部屋結界～この中だったら僕の思い通りイヒ！～

Loosely based on a 1926 short story by Jun'ichirō Tanizaki, the film opens as an artist and a young woman are in a dentist's waiting room. Though he is attracted to the woman, he says nothing to her. They are later in the same examining room. When he is given an anesthetic, he begins to imagine a series of scenes in which the woman undergoes various forms of sexual abuse, including rape and torture. When the artist recovers from the anesthetic, he finds clues showing that he may not have been hallucinating.

There is no possibility of escape from slavery in the New Territories: the choice is simple, the mine slave mines or love slave.

Waldemar, the renowned adventurer, joins an expedition to find the Yeti in the Himalayas. While hiking the mountains, he's captured by two cannibalistic demon nymphets guarding a remote Buddhist temple and becomes their sex-slave. They transform him into a werewolf setting him loose to roam the mountain where he encounters a sadistic bandit.

Genral Hua rescues a little beggar maid.

A man stays with his father's friend Min-cheol in Seoul as he attends law school. The man has an interest in Min-cheol's young wife, Soo-kyeong, and in her best friend, Yoo-ra.

A plane crashes in the Amazon jungle, and its passengers must battle their way through cannibals, slave traders, wild animals and murderous piranha fish to safety.

Wataru, a young, nerdy man who also narrates the film's story, uses some of his time to peep on his parents having sex, as well as on his sister, and is often seen masturbating to a porn magazine.

Tomoko and Naomi have had a lesbian relationship since their high school days. They meet again a few years later, and this film depicts the course of their love. Tomoko's strong obsession with Naomi and her intense sexual desire excite the audience. The beauty of the last scene is a must-see!

Parade, one of Makavejev’s best-known films, is view into the preparations International Worker’s Day where the director all but ignores the titular parade. The film focuses on the people – those who work and those who wander the streets, sometimes lost among the throngs, shown in a by-the-way fashion and not without humor. Makavejev claims he sought to show, man as he is...

Nadia Murad, a 23-year-old Yazidi, survived genocide and sexual slavery committed by ISIS. Repeating her story to politicians and media, this ordinary girl finds herself thrust onto the world stage as the voice of her people. Away from the podium, she must navigate bureaucracy, fame and people's good intentions.