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Yoo hoo, I'll make you famous. Young Guns II is directed by Geoff Murphy and written by John Fusco. It stars Emilio Estevez, Kiefer Sutherland, Lou Diamond Phillips, Christian Slater, William Petersen, Alan Ruck, Vigo Mortensen and Balthazar Getty. Music is scored by Alan Silvestri, with contributions from Jon Bon Jovi, and cinematography is by Dean Semler. Brushy Bill Roberts, old and crusty, claims to be Billy The Kid. Which is quite a claim considering the Kid was long thought to have been killed by Patrick Floyd Garrett in 1881. Roberts tells a listening historian that after the break up of the Tunstall Regulators, the remaining members hooked up with Garrett and Arkansas Dave Rudabaugh and still lived the outlaw life... Young Guns was released in 1988 and became a big enough hit to warrant this sequel two years later. Reuniting gunslingers Billy the Kid (Estevez), Doc Scurlock (Sutherland) and Chavez (Phillips) from the first film, Young Guns II follows the same formula that worked so well two years previously. Billy is still a borderline nut case and his gang, for better or worse, follow him into a number of escapades. This time around, though, we have some added interest in the form of Christian Slater's cocky Rudabaugh, who, as an egotist, wants to run the gang himself. Things are further given a lift when Garrett (a darn fine William Petersen resplendent with major face fuzz) leaves the gang and is persuaded to become a law man. His first job being of course to catch Billy! Both Young Guns movies are frowned upon by many old school Western purists, which to a degree I understand. They lack any sort of psychological aspects outside of a brat packer like cast shooting and quipping with care free abandon. Character depth is lacking so there is nothing on which to hang your hat on. Here, much like the first film, creative license is used with historical facts but the core basis of story is solid, with many of the events leading up to the documented death of Billy the Kid holding true. Major problem here, though, is that the makers are spinning off from the iffy claim of Brushy Bill Roberts that he was Billy the Kid and did not die at the hands of Pat Garrett. Knowing Billy survives the pursuit and show-down with Garrett at the start of the film kind of dilutes the wonder and impending drama! Film also at times feels like a composite of Little Big Man, Butch Cassidy & the Sundance Kid and of course Sam Peckinpah's Pat Garrett & Billy the Kid. However, both films, and more so with this sequel, have such a sense of fun like homage to them it's not hard to forgive the obvious flaws. Action is plentiful, with much blood shed during the course of the story, while the story always remains intriguing by way of the character dynamics. Semler's photography is more in tune with the Wild West this time around, as is Silvestri's score, the latter of which lifts parts of his "Predator" arrangement to blend with more traditional cowboy harmonies. Great song from Bon Jovi to close the film down as well. There's a nice link to Peckinpah's movie with an important cameo for James Coburn as John Chisum (Coburn played Pat Garrett in Peckinpah's pic). But most of all it's just great fun to be in the company of Estevez's Billy, it's true enough to say it comes at the expense of the other characters around him, for it's a film owning show, which also dubiously swerves us into cheering for the baby faced "outlaw hero". Yet it plays out as a rollicking good ride in spite of some grey area thematics and a roll call of clichés. And boys, oh boys, Jenny Wright pops in to raise the temperatures considerably with a Lady Godiva moment. If for nothing else, the Young Guns movies got people talking about the Western genre in the MTV age, so that has to be a bonus to the discerning Western fan. Acknowledge the faults by all means, but viewing them as gun slinging fun wrapped around real Western folklore might just help you enjoy the experience a touch more. 7/10
Max Rockatansky returns as the heroic loner who drives the dusty roads of a postapocalyptic Australian Outback in an unending search for gasoline. Arrayed against him and the other scraggly defendants of a fuel-depot encampment are the bizarre warriors commanded by the charismatic Lord Humungus, a violent leader whose scruples are as barren as the surrounding landscape.
Summoned by his dying father, Miyagi returns to his homeland of Okinawa, with Daniel, after a 40-year exile. There he must confront Yukie, the love of his youth, and Sato, his former best friend turned vengeful rival. Sato is bent on a fight to the death, even if it means the destruction of their village. Daniel finds his own love in Yukia's niece, Kumiko, and his own enemy in Sato's nephew, the vicious Chozen. Now, far away from the tournaments, cheering crowds and safety of home, Daniel will face his greatest challenge ever when the cost of honor is life itself.
Gwen, who is married to Torito, an Indian, she escapes from a rape attempt and is found wandering in the wilderness by Johnny, who leaves her with a missionary Father Ryan. A difficult situation emerges involving warring families and those who had assaulted her, still on their trail.
Times are changing for Manny the moody mammoth, Sid the motor mouthed sloth and Diego the crafty saber-toothed tiger. Life heats up for our heroes when they meet some new and none-too-friendly neighbors – the mighty dinosaurs.
Abahachi, Chief of the Apache Indians, and his blood brother Ranger maintain peace and justice in the Wild West. One day, Abahachi needs to take up a credit from the Shoshone Indians to finance his tribe's new saloon. Unfortunately Santa Maria, who sold the saloon, betrays Abahachi, takes the money and leaves. Soon, the Shoshones are on the warpath to get their money back, and Abahachi is forced to organize it quickly.
A trio of unemployed silent film actors are mistaken for real heroes by a small Mexican village in search of someone to stop a malevolent bandit.
Legless Southern inventor Dr. Arliss Loveless plans to rekindle the Civil War by assassinating President Ulysses S. Grant. Only two men can stop him: gunfighter James West and master-of-disguise and inventor Artemus Gordon. The two must team up to thwart Loveless' plans.
Three escaped criminals from the planet Krypton, who have the same powers on Earth as Superman, test the Man of Steel's mettle. Led by General Zod, the Kryptonians take control of the White House and partner with Lex Luthor to destroy Superman and rule the world. But Superman, who made himself human in order to get closer to Lois, realizes he has a responsibility to save the planet.
Chon Wang, a clumsy imperial guard, trails Princess Pei Pei when she's kidnapped from the Forbidden City and transported to America. Wang follows her captors to Nevada, where he teams up with an unlikely partner, outcast outlaw Roy O'Bannon, and tries to spring the princess from her imprisonment.