Make Your Own Bed

A weekend at a marquis’ country château lays bare some ugly truths about a group of haut bourgeois acquaintances.

An adventure of the hapless Bertie Wooster, a young gentleman about town with a penchant for getting himself into personal difficulties, particularly with women. It is inevitable left to his unflappable manservant Jeeves to provide tidy and elegant rescues.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective-the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time-so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

A little girl goes in search of her father who is reported missing by the military during the Second Boer War.

Raquel has been the live-in housekeeper for a kind, reasonably wealthy family for half her life, and the joyless repetition of the job has begun to take its toll. Increasingly dependent on painkillers, Raquel resorts to pranks and childish avoidance to antagonize the family’s college-age daughter and a procession of new servants, all in the hopes of protecting her precarious power within the home. Her antics successfully push everyone away, until new maid Lucy actually pushes back.

After a wizard's spell goes awry, 12th-century Gallic knight Godefroy de Papincourt, Count of Montmirail finds himself transported to 1993, along with his dimwitted servant, Jacquouille la Fripouille. Startled and perplexed by modern technology, the duo run amok, destroying cars and causing chaos until they meet Beatrice de Montmirail, an aristocratic descendant of the nobleman, who may be able to help them get back to 1123.

Goksel is a butler at the mansion of the wealthy Mr. Kadri. As Mr. Kadri and his family go on a three-month trip to Europe, Goksel sends all the staff on vacation -except the cook and driver. Goksel introduces himself to the society as the landlord. In the meantime Fatma, daughter of a rich family doesn't accept her parents' intentions of having her married to someone she doesn't want and runs away from her home. She starts working at Goksel's residence as a maid. Goksel is dating with Aysel who is already engaged. Fatma has an affection for Goksel but he wants to have someone rich. Mr. Kadri returns from his trip earlier than expected and all the lies are revealed. Aysel leaves Goksel and Fatma confesses him her love. Goksel soon comes to know who Fatma really is. The lovers start a brilliant life together.

While vacationing without her busy British diplomat husband, a married woman falls for another man.

Film version of Shakespeare's comedy of a young woman who disguises herself as a man to win the attention of the one she loves.

Two domestic robots fall in love and run off together.

A solicitor's secretary goes to a creepy mansion to hand an inheritance to the deceased's niece. The house's service is trying to terrify the girl out of the house, where they know a treasure is hidden.