The Chase Australia - (Nov 14th)
Dan Da Dan - (Nov 14th)
Tyler Perrys Sistas - (Nov 14th)
Drag Race Thailand - (Nov 14th)
The 11th Hour with Stephanie Ruhle - (Nov 14th)
Brilliant Minds - (Nov 14th)
Fugitives Caught on Tape - (Nov 14th)
Letters and Numbers - (Nov 14th)
Big Freedia Means Business - (Nov 14th)
Gingers House - (Nov 14th)
RPA - (Nov 14th)
Watch What Happens Live with Andy Cohen - (Nov 14th)
Love Island Australia - (Nov 14th)
Rip Off Britain - (Nov 14th)
Bangers and Cash- Restoring Classics - (Nov 14th)
Aussie Shore - (Nov 14th)
The Masked Singer - (Nov 14th)
After Midnight - (Nov 14th)
Wicked City - (Nov 14th)
American Pickers - (Nov 14th)
The odyssey of the Mayice designers, who had to face to bring an impossible-to-manufacture piece to the Rossana Orlandi gallery, in Milan, in time to be exhibited at the Salone.
Years ago, artists would walk around the muck at the edge of the San Francisco Bay in Emeryville, and build loads of sculptures out there on the flats, created from driftwood and found objects that drivers would enjoy as they motored south on the old Highway 17 (known in numerous radio ads as 'Highway 17, The Nimitz'). Grabbing material off someone else’s work was considered fair game and part of the fun, and contributed a kinetic dynamic to the ongoing display. Now the place is a park, and the sculptures are gone, but you can see what it used to be like in this neat and funny documentary by Ric Reynolds, augmented by Erich Seibert’s wonderful musique-concrète/time-lapse sequences. The flashback circus sequence includes Scott Beach and Bill Irwin. Sculptors interviewed include Walt Zucker, Tony Puccio, Robert Sommer, Ron & Mary Bradden, and Bob Kaminsky.
The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother - a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more - culled from 19 years of his life.
Memories have the power to haunt us forever, whether or not they actually happened. For Margot, the man named Dan who stalked and tormented her for three years of her life is as real as any criminal—even if he's the manifestation of her first serious schizophrenic episode. Margot proves incredible strength in her first-hand accounts of her road to healing. Through art and therapy, she found relief. Through relief, she found a chance at life.
A documentary part of CBS reports. The plight of mental patients fit for discharge, but who find themselves thrust into communities unprepared to treat or accept them is the focus of this documentary narrated by Bill Moyers. The dilemma of being as scared of getting well as of remaining ill and facing a world with no home or job to go to is vividly portrayed as the film follows three patients as they move into rare transition programs.
Why do we see so many severely mentally ill people on the street off treatment? Delaney has seen her paranoid schizophrenic father in this state and for 10 years hid from him. Unlisted depicts Delaney's journey, now as a doctor, to bring her father back into her life. Can she have a relationship with him that is not solely based on being his care provider, which was her role as a child. After 2 years of reconnecting, things suddenly change when Richard stops his medicine and disappears....and what starts as an emotional tale of reconciliation turns into a frantic race for survival.
A documentary about the statue Winged Victory of Samothrace, unquestionably one of the most complete expressions of Hellenistic sculpture
With unique and exclusive testimonies from doctors, nurses, loved ones, and patients we go behind closed doors to examine a high security psychiatric facility that takes care of some of the most dangerous patients.
During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."