Twisters 2024 - Movies (Oct 11th)
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The ReidOut with Joy Reid - (Oct 12th)
All In with Chris Hayes - (Oct 12th)
Chris Jansing Reports - (Oct 11th)
The Last American Vagabond - (Oct 12th)
Katy Tur Reports - (Oct 12th)
Deadline- White House - (Oct 12th)
The Beat with Ari Melber - (Oct 12th)
CrimeCam 24-7 - (Oct 12th)
Cops - (Oct 12th)
Gardeners World - (Oct 11th)
The Young and the Restless - (Oct 11th)
The Price Is Right - (Oct 11th)
The Talk - (Oct 11th)
Château DIY- Living the Dream - (Oct 11th)
The Bold and the Beautiful - (Oct 11th)
Gogglebox - (Oct 11th)
Have I Got News for You - (Oct 11th)
Dispatches - (Oct 11th)
The One Show - (Oct 11th)
Richard Osmans House of Games - (Oct 11th)
An overview of the works of French film pioneers Louis and Auguste Lumière from 1895 to 1897.
The film was about a group of Polish ice skaters at the slide of the Warsaw Ice Skating Society. The film was filmed using a pleograph which was an early type of the movie camera invented by Kazimierz Prószyński.
The untold origin story behind Ridley Scott's Alien - rooted in Greek and Egyptian mythologies, underground comics, the art of Francis Bacon, and the dark visions of Dan O'Bannon and H.R. Giger. A contemplation on the symbiotic collaborative process of movie-making, the power of myth, and our collective unconscious.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Scenic route through the Vale of Evesham, Worcester and Great Malvern, with a detour to a lost masterpiece of outsider art.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
It is a daring idea: to grow food from old mattresses in a desolate camp at the edge of a war zone. When a refugee scientist meets two quirky professors, they must confront their own catastrophes - and make a garden grow. Short film now streaming on Waterbear.com.