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A date takes an unexpected turn in this meditation on race, politics, and history in Germany.

When overworked lawyer Diana’s (Margo Harshman) uncle, Hugh, passes away she’s called back to his vineyard to settle his estate. Hugh has left half of his Golden Range Winery & Vineyard to Diana and half to Seth (Steve Talley), his right hand man and Diana’s ex-boyfriend. Hugh’s final request is that the two work the next harvest together, set to begin in a few weeks. Neither is happy at the arrangement but they begrudgingly agree. Furthermore, neighboring competitor Grant Garritson (Jack Wagner) threatens to drive a wedge into Diana and Seth’s already shaky relationship. They have a short window to figure it all out so that they both get what they ultimately want.

After exotic dancer Isis falls in love with up-and-coming politician Osiris, a band of criminals from her past threatens the couple’s future together.

A fearless boy who falls in love with a Muslim girl who studies with him and does not want both of his family to be together.

A young writer in desperate need of inspiration begins an affair with an enchanting, enigmatic older woman during a weekend in Santa Monica. True feelings emerge, and they must decide whether to continue their torrid romance or go their separate ways.

The film's protagonists get an opportunity to make a wish. Consequently, their lives take the path they themselves ordained. Several "coincidences" bring them everything they wanted and they have the chance to experience their wishes. We are not only responsible in our lives for everything that we do, but also for everything we say, we think and desire.

On his 21st birthday, Davy wanders into a gay bar and meets the man of his dreams.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema-he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again, is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

Set in an exclusive boy's school, about a man who plans to kill off his wealthy teacher wife by encouraging her to drink and pushing her into suicide. To assist him he recruits a young student who will claim that he was sexually assaulted by her. (from: http://ftvdb.bfi.org.uk/sift/title/390627)

Davide is different from the other teenagers. Something makes him look like a girl. Davide is fourteen when he runs away from home. His intuition leads him to choose Villa Bellini, a park in Catania, as a refuge. The park is a world in itself, a world of the marginalized, to which the rest of the city turns a blind eye. But one day the past catches up and Davide has to face the most difficult choice, this time alone.

Alan Clay, a struggling American businessman, travels to Saudi Arabia to sell a new technology to the King, only to be challenged by endless Middle Eastern bureaucracy, a perpetually absent monarch, and a suspicious growth on his back.