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1998's attempted Saturday Night Live skit-to-movie adaptation is not so much a movie, but more like just a short, 81 minute series of skits that are almost completely right out of the show, so it's more like just watching a greatest hit's collection of the skits from the Saturday Night Live television show from the 90's. But, while this movie is definitely far from even being very good, it is still a fairly decent movie, and while it is so short, it actually manages to have some very funny scenes with Will Ferrell and Chris Kattan that are also definitely reminiscent of some of the SNL skits funniest moments. But, despite the PG-13 Rating, this movie is not appropriate for young kids or even most teen's: There is frequent crude and sexual humor with three very graphic but somewhat comical sex scenes that actually fairly much push the limit for the PG-13 rating. Also, there is some infrequent profanity with at least one useof the F-word. Finally, there is a extremely brief and subtle drug reference near the beginning of the movie that only older audiences watching the movie will get. So, it may not be a great comedy, or even a terribly memorable one, but it still makes you laugh while it's going.
One to file under: 'Better than it had any right to be'. For the most part whilst watching, I felt quite nonplussed by everything about 'A Night at the Roxbury' - it was neither pleasing or annoying me. By its conclusion, however, I actually felt like I enjoyed it. I feel like I should've disliked it, but the opposite is more true to be honest. Some of the humour lands, some of it doesn't - those dancing head nods, for example, are amusing, but the film seriously overuses it. I assume that's a carryover from the 'Saturday Night Live' sketch that this is based upon. Haddaway's 'What Is Love' is also overplayed throughout, though with that I actually felt the use was fitting - the music overall is good, to be fair. Will Ferrell and Chris Kattan make for a positive pairing, with Ferrell narrowly being the standout of the two - as you'd expect, I guess. Molly Shannon does well, as do Dan Hedaya and Richard Grieco. There are also a few interesting minor cast members, from Michael Clarke Duncan to Eva Mendes to Jennifer Coolidge. Just about 7/10, but 7/10 all the same.
The world's most shagadelic spy continues his fight against Dr. Evil. This time, the diabolical doctor and his clone, Mini-Me, team up with a new foe—'70s kingpin Goldmember. While pursuing the team of villains to stop them from world domination, Austin gets help from his dad and an old girlfriend.
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
Gangster's girlfriend hangs out in a Las Vegas hotel with her cop protectors while she waits to testify.
An endearing light comedy about a woman who spontaneously becomes a resident of Venice after her family left her behind. While enjoying the wonderful people she meets she achieves a new life and the first time independent of her family.
The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
During her wedding ceremony, Rachel notices Luce in the audience and feels instantly drawn to her. The two women become close friends, and when Rachel learns that Luce is a lesbian, she realizes that despite her happy marriage to Heck, she is falling for Luce. As she questions her sexual orientation, Rachel must decide between her stable relationship with Heck and her exhilarating new romance with Luce.
A rule-bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.
Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
