A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Alarum 2025 - Movies (Jan 17th)
Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
Here 2024 - Movies (Jan 16th)
The Calendar Killer 2025 - Movies (Jan 16th)
Venom The Last Dance 2024 - Movies (Jan 15th)
You Gotta Believe 2024 - Movies (Jan 15th)
Wolf Man 2025 - Movies (Jan 15th)
Sentinel 2024 - Movies (Jan 15th)
Out Come the Wolves 2024 - Movies (Jan 15th)
Diddy Summit to Plummet 2024 - Movies (Jan 14th)
Powder Pup 2024 - Movies (Jan 14th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 14th)
Extreme Makeover- Home Edition - (Jan 17th)
Law and Order- Special Victims Unit - (Jan 17th)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
X-Rated Queen - (Jan 17th)
LOL- Last One Laughing Quebec - (Jan 17th)
The First 48 - (Jan 17th)
Swamp People - (Jan 17th)
Southern Hospitality - (Jan 17th)
Southern Charm - (Jan 17th)
First Dates Ireland - (Jan 17th)
Hells Kitchen - (Jan 17th)
TNA iMPACT - (Jan 17th)
Found - (Jan 17th)
The Agency - (Jan 17th)
Anyone else remember playing "Othello" (the board game - not the "enemy in your mouth to steal your brains" guy)? I loved it... Anyway, "Taeko" (Fumino Kimura) lives with her second husband "Jirô" (Kento Nagayama) who has cheerfully adopted her rather lively young son "Keita" (Tetta Shimada) who is always playing the game. Indeed he is a champion and part of an online group who thrive at the thing. It's his birthday and he's all excitable. Mum loves a bath but often forgets to drain it afterwards... An accident ensues that leads to her ex-husband "Paku" (the frequently scene-stealing Atomu Sunada) coming back into their lives. He is an homeless, deaf, man and as both work for the local authority, "Jirô" suggests that - not entirely for altruistic reasons - she try to find him an home. His continuing presence puts everyone under a microscope that assesses decisions made and those yet to come for not just the three directly involved, but for grandparents who wanted a grandchild of their own and for people from both of their past lives. It deals with the expected emotions of guilt and torment, but it manages to avoid steeping us in sentimentality nor does it immerse us too depressingly in what is clearly a scenario riddled with grief and "what ifs?". The young Shimada is enjoyable to watch at the start and there is a definite chemistry here as the adults come to terms with their situation. It may seem a little long, but I felt Kôji Fukada paced this well allowing the characters to evolve in a natural fashion and making this quite an enjoyably poignant, at times darkly humorous, tale of family.
A young man is falsely accused of molesting a high-school girl on a train. He is arrested and charged, and goes through endless court sessions, all the while insisting that he is innocent.
The story is about a convict released from prison for an old murder who is thinking about returning to his ex-wife and his former life. If she puts a yellow handkerchief on the window, it would mean that she wants him back at home.
A lawyer tasked with defending a robbery-and-murder suspect begins developing doubts about what truly happened.
Ono Yasuomi is a cram school teacher with poor communication skills. He hopes to get married but doesn't know what ordinary means and feels awkward on dates with women. He asks Kasumi, a student who knows lots of trivia about romance, to teach him the meaning of ordinary.
A Tokyo college student is attacked by a ghoul, a super-powered human who feeds on human flesh. He survives, but has become part ghoul and becomes a fugitive on the run.
Rei Kiriyama is a 17-years-old shogi (Japanese chess) player. He debuted as a professional shogi player when he was in middle school. He lives by himself in Tokyo, because his parents and younger sister died in an traffic accident when he was little. One day, Rei Kiriyama meets three sisters who are his neighbors. The three sisters are Akari Kawamoto, Hinata Kawamoto and Momo Kawamoto. This is his first meeting with someone outside of the shogi world in many years. Having meals with the Kawamoto family brings warm feelings to Rei Kiriyama. As Rei Kiriyama continues his shogi career, his interactions with his neighbors allows him to grow as a shogi player and as a person.
Sen no Rikyu (Ebizo Ichikawa) is the son of a fish shop owner. Sen no Rikyu then studies tea and eventually becomes one of the primary influences upon the Japanese tea ceremony. With his elegant esthetics, Sen no Rikyu is favored by the most powerful man in Japan Toyotomi Hideyoshi (Nao Omori) and becomes one of his closest advisors. Due to conflicts, Toyotomi Hideyoshi then orders Sen no Rikyu to commit seppuku (suicide). Director Mitsutoshi Tanaka's adaptation of Kenichi Yamamoto's award-winning novel of the same name received the Best Artistic Contribution Award at the 37th Montréal World Film Festival, the Best Director Award at the 2014 Osaka Cinema Festival, the 30th Fumiko Yamaji Cultural Award and the 37th Japan Academy Film Prize in nine categories, including Best Art Direction, Excellent Film and Excellent Actor.
A deaf garbage collector happens upon a broken and discarded surfboard. The discovery plants in him dreams of becoming a surf champion. Encouraged by his also deaf girlfriend, he persists against all odds.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
Okawa Family’s yakuza, Junji, is released from prison, and is told to take over a local radio station by his boss. Junji tries to explain that it is not a yakuza’s job to talk on the radio, but no one listens to him. He reluctantly goes to the radio building, and is met by a young, upbeat girl broadcasting a talk show and playing pop music. Will this seasoned gangster really fit in on such a show?
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.