Taking Chances

In 16th-century Zazzau, now Zaria, Nigeria, Amina must utilize her military skills and tactics to defend her family's kingdom. Based on a true story.

Young business man Michael has some kind of religious crisis. This weakness is exploited by a group of cackling witches. One of the witches - in her human form - get's married to Michael. Slowly, his family life and his health starts to fall apart. Can he be saved through the power of Jesus Christ?

Two meek women who are terribly abused by their husbands join forces to avenge their maltreatment. Martial arts give them the power to stand strong where they were previously weak.

Kenneth Abah, the managing director of hills group and the son of a famous and influential family is married to Susan, a graduate in law and the daughter of a dry cleaner. Thanks to Ken's social status and arrogance his loving wife becomes his maid. But when Susan becomes tired and complains, he proposes a divorce. Will she accept his proposal or continue with this domestic slavery?

A slick serial seducer bets his friends that he can bed three old flames in six weeks, in this risqué comedy from the director of the smash hit Wives on Strike.

Money is not necessarily the key to happiness. It can easily be considered man's worst downfall. Michael Adeyemi was destined to be a billionaire by the age of 35 and with money comes access to the fine things of life. Find out how Michael's desperate quest for fortune and success would cost him the number one thing money cannot buy - Family. Blinded by selfish ambitions, pride and appetite for greed leads him down a path of self-destruction, blinding him to the only thing that is worth saving. It all comes crashing down on "Boxing Day" where Michael is swept under a sea of adversities caused by none other than himself. Watch this downpour of self-inflicted wave of adversities with rippling effects that triggers thought provoking questions, of love, pain, pride and ultimate redemption - what if you never get that second chance?

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

A loving husband is diagnosed of brain tumor that threatens his life. He has a last request that sends his family into disarray. He soon realizes the effect of his request in his family. He begins to seek a solution to his problem and a way to bring his family back together.

Nefechi, married off against her will to Dede, will come to understand what love and fatherhood mean.

When Temi, the gorgeous wife of a high profile senator is robbed, four suspects arequickly apprehended and arrested. Although each detainee proclaims his innocence, Temi identifies each of the attackers along with her stolen property, seemingly resolving this classic open and shut case. But a senior detective, on the eve of his retirement risks his reputation when he suspects there is more to the story. High powered political intrigue clashes with gritty street violence and the prospect of deep corruption in this riveting mystery where one man fights to prevent the truth from becoming another casualty.

A blend of patriotism and personal vendeta drives Joan in the fight against fake drugs and the dangerous cartel behind it.