Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Sex-Positive 2024 - Movies (Mar 27th)
Flight Risk 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
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Mufasa The Lion King 2024 - Movies (Mar 25th)
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The World According to Allee Willis 2024 - Movies (Mar 25th)
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Beyond the Gates - (Mar 29th)
Lidias Kitchen - (Mar 29th)
The One Show - (Mar 29th)
Police 24/7 - (Mar 28th)
Cóyotl, Hero and Beast - (Mar 28th)
Tribunal Justice - (Mar 28th)
The Last American Vagabond - (Mar 28th)
First Dates Ireland - (Mar 28th)
Watch What Happens Live with Andy Cohen - (Mar 28th)
Crime Nation - (Mar 28th)
Southern Charm - (Mar 28th)
After the First 48 - (Mar 28th)
Accused- Guilty or Innocent - (Mar 28th)
The First 48 - (Mar 28th)
The Chase Australia - (Mar 28th)
When Life Gives You Tangerines - (Mar 28th)
Farmer Wants a Wife - (Mar 28th)
Teen Mom- The Next Chapter - (Mar 28th)
A Decent Man - (Mar 28th)
Know Where to Hide - Wie niet weg is… - (Mar 28th)
In telling a story with surreal and/or other-worldly aspects, there’s a big difference between “mystical” and “mystifying,” and that’s where this second feature from writer-director Morissa Maltz misses the mark. This dreamlike road trip tale of a Native American woman (Lily Gladstone) recovering from the loss of her beloved grandmother follows her on a personal vision quest of sorts across the Midwest and Southern Great Plains. She leaves her home in Minneapolis and travels first to South Dakota to attend her cousin’s wedding and to reconnect with her family and culture, especially the impact of ancestors and spirit guides in everyday life. From there she drives to Texas to see if she can connect with the legacy of her grandmother in the state’s Big Bend region, a favored place of her late nana. In between, she encounters an array of individuals and events that strengthen (but don’t always explain) her bond to a heritage she seems to have left behind some time ago. At first glance, this narrative would seem to have the makings of an enlightening and inspiring journey of self-discovery, and that’s true to a certain extent. However, these themes are never fleshed out as fully as they could have been. While it’s understandable how such a story might have a certain intrinsic enigmatic quality about it, it’s so subdued as to essentially become cryptic, even puzzling. The narrative here is said to be based on the filmmaker’s own experiences, yet, regrettably, that may be the problem – the director is too close to the material to effectively convey what she’s trying to say to outsiders. A framework for the aforementioned themes would appear to be in place, but the handling of many sequences can be so vague that audiences may have difficulty assessing what the filmmaker is trying to convey, let alone even what’s transpiring. This is further hampered by a lack of the protagonist’s character development, which offers little in the way of back story and scant clarity on what she’s seeking to accomplish through this undertaking. Consequently, the film relies on an array of undefined reaction shots, combined with narrated anecdotes from other characters and a wealth of gorgeous landscape shots that beautifully depict the region’s wide open spaces but add little substance, suggesting that they may have been incorporated to pad an already-short 1:25:00 runtime. The overall style here is thus reminiscent of the movies of Terrence Malick and Chloé Zhao (particularly “Nomadland” (2020)), auteurs whose works are themselves often challenging to follow but are certainly a cut above what’s on offer here. Unfortunately, “The Unknown Country” represents a missed opportunity to provide valuable insight into the life of an individual and the ways of a culture that could have been uplifting for others faced with similar circumstances. Instead, though, it comes across more like a collection of disjointed images and underdeveloped story threads that had potential but that never materialized as effectively as they might have been.
In 1970s Hollywood, Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.
The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and ultimately the fall of Versailles.
Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah's withdrawn emotional state, a romance slowly develops between the pair.
An 18th birthday mushroom trip brings free-spirited Elliott face-to-face with her wisecracking 39-year-old self. But when Elliott’s "old ass" starts handing out warnings about what her younger self should and shouldn't do, Elliott realizes she has to rethink everything about family, love, and what's becoming a transformative summer.
An exploration of the United States of America's war on drugs from multiple perspectives. For the new head of the Office of National Drug Control Policy, the war becomes personal when he discovers his well-educated daughter is abusing cocaine within their comfortable suburban home. In Mexico, a flawed, but noble policeman agrees to testify against a powerful general in league with a cartel, and in San Diego, a drug kingpin's sheltered trophy wife must learn her husband's ruthless business after he is arrested, endangering her luxurious lifestyle.
Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.
Fiona and Grant have been married for nearly 50 years. They have to face the fact that Fiona’s absent-mindedness is a symptom of Alzheimer’s disease. She must go to a specialized nursing home, where she slowly forgets Grant and turns her affection to Aubrey, another patient in the home.
Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.
Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness - and similarities to their mother - gradually gets on Martine's nerves.
Reporter John Klein is plunged into a world of impossible terror and unthinkable chaos when fate draws him to a sleepy West Virginia town whose residents are being visited by a great winged shape that sows hideous nightmares and fevered visions.