk Before the 90 Days - (Dec 30th)
Sister Wives - (Dec 30th)
Universal Basic Guys - (Dec 30th)
A Plan to Kill - (Dec 30th)
Countryfile - (Dec 30th)
University Challenge - (Dec 30th)
Very Scary People - (Dec 30th)
Yellowstone Wardens - (Dec 30th)
And the night when the cold wind blows, No one cares, nobody knows. The Stephen King novel from which the screenplay was adapted very nearly didn’t see the light of day. It was actually written by King based on a real place and instances during a stay at a rented house. He was never quite happy with the tone of the book and only submitted it as a contractual obligation. Glad he did because it provides a very solid grounding for horror and deals with the very real horrors of overwhelming grief. The film gets the tonal flows right, the family dynamic is neatly pitched in readiness for what is to come later, the house and the titular Pet Sematary of the title are eerie personified, and Fred Gwynne is on hand for a sage old characterisation. The potential for shattering horror is not fully realised, yet the makers deliver a good quota of scares and unease to make this a better than average King adaptation to screen. The use of the Ramones in the soundtrack is a good one, King loved them, they loved him, so much so they wrote the title track and named an album after it. 6.5/10
Even if it wasn't any good, Pet Sematary's sort of a must watch given how heavily it's been referenced in the film and television industries since. But it is good, so there's that too. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
The "Creed" family relocate to a rural town in Maine where the father - "Louis" (Dale Midkiff) is to be a local doctor. They don't get off to a great start after the beloved cat of daughter "Ellie" (Blaze Berdahl) gets squashed by a passing vehicle and so it is ceremoniously buried in an ancient graveyard populated by centuries-worth of other pre-loved animals. Their neighbours are very reticent to discuss this facility - it is rumoured to have oddly recuperative powers which to his shock and horror prove true when the moggy comes back - and with attitude too! The troubles for the young doctor only get worse when a real human tragedy occurs and he is faced with the ultimate dilemma... It's more of a cumulative story this - like many of Stephen KIng's stories. The plot builds by degree and is told here in a way that almost asks us what we might do differently from "Louis" even though we see, and can readily anticipate, the consequences of his actions. The horror here is not so much garish and scary, but human and almost voluntary - and that makes it a little more effective. There's no getting away from it, though. The acting is mediocre and the visual effects at times reminded me of an old episode of "Bagpuss". I am not now, nor ever have been a pet lover - so the underlying premiss of hysteria when the cat gets splatted also never really resonated with me either. Still, it is an eerie and solid story that challenges a lot of assumptions about love and rational behaviour and is still worth a watch.
Based on the 1963 novel by Sylvia Plath, a young woman's summer in New York sees her working for a Mademoiselle-like magazine, return home to New England, and subsequent breakdown all amidst the horrors of the fifties, from news of the Rosenbergs' execution to sleazy disc jockeys and predatory college boys.
Bereft of earthly memories, a new arrival in the afterlife struggles to recover the past, in this poetic fantasy that offers a dark reflection on personal atonement in the shadow of Kenya’s violent past. Imagine waking up one day in a barren wasteland. Amnesia leaves you clueless as to your whereabouts, your identity, and how you arrived. A small group of strangers welcomes you to a nearby oasis resort, and they reveal to you the nature of this new reality. You are dead. And this is the afterlife. This is what happens to Kaleche (Nyokabi Gethaiga) in the enigmatic opening sequence of Kati Kati, writer-director Mbithi Masya's poetic first feature film.
Phnom Penh is changed after a deadly flu virus spreads through the city, turning its citizens into undead like creature with a taste for flesh. Join a group of survivors who battle to stay alive through this turbulent event while trying to find out why this disaster occurred. Life in the city will never be the same again.
Florist Gwen is an employee in a flower wholesaler and is ensnared by her likable boss Joey, which the young woman does not mind. They both start an affair. The relationship with her constantly frustrated and stressful mother, Ellen, doesn't look that rosy. Thankfully, there is still her life partner Ron, the down-to-earth calm anchor of the family. While delivering flowers to the cemetery, Gwen falls into an open grave and passes out. When she wakes up again, an attractive and caring man bends over her. It is emergency doctor Lennard, a single widower with a lively teenage daughter whose wife was killed in a traffic accident a year ago. An ex-employee of her flower shop was then convicted. However, the circumstances remain mysterious. When the flower seller find out about this, she initially keep at distance. But then Gwen finds a red balloon in the garden with a message from the doctor's daughter Lilly to her dead mother, who breaks her heart, because she is a half-orphan herself.
A Jewish woman escaping from a transport helps a family poisoned by carbon monoxide. The young host decides to hide the girl.
Jack Gladney, professor of Hitler studies at The-College-on-the-Hill, husband to Babette, and father to four children/stepchildren, is torn asunder by a chemical spill from a rail car that releases an "Airborne Toxic Event" forcing Jack to confront his biggest fear - his own mortality.
American-born Anna Vorontosov teaches school in a remote, primitive section of northern New Zealand. Her experimental teaching methods have won her the love and affection of her pupils and their parents and the admiration of the unhappily married school inspector, Abercrombie. Her personal life, however, is less secure; frightened of love and sexually inhibited, she has always been aloof with men. Eager to break down this barrier is Englishman Paul Lathrope, a somewhat irrational and immature fellow teacher who aspires to be a singer. Though Anna is attracted to him, she refuses to submit to his advances.
Following in the footsteps of her idol and bandmate Jaqueline, Shelly intends to become a great singer of Brega. She enters show business in search of fame and fortune but, inserted in a world where everything is disposable, including love and human relationships, she will encounter great difficulties to achieve fame.
Dinner time in a remote home of a prairie family turns nightmarish when a band of blood spattered outlaws break through the front door in search of food, horses, and women. Nothing is as it seems in this constantly twisting genre bender.