まむしの兄弟　傷害恐喝十八犯

After being excommunicated from the yakuza, Ginya Yabuki returns from the shadows as leader of his own crime syndicate known as the Tokyo Mafia.

In a small town on the Kasumigaura coast in the early Showa period, the Masukawa clan from Tokyo is trying to take away the interests of the local Isetoku family. Setsuko, the adopted daughter of the Isetoku family, falls in love with Seijiro, a travelling raven she meets on a whim. However, Koide, a businessman connected to the Masukawa clan, wants Setsuko to become his mistress... Setsuko puts aside her love and her regrets and bets on the greatest female challenge of her life!

A young man decides one day to start killing yakuza. After he kills his first two he gets roped into helping a wannabe gangster and his bumbling underlings to perform a hit. While things work out in the beginning, this young psychopath quickly becomes more trouble than the gang expected. Will they be able to rid themselves of him, or will they be his next victims?

Ken Takakura stars as Ryoji one of the Aramasa family's loyal lieutenants whao takes the burden of his family being insulted by the Tanuma's family goons, by retaliating on his own. After injuring the head of Tanuma's family, and slaying others along the way, he then surrenders to the law and serves time. Before his last year to serve, the head of the Aramasa family falls ill and decides to retire, Ryoji miss chance to be successor, his old friend is reluctant but accepts. Now this gives the Tanuma family a chance for revenge! But with Tomisaburo Wakayama (Sekine) always having your back, how can you go wrong?

Part 7 in a long running (8+1 films) action/comedy/melodrama series about a pair of short tempered, amoral, but not evil chinpira (Bunta Sugawara and Tamio Kawachi) thinking too big of themselves. Katsuji finds his long lost mother, who is a rich lady of a respectable family. Comedy and melodrama ensue. A thrilling spectacle with an overly violent ending, and a remarkable, Japan's only post-prison rape comedy, Masa is determined to have sex with the female guard, despite the fact that there is a bar between them. Michi Azuma (topless swordswoman from Lone Wolf and Cub: Baby Cart in Peril) plays a tomboy who wants to join her brothers.

Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he used to work 19 years ago, to settle the probate of his girlfriend who left him shortly after marriage without a trace.

When Kanako, a model daughter and a brilliant student, disappears, her mother asks her ex-husband, a violent former policeman, to find her. As his investigation progresses, his idealized image of Kanako cracks: the girl hides a dark life that her father can not even imagine.

Two contract killers cross paths in the middle of the same job and realize they are childhood friends. Together they take a break from killing and visit the small island they once called home. After reflecting on their past lives they decided to team up and use their talents in killing for good... much to the upset of the crime syndicates.

Two penniless orphans, Black and White, struggle to survive on the mean streets of Treasure Town. When a megacorporation threatens to tear down the town to build an amusement park, Black and White engage in the fight of their life.

Kokubu Masaru (Bunta Sugawara) is a hard-headed, hot-tempered member of a street vendor clan run by an elderly boss (Kanjuro Arashi). They come into conflict with an unholy alliance of evil Yakuza bosses (Watanabe, Amatsu and Kawazu).

The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.