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To say Dutch audiences in the 30s loved **_De Kribbebijter_** would be an understatement: the movie stayed in theaters from july 1935 to december 1942, packing full houses until the very end of its run. International critics seemed not to understand what exactly made this Dutch comedy so special, but when one takes a closer look at the cinematic climate in the Netherlands in those days, they will find that the Kribbebijter-madness made perfect sense. In the mid-thirties, the most popular movie genre in the Netherlands was that of the so-called _'Jordaan-film'_; jolly musicals with a simple, predictable plot and catchy songs, always set in the Amsterdam 'Jordaan' area and often starring Dutch variety icons like Louis Davids, Fien de la Mar and Sylvain Poons. But even though films like _De Jantjes_, _Bleeke Bet_ and _Het Leven is Niet Zoo Kwaad_ were enjoyable and full of talented performers, the Jordaan-films were also very much seen as a crowd-pleasing, often clumsily made cinematic equivalent of junkfood. Hollywood movies on the other hand were often too melodramatic and self-important to please the phlegmatic Dutch (_Doe maar gewoon, dan doe je al gek genoeg..._). By 1935, Jordaan-film-fatigue was setting in — the last true Jordaan film, _Oranje Hein_, would be released in 1936 — and Dutch audiences were longing for something closer to the coherent plot structures of Hollywood, but with that unmistakably Dutch combination of abstemious downplaying and theatrical folly. What they got was **_De Kribbebijter_**. Needless to say, they were pleased. While retaining the romantic entanglements of the Jordaan-films, the storyline of De Kribbebijter has an un-Dutch sense of coherence; it does not derive its jolly fun from intermezzo's or random jokes, but rather from cleverly written setpieces and inspired comedic performances by theatre powerhouses Cor Ruys, Louis de Bree and Louis Borel especially. The acting is — apart from an astoundingly hammy Mary Dresselhuys — not as wacky as the Jordaan-films, and not nearly as melodramatic and overly sentimental as most 30s Hollywood productions. Visually and technically the directing is so-so, but unlike most Dutch movies at the time, the camera was dynamic enough not to make it feel like filmed theatre. In short: **_De Kribbebijter_** is a unique picture; unique in being very Dutch in its approach, but also very non-Dutch in its execution. It's a movie I enjoyed immensely, and I hope a subtitled version will be released soon so foreign cinephiles can enjoy it as well!
When a wealthy businessman meets with an accident, his daughter takes over his company. Trisha's skills are tested when she has to spot the imposter, who is out to destroy her father's company.
Ravi (Nitin) and Geeta (Nikita) are childhood friends. Ravi is a carefree guy who roams around with friends without concentrating on studies. Geeta is a sincere student who passes engineering studies. Ravi has love feelings for her and everybody in the town is aware of it except for Geeta. When she is asked by Nitin's sister-in-law when she is planning to marry Ravi, she expresses her surprise and says that they are just friends and she has no feelings for her. She shows her materialistic attitude by saying that she wants her husband to be financially and academically more stronger than her. Ravi is devastated after listening to her logic. He realizes the importance of being a responsible family member and takes up odd jobs to earn money.
Jonathan Switcher, an unemployed artist, finds a job as an assistant window dresser for a department store. When Jonathan happens upon a beautiful mannequin he previously designed, she springs to life and introduces herself as Emmy, an Egyptian under an ancient spell. Despite interference from the store's devious manager, Jonathan and his mannequin fall in love while creating eye-catching window displays to keep the struggling store in business.
Manhattanite Ashley is known to many as the luckiest woman around. After a chance encounter with a down-and-out young man, however, she realizes that she's swapped her fortune for his.
When Berke Landers, a popular high school basketball star, gets dumped by his life-long girlfriend, Allison, he soon begins to lose it. But with the help of his best friend Felix's sister Kelly, he follows his ex into the school's spring musical. Thus ensues a love triangle loosely based upon Shakespeare's "A Midsummer Night's Dream", where Berke is only to find himself getting over Allison and beginning to fall for Kelly.
In the midst of a nasty public breakup of married movie stars, a studio publicist scrambles to put a cap on the escalating situation as the couple's latest film has found it's only print kidnapped by the director.
Josie Geller, a baby-faced junior copywriter at the Chicago Sun-Times, must pose as a student at her former high school to research contemporary teenage culture. With the help of her brother, Rob, Josie infiltrates the inner circle of the most popular clique on campus. But she hits a major snag in her investigation - not to mention her own failed love life - when she falls for her dreamy English teacher, Sam Coulson.
An up-and-coming filmmaker sets out to write a romcom. The only problem is, he has never been in a relationship before. All of that is about to change when he falls in love with Meg, an aspiring musician.
An exploration of the growing friendship between small-town girl Laura, who is persuaded onto a hiking trip by her friend Merit, and Joosep, a middle-aged guide.
A successful author is forced to confront an unrequited high school crush when he returns home to deliver a commencement address to graduating seniors. Shasta O'Neil, a sexy high school senior flirts with the visiting author and invites him to the prom.
Greg Focker is ready to marry his girlfriend, Pam, but before he pops the question, he must win over her formidable father, humorless former CIA agent Jack Byrnes, at the wedding of Pam's sister. As Greg bends over backward to make a good impression, his visit to the Byrnes home turns into a hilarious series of disasters, and everything that can go wrong does, all under Jack's critical, hawklike gaze.