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Everything about this is very meh. I can't say there is anything about 'Jungle 2 Jungle' that I liked or enjoyed, I don't think it is anything overtly terrible but it's just so boring. None of the cast are memorable, the plot is lazy and the pacing is well off. It does attempt heart, though it doesn't hit all that sharply. The performances of Tim Allen (Michael) and Martin Short (Richard) - though not good - at least keep the film away from the depths of awful. I also think Sam Huntington (Mimi) is alright in this. There's also an appearance from Jumba Jookiba himself, David Ogden Stiers. All in all, It's just a very basic and plain live-action production from Disney. The stereotypical 'jokes' don't help its cause, either.
**Absolutely ordinary, within the standard of any light family comedy of the late 90's. Maybe that's why it ended up forgotten.** This is another one of those endearing family films from the 90's that made their way to the small screen, and disappeared completely once they left the TV channels. It is a film that I believe very few will remember. I saw it at the time, I forgot about it, and I only remembered it again when I found it by chance, and I decided to see it again, these days. The script is as predictable and cliché as it can be, but it retains some elements that don't let us hate it, namely the sympathetic way in which it approaches us and tries to create a family story, a light comedy about maladjustment, where a boy born and raised in the Venezuelan jungle ends up traveling to New York, the birthplace of his recently discovered biological father. There are some subplots in the middle, necessary for the film to have more support, because the main plot is too thin to stand on its own. Thus comes the whole business of trading coffee futures with mobsters, or that obnoxious character who is the boy's father's future bride. There are still some scenes, obviously demonstrating the boy's inadaptation to the city and urban society. The film is far from being good, and it shouldn't have left any special good memory in the minds of anyone involved in the project. However, it has a terrible comic exercise by Tim Allen, who is the main actor and the protagonist of the entire plot. He overacts, he's ham, he tries to be minimally funny. He doesn't always succeed, but the effort is there. Martin Short isn't better, he's just dumber, but these movies need the protagonist to have an idiot sidekick to do something even more stupid than he would do without him. Sam Huntington was a casting error. He may even be the son of two Caucasians, but he would fatally be very tanned in the equatorial climate where he was born, and the young actor is white as milk. His romance with Leelee Sobiesky, while having all the usual touches of a teenager's first crush, doesn't quite convince us. Technically, the film is absolutely regular. As regular as a light-hearted late 1990s family comic film can be. The cinematography, the sets, the costumes (even the ones in the jungle, where the Indian women were asked to cover up tribal nudity), everything is absolutely and perfectly ordinary and does not bring us surprises.
21 year-old Rémi leaves his small town in Quebec for the first time to go sell Christmas trees in New York City in order to pay off a debt that threatens his future. Dumped in the heart of the Bronx, he meets Laura, a deadpan French activist, who will be his colleague for the next month. Together they will meet the vibrant community around their street corner and learn to survive the absurd trials of Christmas tree sales.
For a long time, Natalie, an Australian architect living in New York City, had always believed that what she had seen in rom-coms is all fantasy. But after thwarting a mugger at a subway station only to be knocked out while fleeing, Natalie wakes up and discovers that her life has suddenly become her worst nightmare—a romantic comedy—and she is the leading lady.
When she learns she's in danger of losing her visa status and being deported, overbearing book editor Margaret Tate forces her put-upon assistant, Andrew Paxton, to marry her.
New York City is full of lonely hearts seeking the right match, and what Alice, Robin, Lucy, Meg, Tom and David all have in common is the need to learn how to be single in a world filled with ever-evolving definitions of love.
A slacker and a career-driven woman accidentally conceive a child after a one-night stand. As they try to make the relationship work, they must navigate the challenges of parenthood and their differences in lifestyle and maturity.
A young mouse named Fievel and his family decide to migrate to America, a "land without cats," at the turn of the 20th century. But somehow, Fievel ends up in the New World alone and must fend off not only the felines he never thought he'd have to deal with again but also the loneliness of being away from home.
After being discharged from the Army, Brian Flanagan moves back to Queens and takes a job in a bar run by Doug Coughlin, who teaches Brian the fine art of bar-tending. Brian quickly becomes a patron favorite with his flashy drink-mixing style, and Brian adopts his mentor's cynical philosophy on life and goes for the money.
Gigli is ordered to kidnap the psychologically challenged younger brother of a powerful federal prosecutor. When plans go awry, Gigli's boss sends in Ricki, a gorgeous free-spirited female gangster who has her own set of orders to assist with the kidnapping. But Gigli begins falling for the decidedly unavailable Ricki, which could be a hazard to his occupation.
While drying out on the West Coast, an alcoholic hit man befriends a tart-tongued woman who might just come in handy when it's time for him to return to Buffalo and settle some old scores.
Alice Tate, mother of two, with a marriage of 16 years, finds herself falling for a handsome sax player, Joe. Stricken with a backache, she consults herbalist Dr. Yang, who realizes that her problems are not related to her back, but in her mind and heart. Dr. Yang's magical herbs give Alice wondrous powers, taking her out of her well-established rut.
Fledgling screenwriters retreat to a quiet country manor to work on their script, but a constellation of needy characters produces constant interruptions.