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Yoo hoo, I'll make you famous. Young Guns II is directed by Geoff Murphy and written by John Fusco. It stars Emilio Estevez, Kiefer Sutherland, Lou Diamond Phillips, Christian Slater, William Petersen, Alan Ruck, Vigo Mortensen and Balthazar Getty. Music is scored by Alan Silvestri, with contributions from Jon Bon Jovi, and cinematography is by Dean Semler. Brushy Bill Roberts, old and crusty, claims to be Billy The Kid. Which is quite a claim considering the Kid was long thought to have been killed by Patrick Floyd Garrett in 1881. Roberts tells a listening historian that after the break up of the Tunstall Regulators, the remaining members hooked up with Garrett and Arkansas Dave Rudabaugh and still lived the outlaw life... Young Guns was released in 1988 and became a big enough hit to warrant this sequel two years later. Reuniting gunslingers Billy the Kid (Estevez), Doc Scurlock (Sutherland) and Chavez (Phillips) from the first film, Young Guns II follows the same formula that worked so well two years previously. Billy is still a borderline nut case and his gang, for better or worse, follow him into a number of escapades. This time around, though, we have some added interest in the form of Christian Slater's cocky Rudabaugh, who, as an egotist, wants to run the gang himself. Things are further given a lift when Garrett (a darn fine William Petersen resplendent with major face fuzz) leaves the gang and is persuaded to become a law man. His first job being of course to catch Billy! Both Young Guns movies are frowned upon by many old school Western purists, which to a degree I understand. They lack any sort of psychological aspects outside of a brat packer like cast shooting and quipping with care free abandon. Character depth is lacking so there is nothing on which to hang your hat on. Here, much like the first film, creative license is used with historical facts but the core basis of story is solid, with many of the events leading up to the documented death of Billy the Kid holding true. Major problem here, though, is that the makers are spinning off from the iffy claim of Brushy Bill Roberts that he was Billy the Kid and did not die at the hands of Pat Garrett. Knowing Billy survives the pursuit and show-down with Garrett at the start of the film kind of dilutes the wonder and impending drama! Film also at times feels like a composite of Little Big Man, Butch Cassidy & the Sundance Kid and of course Sam Peckinpah's Pat Garrett & Billy the Kid. However, both films, and more so with this sequel, have such a sense of fun like homage to them it's not hard to forgive the obvious flaws. Action is plentiful, with much blood shed during the course of the story, while the story always remains intriguing by way of the character dynamics. Semler's photography is more in tune with the Wild West this time around, as is Silvestri's score, the latter of which lifts parts of his "Predator" arrangement to blend with more traditional cowboy harmonies. Great song from Bon Jovi to close the film down as well. There's a nice link to Peckinpah's movie with an important cameo for James Coburn as John Chisum (Coburn played Pat Garrett in Peckinpah's pic). But most of all it's just great fun to be in the company of Estevez's Billy, it's true enough to say it comes at the expense of the other characters around him, for it's a film owning show, which also dubiously swerves us into cheering for the baby faced "outlaw hero". Yet it plays out as a rollicking good ride in spite of some grey area thematics and a roll call of clichés. And boys, oh boys, Jenny Wright pops in to raise the temperatures considerably with a Lady Godiva moment. If for nothing else, the Young Guns movies got people talking about the Western genre in the MTV age, so that has to be a bonus to the discerning Western fan. Acknowledge the faults by all means, but viewing them as gun slinging fun wrapped around real Western folklore might just help you enjoy the experience a touch more. 7/10
Shrek, Fiona and Donkey set off to Far, Far Away to meet Fiona's mother and father. But not everyone is happy. Shrek and the King find it hard to get along, and there's tension in the marriage. The fairy godmother discovers that Shrek has married Fiona instead of her Son Prince Charming and sets about destroying their marriage.
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
Marty and Doc are at it again in this wacky sequel to the 1985 blockbuster as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
The final installment of the Back to the Future trilogy finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
James Bond must investigate a mysterious murder case of a British agent in New Orleans. Soon he finds himself up against a gangster boss named Mr. Big.
Jungle Jim fights a lion and sharks trying to save an African village from those who would despoil it.
While crossing the desert, a frontier scout, Jess Remsberg, rescues Ellen Grange from a pursuing band of Apaches, and returns her to her husband, Willard Grange. He is contracted to act as a scout for an Army cavalry unit. Willard, Ellen, and her infant son are along for the ride, as is horse trader Toller, a veteran of the 10th Cavalry. The party is trapped in a canyon by Chata, an Apache chief and grandfather of Ellen's baby. Willard is captured and tortured. Jess sneaks away and brings reinforcements just in time to save the day. Jess learns that the man he has been hunting is none other than Willard Grange.
In 2019, Lincoln Six-Echo is a resident of a seemingly "Utopian" but contained facility. Like all of the inhabitants of this carefully-controlled environment, Lincoln hopes to be chosen to go to The Island — reportedly the last uncontaminated location on the planet. But Lincoln soon discovers that everything about his existence is a lie.
Bill and Ted are high school buddies starting a band. They are also about to fail their history class—which means Ted would be sent to military school—but receive help from Rufus, a traveller from a future where their band is the foundation for a perfect society. With the use of Rufus' time machine, Bill and Ted travel to various points in history, returning with important figures to help them complete their final history presentation.
Superman returns to discover his 5-year absence has allowed Lex Luthor to walk free, and that those he was closest to felt abandoned and have moved on. Luthor plots his ultimate revenge that could see millions killed and change the face of the planet forever, as well as ridding himself of the Man of Steel.
1492: Conquest of Paradise depicts Christopher Columbus’ discovery of The New World and his effect on the indigenous people.