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Oh, man, what a movie! Perfect on every sense. Great cast, with terrific Bogart and Bacall. Complex and interesting plot and smart dialogues. Only "funny" thing, if we want to say something, is the "perception" of the women roles in the movie. They are strangely all sexy and attracted to and tempting Philip Marlow.
This continues the incredible run of films Bogie made with now-wife Lauren Bacall. Crackling script ran to perfection by Howard Hawks. Essential, especially for fans of detective thrillers or simply well-made movies.
"General Sternwood" (Charles Waldron) has two daughters and poor old private detective "Philip Marlowe" (Humphrey Bogart) might be forgiven for ever getting involved with a case that sees him employed to investigate a case of blackmail against his youngest - "Carmen" (Martha Vickers). It looks like she is the target of the venal rare book seller "Geiger" but swiftly we realise that that's just the tip of an iceberg that includes not just that blackmail, but another one - with the duplicitous "Joe" (Louis Jean Heydt) and then there's the missing "Regan" which takes him fairly and squarely into the scheming orbit of the other daughter "Vivian" (Lauren Bacall). Soon he's chasing his tail, getting thumped, tied up, shot at - and all whilst he slowly falls for his femme fatale. Who's pulling the strings and why? The story itself isn't the most complex - it's a fairly standard Raymond Chandler adventure. What makes this positively glow are the performances. Bogart and Bacall exude a chemistry that's understatedly provocative. Bacall, especially, uses the less-is-more style with a flash of her eyes or a gesture from her cigarette; Bogart just needs to smile or shrug. It comes alive. The effective use of rain, light, shade and a strong support from Vickers and Bob Steele as crooked henchman "Canino" all help this to create an atmosphere of menace tinged with some dark humour and presented via a strong script. Howard Hawks knows how to let his stars get on with it, and he delivers well with this compelling and superior example of Hollywood at it's very best.
**A film that would be truly memorable if the script wasn't so poorly written.** In general, I really like noir films, it's a style that I like. However, despite the great reputation, I didn't particularly like this film. It's good, and from a style point of view, it gives us everything we like to see in a noir. However, the film fails too much when it comes to the script and the story it intends to tell us. This is not a mistake that I am willing to forgive lightly, especially if we are talking about a production at the highest level and with professionals of the highest caliber, as is the case. In fact, the film is a sight for sore eyes. The black-and-white cinematography is of the utmost elegance, and the lighting was magnificently crafted. The sharpness is excellent, and the filming work gives us some truly well-shot and well-framed scenes. It's very difficult to do better and being more demanding would be unfair, I think. We cannot leave aside the orchestral soundtrack, accompanying each scene with dignity and notably increasing the dramatic charge of some moments. The sets are very well-designed, the costumes are excellent (the highlight, I would say, is Bogart's costume, corresponding to the classic image of the detective in a Fedora hat and trench coat), the cars couldn't be more stylish (I'm suspicious because I'm a huge fan of classic cars from this period) and the props are excellent. However, it is in the performance of the cast that the film shows all its quality: in a cast headed by Humphrey Bogart, there is not a single actor that we feel is too much or has been underutilized. Everyone had their time to shine and show talent, a sign that the director, Howard Hawks, managed the talents he had at his disposal very well. Bogart, as almost always happens, does not disappoint us: he is comfortable with these types of characters and knows well how to interpret them, giving the character a balanced dose of cynical humor, restrained heroism and well-intentioned brutality. Some of the film's most quotable and memorable lines are his. Another great actress we can see here is Martha Vickers. Her role is brief and much of it was cut in post-production, but the actress is hypnotic and sensual like a Lolita. Lauren Bacall, who was Bogart's lover at the time and would later become his wife, is also a strong and impactful presence, but I think I've seen her much better in other works. What's missing here is an equally strong and charismatic villain. Where the film fumbled was really in the script, which presents us with a confusing and disjointed story involving the two spoiled daughters of a very rich retired general. The film treats the story with indecent carelessness, and I had to make a huge effort to understand what was going on. I confess that perhaps it would have been better not to have done it, because it really is a weak and poorly developed story, unacceptable in a work of such quality. I don't know the original material on which the film was based, I just know that it gave rise to other films and adaptations. Be that as it may, I simply cannot accept it and “suck it up”! This simply cannot happen. But anyway, things are what they are, and it's sad to see a film with so much quality have such an unforgivable flaw.
Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, escaping life's troubles – even if just for a moment – by dreaming up little numbers to the rhythmic beats of her surroundings.
Riny (Biju Menon) is the right hand man of jeweller Lolappan (Innocent). He is extremely selfish and doesn't worry about the consequences of his actions as long as it contributes to his growth. He becomes estranged even with his family, but despite this, his rise up through the ranks continue.
A man is tried and convicted for the murder of a man who flirted with his wife., and sentenced to death However, it turns out that he is innocent of the murder and that the real killer has close ties to a powerful politician.
All the rules are broken as a sect of lawless marauders decides that the annual Purge does not stop at daybreak and instead should never end as they chase a group of immigrants who they want to punish because of their harsh historical past.
Deputy Sheriff Joe "Deke" Deacon joins forces with Sgt. Jim Baxter to search for a serial killer who's terrorizing Los Angeles. As they track the culprit, Baxter is unaware that the investigation is dredging up echoes of Deke's past, uncovering disturbing secrets that could threaten more than his case.
The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.
After an accident, acclaimed novelist Paul Sheldon is rescued by a nurse who claims to be his biggest fan. Her obsession takes a dark turn when she holds him captive in her remote Colorado home and forces him to write back to life the popular literary character he killed off.
A cop, his partner, and his father uncover a plot by city elders to smuggle drugs from Mexico into Phoenix, Arizona.
The story of an idealist's rise to power in the world of Louisiana politics and the corruption that leads to his ultimate downfall. Based on the 1946 Pulitzer Prize-winning novel written by Robert Penn Warren, loosely based on the story of real-life politician Huey Long.
As a Hollywood actress begins to adopt the persona of her character in a film, her world becomes nightmarish and surreal.
TV writer Elliott Nash buries a blackmailer under the new gazebo in his suburban backyard. But the nervous man can't let the body rest there.