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FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/brian-and-charles-spoiler-free-review-sundance-2022 "Brian and Charles will definitely end up as one of the most endearing, funniest, feel-good stories of the whole year. Jim Archer takes David Earl and Chris Hayward's original screenplay and uses their extraordinary, amusing performances to bring to life a narrative about true friendship and authentic human connections. The light humor consistently forces the audience to let go of strong, loud laughs, either through genuinely hilarious interactions between the two protagonists or using physical comedy and brilliant song selection. It may not be never-seen-before content or as inventive as expected, but it manages to deliver a memorable, entertaining, heartfelt story with beautiful messages. A must-watch!" Rating: A-
Familiarities aside, _Brian and Charles_ is written in a way that tugs at your heartstrings and reminds us that we should be judged by what’s inside even if our insides are a plethora of tangled cords and flashing lights and not a beating, blood pumping heart. The film touches on loneliness and bullying that is easy to sympathize with if you’ve ever suffered from either. _Brian and Charles_ may revolve around a creative nerd as he succumbs to a violent bully, but the film is so pure and so wholesome that a little beach fanatic robot created in a cow shed makes you feel more human than any other film has in a long, long time. **Full review:** https://hubpages.com/entertainment/Brian-and-Charles-2022-Review-Cinematic-Naivety-At-Its-Finest
David Earl is "Brian". He lives in a cottage in a rural Welsh location where he regularly turns his hand to inventing. Much like "Caractacus Potts" in "Chitty Chitty Bang Bang" (1968), his inventions are far fetched, half baked and frankly rather daft. Until, that is, he decides to convert an old washing machine into a robot. Miraculously - probably thanks to a mouse and a terrific thunderstorm - this robot comes alive, decides he wants to be called "Charles" and the two start to bond in a sort of parent to infant fashion. The latter having sped-read a dictionary is curious and inquisitive and determined to explore beyond the bounds of their small holding. "Brian", however, is much more wary of the reaction of their fellow villagers - a suspicion that is well founded when the local bully "Eddie" (James Michie) espies said creation and decides to procure him for his own daughters. Now it falls to to "Brian" and his parrot-loving friend "Hazel" (Louise Brealey) to rescue "Charles" from quite a grizzly fate. This film takes for ever to get going. Much of it is told as a monologue between "Brian" and the camera that I found missed many more times than it hit. "Charles" does come out with some witty observations that reminded me of the "out of the mouth of babes..." quote and that decent naivety and innocence is engaging for a time, but the joke wears really quite thin and resorts a little to rural stereotyping that didn't endure well for what felt like much longer than 90 minutes. It's an amiable enough watch, but perhaps wait til it appears on television in due course.
An adventurous teenager summons the courage to help a friendly dinosaur to escape from the clutches of a mad scientist that wants to use him for experimentations.
Samantha is an 18-year-old girl who, in the middle of a move, experiences a flashback of memories and is reunited with her imaginary childhood friend, Flux. Between waves and cardboard boxes, she passes the farewell with herself, with what surrounds her and with the tide.
In a bid to awaken his latent divinity, Phiel is forced to undergo an agonizing experiment, bombarded with visions of events from different time dimensions while trapped in isolation.
On the small planet of Hub B a Gaian scientist named Bon awaits a data transfer officer, but is met by his former partner, Lex, who unbeknownst to him is there to steal his life's work for the scientific cult organization, REM. While their love once again blossoms, when the truth about her motives is revealed, the situation becomes fatal.
In the aftermath of 0009: The Sharks Make Contact (2019), the surviving sharks have to deal with a destroyed moon, and try to stop Shoogledocking.
From the depths of Hell, the lord of darkness summons the demon Christmas spirit Krampus to wreak havoc on the living and only BIGFOOT can stop him.
In an alternate version of 20th century America, all citizens are subject to government-issued neurological implants which they are told prevent their heads from exploding. When Arkady, the lone caretaker of his ailing mother, has his implant forcibly removed by an unknown assailant– his reality begins to collapse and he scrambles to find answers.
Origin: Beyond the Impact is a science-fiction drama centered around a meteoric object that hits planet Earth in 1960 and the dark mysteries carried with it. Fifty years after the impact, tech powerhouse Crowe Corporation is determined to lead the world’s fourth industrial revolution by secretly attempting to unlock those mysteries until their leading scientist, Dr. Bernard Schmidt, goes missing. An investigation is launched into the disappearance led by special agent William Shepard of the FBI, reluctantly paired with a cynical Russian operative, Aleksey Popov. The investigation takes a critical turn when Schmidt’s connection to an Air Force test pilot leads the investigators to a young woman whose past uncovers a possible government conspiracy. The investigators then become locked in a race against time to protect a secret hidden in plain sight.
The malevolent inter-dimensional machine is still channeling monsters and blowing minds, but this time things get even more complicated with the arrival of mad med student Herbert West and his dreaded reagent!
Seetharamu is a 1979 Indian Kannada-language film directed by V. Somashekhar. The film stars Shankar Nag, Manjula and Thoogudeepa Srinivas. The film is based on a science fiction plot of a brain transplant. The movie was remade in Telugu as Seethe Ramudaithe, starring Shankar Nag in his Telugu debut, and in Hindi in 1995 as Diya Aur Toofan. The song Ee Roopave Nannee Baalina was earlier used by Chellapilla Satyam for the 1978 Telugu movie Annadammula Savaal, which incidentally was a remake of the 1977 Kannada movie Sahodarara Savaal.
The prototype [TEST TYPE • 154] is a highly sophisticated artificial intelligence, which is capable of autonomously acquiring notions from its surroundings and - eventually - developing autonomy of thought. Given the nearly human nature of its learning capabilities, the laboratory that programmed it hires a kindergarten teacher, asking him to instruct the machine as if it were a newborn child. The learning process - which spans 7 days - becomes increasingly insidious in the long run, posing a peculiar yet crucial problem: can there be a form of autonomous thinking that excludes emotions?