Love Over Money 2024 - Movies (Jan 20th)
The Outrun 2024 - Movies (Jan 19th)
Husband Father Killer The Alyssa Pladl Story 2024 - Movies (Jan 19th)
Surrounded by Spirits 2024 - Movies (Jan 19th)
A Nanny to Die For 2024 - Movies (Jan 19th)
Witness Underground 2024 - Movies (Jan 19th)
Laugh Proud 2024 - Movies (Jan 19th)
My Argentine Heart 2025 - Movies (Jan 19th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Bear Lake Murders 2025 - Movies (Jan 18th)
The Return 2024 - Movies (Jan 18th)
Breathe 2024 - Movies (Jan 18th)
The Magicians Raincoat 2024 - Movies (Jan 18th)
Vindication Swim 2024 - Movies (Jan 18th)
Every Little Thing 2024 - Movies (Jan 18th)
The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
Boonie Bears Time Twist 2024 - Movies (Jan 17th)
Love Courage and the Battle of Bushy Run 2024 - Movies (Jan 17th)
90 Day Fiance- Before the 90 Days - (Jan 20th)
Home Town - (Jan 20th)
Where We Call Home - (Jan 20th)
Homestead Rescue - (Jan 20th)
The Hunting Party - (Jan 20th)
Match of the Day 2 - (Jan 20th)
The Great Pottery Throw Down - (Jan 19th)
The Last American Vagabond - (Jan 19th)
GRAND SUMO Highlights - (Jan 19th)
Grand Sumo Live - (Jan 19th)
Dancing on Ice - (Jan 19th)
Love Island- All Stars - (Jan 19th)
Rich House, Poor House - (Jan 19th)
22 Kids and Counting - (Jan 19th)
Alex Witt Reports - (Jan 19th)
Call the Midwife - (Jan 19th)
Pacific Rim- The Black - (Jan 19th)
Delicious Miss Brown - (Jan 19th)
SkyMed - (Jan 19th)
Inside with Jen Psaki - (Jan 19th)
Hitler's invasion of Russia was one of the landmark events of World War II. This documentary reveals the lead-up to the offensive, its impact on the war and the brinksmanship that resulted from the battle for Moscow. Rare footage from both German and Russian archives and detailed maps illustrate the conflict, while award-winning historian and author John Erickson provides insight into the pivotal maneuvers on the eastern front.
The sort film “Baker Street Live” is being produced for December 2016 exhibition “The Masterpieces of Russian Cinematography”. The film is aiming to intrigue the viewer by the strength of British culture taking place within Russian cinematography influencing and shaping the soviet and modern Russian society. The story of two puppets – Sherlock Holmes and Dr Watson - undertaking an investigation and finding the lost pages scattered around London by which they are mostly intrigued. As the puppets keep finding page by page, they unveil their own story as if one discovers himself from within. And as ever, the successful investigation by Serlock results in the re-union of the lost pages with their lawful owner.
The story of the cross destiny of George Orwell (1903-50) and Aldous Huxley (1894-1963), the genius authors of the two most groundbreaking novels of anticipation of the 20th century: 1984 and Brave New World; two lucid witnesses of the maledictions of the modern world whose novels have found a considerable echo with our time.
A look back over nine years of the Syrian Civil War, an inextricable conflict, like a black box, due to the competing interests of the many factions in presence and those of the foreign powers.
Ukrainian journalist Katya Soldak, currently living in New York City and working for Forbes magazine, chronicles Ukraine's history: its strong ties to Russia for centuries; how it broke away from the USSR and began to walk alone; the Orange Revolution, the Maidan Revolution, the Crimea annexation, the Donbass War; all through the eyes of her family and friends settled in Kharkiv, a large Ukrainian city located just eighteen miles from the Russian border.
Filmmakers Laura Mulvey and Mark Lewis use rare archival footage and interviews with artists, art historians, and museum directors to examine the fate of Soviet-era monuments during successive political regimes, from the Russian Revolution through the collapse of communism. Mulvey and Lewis highlight both the social relevance of these relics and the cyclical nature of history. Broadcast on Channel Four as part of the 'Global Image' series (1992-1994).
Documentary film about war crime — annexation of Crimea by the Russian Federation.
Documentary about the ten days the director spent in Moscow, during the 1986 Moscow Youth Festival, as kind of a gay delegate.
In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.
Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.
As the band Placebo approach their 20th Anniversary they were given a unique opportunity to play ten cities throughout Russia. In a time when Russia was at the forefront of the world’s current affairs, little was actually reported outside Russia about the internal culture of the country. Fronted by Placebo’s Stefan Olsdal, the film explores the alternative cultures that are present within Russia’s major cities. As the tour travelled through the country the band went out and met various artists, architects, animators and musicians, finding out about the alternative creative culture and celebrating all they have to offer. From Krasnoyarsk in Siberia to St. Petersburg on the Baltic Sea, Placebo: Alt.Russia takes you on the band’s journey through Russia, meeting great characters on the way, investigating the alternative culture in Russia, and taking in the raw emotions of Placebo’s powerful concerts.