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After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the "concerned friend" gag as a way to hide out from the police.

Hired to helm an Americanized take on a British play, director Lloyd Fellowes does his best to control an eccentric group of stage actors. With a star actress quickly passing her prime, a male lead with no confidence, and a bit actor that's rarely sober, chaos ensues in the lead up to a Broadway premiere.

The action is set in Naples, opening a door onto an imagined maritime world stretching towards the Orient. Faced with two authoritarian fathers, two sons, both of whom are thwarted lovers, turn to the crafty Scapin, who is driven by a mad desire for revenge. The character is a double of Scaramouche, the Italian actor of the adventurous life whom Molière admired: “to tell you the truth, there are few things that are impossible for me, when I put my mind to them” declares the buffoonish servant whose name, as Denis Podalydès points out, derives his from the Italian scappare which means “to escape”, “to scamper off”. Scapin is beaten with a stick at one point but also gets his own back and, against a background of ransom demands and paternal contradictions, he comes up with an avalanche of stratagems and other tricks, which Molière excels in depicting.

On the forest lake the person "from nothing to do" killed a Seagull. The symbolism of this story allowed Chekhov to Express the psychologically complex "inextricably unconnected" relationships of the characters living near a beautiful lake, suffering, hoping, searching, but unable to find themselves and their place in life.The most difficult in the fate of Anton Chekhov, but also the most famous and popular play in theaters in the world. Its simplicity, unique theatricality and stage longevity attract Directors and actors who, with each new production, offer the audience to unravel the mystery of the play, in which the author presented the drama of people in the Comedy genre. Famous film Director Andrey Konchalovsky offers a new version of the play, insisting that the stage action he staged is exactly the version of "the Seagull" that Chekhov intended it to be.