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Deep Fear shows some promise but much of its potential, like the French catacombs, in which it is set, remains undiscovered. Lets start with the positives, a solid if by now mostly familiar back story, helped by decent acting, from the capable, cast. You certainly buy into the main characters anxiety and fear. A creepy, unrelenting threat, they have to face. A dash of well rendered 80's and early 90's nostalgia. Its a reasonable horror recipe, so what goes wrong? First out of the box is the predictable, by this time, exhausting, woke pandering. Yes diversity good, racism bad, we get it. Thanks for the lecture. Then there's the fact that about half the movie is spent wandering around the catacombs, being guided and then, being lost. Its an interesting setting but after a time the novelty wears off. To top it off, when the real scares start to kick in, they are not well handled. The outcome is yet another film that, maddeningly, "sort of works" but doesn't quite get, where it wants to go. In summary, an interesting idea, let down by inconsistent execution. The results a horror flick that's moderately watchable but left this viewer feeling somewhat indifferent. Note: this film has subs, as its in French.
When a team of explorers ventures into the uncharted maze of bones that lies beneath the streets of Paris, they embark on a journey into madness and terror.
Still in the thrall of the evil vampire Radu, Michelle yearns to be taught the skills of the vampire. Meanwhile, her sister Becky tries to free her from his evil clutches, and this time, she's brought some help.
In the 17th century, an order of monks in Italy capture and entomb a demon that has possessed a member of their group. 400 years later, school teacher Elizabeth Magrino visits the monastery in order to do some research. What she and the current monks do not realize is that the evil hiding within the catacombs has unwittingly been released.
A young professor travels to Budapest to locate a lost colleague. Once there, he gets tangled up in a supernatural mystery.
Based on Geoffrey Fletcher’s book, this captivating documentary exposes the real London of the swinging sixties. Turning its back on familiar sights, the film explores the hidden details of a crumbling metropolis. With James Mason as our Guide, we are led on an tour of the weird and wonderful pockets of London from abandoned music-halls to egg breaking factories.
Adam is a young boy living with his family in dark catacombs below the ground. One day he discovers a new comer in their underground building and makes friends with him. When new comer suddenly vanishes without a trace, Adam starts to realize that things are not like they seem.
In antique Rome, a simple pepboy for chars becomes involved in a coup against Cesar. Rahatlocum is a North African Roman colony where Julius Caesar came to spend an expensive holiday. The revolt rumbles among the small people who find a leader in the person of Ben-Hur Marcel.
Akira and her band as they go into the dense forest to research on the sounds of nature. Akira celebrates her birthday there with her band mates and receives a gift of a beautiful Cinderella gown. But when she wears the gown, her behavior starts to change, as if she has been possessed.
Linear of Nightmare is a tongue and cheek piece about the pointless of fear. The film is a surreal self-inflicted mental infliction that ultimately leads to its own demise. Fear is worry magnified leading to disconnection between the mind and the body. Fear is just about the worst form of mental activity there is—next to hate, which is deeply self-destructive. Worry is pointless. It is wasted mental energy. It also creates bio-chemical reactions that harm the body, producing everything from indigestion to coronary arrest, and a multitude of things in between.
An eight-year-old girl asks her scheming neighbor for help in killing the monster under her bed that she thinks ate her family.