You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Alarum 2025 - Movies (Jan 17th)
Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
Here 2024 - Movies (Jan 16th)
The Calendar Killer 2025 - Movies (Jan 16th)
Venom The Last Dance 2024 - Movies (Jan 15th)
Sentinel 2024 - Movies (Jan 15th)
Out Come the Wolves 2024 - Movies (Jan 15th)
Diddy Summit to Plummet 2024 - Movies (Jan 14th)
Powder Pup 2024 - Movies (Jan 14th)
Lingo - (Jan 17th)
Jersey Shore- Family Vacation - (Jan 17th)
Bargain Hunt - (Jan 17th)
BENTO EXPO - (Jan 17th)
The Air Fryer Diet- Lose Weight, Cook Fast - (Jan 17th)
Rip Off Britain - (Jan 17th)
The Chase - (Jan 17th)
The Chase Australia - (Jan 17th)
The 11th Hour with Stephanie Ruhle - (Jan 17th)
Watch What Happens Live with Andy Cohen - (Jan 17th)
Extreme Makeover- Home Edition - (Jan 17th)
Love Is Blind- Germany - (Jan 17th)
Law And Order - (Jan 17th)
Law and Order- Special Victims Unit - (Jan 17th)
LOL- Last One Laughing Quebec - (Jan 17th)
Hollywood Squares - (Jan 17th)
Swamp People- Serpent Invasion - (Jan 17th)
Fugitive Hunters Mexico - (Jan 17th)
Homicide Squad New Orleans - (Jan 17th)
Gangland Chronicles - (Oct 1st)
A neat look behind the scenes of 'Turning Red', though not the most interesting. The actual film is very good, fwiw. It's more about the people who made the film as opposed to the film itself, which is all fine but I'm always more interested in the onscreen stuff and the cast. We get to see a bit of Rosalie Chiang and a bit of Sandra Oh, but that's basically it. Animated films in general always seem to not showcase 'actors in the booth', which is kinda annoying. Like here, it's cool to see Oh in the booth - needed more of that for the whole cast! Of course, logistically that might not have been possible - though for this documentary they do send a separate camera crew to (pleasantly, I'd like to add) film a crew member's family so... This also completely sidesteps the controversy of theatrical release vs. Disney+ release. As expected, no doubt, but it feels like a massive elephant - or, should I say, panda ... sorry - in the room throughout. In conclusion, this serves a purpose but it's not as interesting as it could've been - in my opinion, obvs. It does, at least, shed light on important real world topics to be fair.
This doesn't show too much of the actual production, and it's stronger for it. Instead, it paints a beautiful portrait of the crew that shaped TURNING RED into what it is, showing how their lives informed everything from the character modeling to the production design and lighting, very cool stuff!
A cinematic omnibus rooted in New Orleans, challenging the idea of black cinema as a "wave" or "movement in time," proposing instead a continuous thread of achievement.
A moving introductory exploration of society's use of animals. By presenting facts about animals' rich emotional complexity and drawing parallels between the animal rights movement and other social justice movements in recent history, this video will help students use critical thinking skills to examine why and how the routine exploitation of animals continues-and they'll also learn what they can do to help stop it.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
A day in the life of 91.1, Nuxalk Radio, a radio station built to help keep the Nuxalk language alive while broadcasting the laws of the lands and waters.
A photographer shares unpublished images chronicling time spent among the 'fiercely independent' residents of a remote English fishing village.
An Interstellar x Google Play collaboration. Building off the themes of Interstellar, this short film weaves submissions from people around the world into a story celebrating the human experience on Earth. Directed by David Brodie and creative directed by Angus Wall, the film will serve as a time capsule that shows future generations what life on Earth was like, should we leave this planet.
Longtime playwrights and performers of the Abbey Theatre share colourful reminiscences of the national institution founded by W.B. Yeats and Lady Gregory in 1904. Oscar Nominee: Best Documentary Short
Thirty Million Letters is a 1963 short documentary film directed by James Ritchie and made by British Transport Films. It was nominated for an Academy Award for Best Documentary Short.
The Arkansas school integration crisis and the changes wrought in subsequent years. This film profiles the lives of the nine African-American students who integrated Central High in Little Rock, Arkansas, during the fall of 1957. The film documents the perspective of Jefferson Thomas and his fellow students seven years after their historic achievement. Central to this story is their quiet but brave entrance into Little Rock High, escorted by armed troops under the intense pressure of the on looking crowd. We learn first hand their impressions of the past and present and their hopes for the future. Their selfless heroism broke the integration crisis and pioneered a new era. This film went on to win an Academy Award® for Best Documentary Short in 1964.
This documentary shows how an Inuit artist's drawings are transferred to stone, printed and sold. Kenojuak Ashevak became the first woman involved with the printmaking co-operative in Cape Dorset. This film was nominated for the 1963 Documentary Short Subject Oscar.
Comprising train and track footage quickly shot just before a heavy winter's snowfall was melting, the multi-award-winning classic that emerged from the cutting-room compresses British Rail's dedication to blizzard-battling into a thrilling eight-minute montage cut to music. Tough-as-boots workers struggling to keep the line clear are counterpointed with passengers' buffet-car comforts.