Mothers In Law

During WWII, a teenage boy discovering himself becomes love-stricken by Malèna, a sensual woman living in a small, narrow-minded Italian town.

Three childhood friends - Elise, Sonia and Cecile - leave for a summer in the South of France to help clear Cecile’s holiday house before it is put up for sale. There, they soon become the prime targets of three horny young men, for whom these single forty-year-old women are much more attractive than girls their age.

The characters we met a little more than a decade ago return to East Great Falls for their high school reunion. In one long-overdue weekend, they will discover what has changed, who hasn’t, and that time and distance can’t break the bonds of friendship.

Tells the tale of three buddies in their 20's whose love-lives are in shambles. They go to Aspen to pursue the booming trend of dating cougars: hot older women who prey on hot young guys.

High society women of a small Greek town try everything to have sex with the first male they can find.

Geng socialite mother; Lolita was a widow who became entrepreneurs due to expensive boutiques treasure Gono-gini ex-ex-husband, Anis rather an idiot, and Uut fat, often hold joint gathering costly. By the time the three get together, the mortal enemy of Lolita, Misye, while gathering brought a popcorn (the term to refer to youth aged bear) named Erik. Misye gaze is believed to be a challenge for Lolita, which eventually terkompori and with Anis and Uut, holding auditions looking for popcorn at the shop.

Karen leaves Zack to go on the hunt with her Step Mother for wealthy younger men.

Two friends, young psychiatrists, perceive life in different ways. One wants to do the right thing. The second is to experiment. One is a diligent student. The second is the troublemaker. One loves, hating. The second hates, loving. It's a pity that they have only one passion - Katerina Sergeevna. For one, she is Mom, Dad's wife. For another - a lover.

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.