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Rachel, my torment. My blessed, blessed torment. My Cousin Rachel is directed by Henry Koster and adapted to screenplay by Nunnally Johnson from the novel of the same name written by Daphne du Maurier. It stars Richard Burton, Olivia de Havilland and Audrey Dalton. Music is by Franz Waxman and cinematography by Joseph LaShelle. In short order the plot finds Burton as Philip Ashley, a sombre English gentleman who is disturbed by news that his much admired foster father has been poisoned to death by Rachel Sangalletti (Havilland). When some time later Rachael turns up at the ancestral Ashley cliff top mansion, Philip finds himself torn between proving his hatred is warranted towards her, or from falling deeply in love with her. A splendid slice of brooding Gothicana, Koster's (skilled hands as usual) picture is firmly dealing out the cards of sinister mystery and simmering passions. A constant is the big question of if Rachael actually is a murderess, the screenplay deliberately vague as it dangles clues from either side of the fence. The setting is ripe for some psychological discord and matters of the heart, the cliff top mansion bathed in shadows, the sea below bearing witness to events with a mixture of tidal menace and serene waters. Across proceedings to further pump up the atmospherics is Waxman's sweeping musical score, and with quality acting to match the literary smarts, this is a high end technical production. The ambiguity is a little tiresome come the finale - itself weak and a disappointing resolution, but it's a film to get swept away with. For to dive right into the Ashley Mansion and be in the company of fine purveyors of their respective crafts, ensures the rewards are plenty. 7.5/10
Two great actors, a wonderful dark and Gothic setting and a strong storyline that mingles mystery, mistrust and avarice - that's what Henry Koster and Nunnally Johnson have created for us here - and it's just that little bit better than the norm. It centres on a search for revenge from Oscar nominated Richard Burton's "Philip" - a rather fickle young man who is convinced that his wealthy cousin "Ambrose" (John Sutton) was killed by his recently arrived and ostensibly scheming younger wife "Rachel" (Olivia de Havilland). Before long though, he too is captivated by the young woman and becomes her next husband - but is she all that she seems? Daphne du Maurier always could conjure up a great story, and here is no different - there is a psychology to the plot - nothing is as it seems. Just when you think Burton may be right you realise that he isn't, yet then shortly afterwards you are still unsure as to whom is pulling the strings - if, indeed, anyone is. This is a well structured, photographed and lit tale with a classy Franz Waxman score to help keep things taut and suspenseful. Well worth watching.
Desperate to be free from her drunken, unloving mother Diane, the beautiful, scheming young Mini seduces her stepfather Martin and soon convinces him to join her in a sadistic scheme to have Diane declared insane. But their conspiracy soon escalates to murder and when John Garson, a young detective starts investigating, Martin and Mini begin to turn on each other.
The Hamiltons seem to be the picture-perfect American family. They are hardworking community members; giving to their local charities, attending town hall meetings and always respectful of their neighbors...except for the fact that they usually end up killing them.
Jimmy Stevens, a senior VP at an international energy firm, blows the whistle on his company's deadly and corrupt practices in Latin America. Knowing he will be assassinated for his betrayal, he places an anonymous call securing the services of private detective Frank Turlotte to trail him from a distance.
Stephen Lawrence was a black London teenager murdered by white racists in 1993. His parents fought to have the crime properly investigated, culminating in a judicial enquiry into the event itself and also the inadequacies of the ensuing investigation by the London Metropolitan Police.
"The Karma Killings," is a modern-day crime thriller mixed in with Indian mythology and class warfare. The documentary delves into India's most infamous serial killings and its impact on a nation. Told through the people directly involved, the film unravels the complexities of the case and goes beyond the sensational headlines to present a suspenseful and scary mystery. And has a huge twist - one of the killers maybe innocent?
Residents of an enclosed neighborhood in the middle of Mexico DF are shocked by a violent crime, and for one resident in particular, young Alejandro, the drama is ratcheted up when he encounters the lone kid who escaped the event and is hiding out within the neighborhood's borders.
Ray, a construction worker trapped in an unhappy marriage, pursues an affair with his neighbor, Carla. Carla's husband, Greg, is a mobster who keeps large sums of drug money in their home. With this in mind, Carla comes up with a plan: She and Ray will steal Greg's money, burn down her house, convince Greg the money was lost in the fire and then run away together. Carla's scheme, however, doesn't go off as planned.
A murder opens up a bleak trail of long buried secrets and small town corruption for a worn out police detective and his squad.
A cop begins to turn to booze and cocaine during a tough undercover assignment. When a big drug-buy goes sour and the cop ends up with a million in cash, he decides to take off with the money. The drug dealer catches up with him, but he dies before revealing where he stashed the cash. Months later, the drug dealer finds the cop's wife and seduces her, in an effort to find his missing million. In the process, he falls in love with her and alienates his former partners in crime.
Caught in a bizarre and terrifying time warp, college student Tree finds herself repeatedly reliving the day of her murder, ultimately realizing that she must identify the killer and the reason for her death before her chances of survival run out.