The Little Girl We Were and the Women We Are

An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.

Suffering child abuse marks you, conditions you and limits you. But what's next? 7:11 Cuarzo is a documentary short film that delves into the consequences and shows us various ways of experiencing grief after suffering it: the aftermath, the path after breaking the silence and destroying the stigma. It talks about the treatment and care of wounds with testimonials from those who have suffered abuse and aggression. Learning to live again when the most precious thing, innocence, is taken from you.

Marcin Gutowski, the reporter of “Black and White” TVN24 showed in his report the unknown face of Cardinal Stanisław Dziwisz. He appears in it as a powerful hierarch, a gray eminence who can take care of the interests of the Church – understood in a specific way. Also when it comes to cases involving victims of pedophilia.

Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.

Digging through the vast collection of his father's home videos, a young man reconstructs the unthinkable story of his boyhood and exposes vile abuse passed through generations.

A filmmaker unearths a pervasive history of multigenerational trauma in her Italian-American family. As decades of secrets, home movies, and long-avoided conversations surface, a family once bound by tradition forges a new path forward.

At the age of 16, Alice was a victim of abuse. Fifty years later, this repressed experience unexpectedly makes its way back into her conscience. How is it possible to repress an incident for one’s entire life? How did it happen that she made films and wrote books always about children and violence? Alice walks with her accordion through the desert, searching for answers, looking at a phenomenon that affects many women in a similar or related way.

As a child, Michael Stock was sexually abused - by his own father. 25 years later he is still looking for inner peace. In conversations with his family and friends and his own reflections, he paints an ever clearer, if contradictory picture of what happened and of the consequences for each of the family members. Old family films seem to show a happy family - excerpts from Michael's first feature film hint at his extreme adult life, overshadowed by his lifelong trauma. Yet in spite of the intense drama, the film doesn't have an atmosphere of anger and hatred but rather a surprising air of hope and love of life. Michael's aim is not to accuse the "perpetrator" but to understand. In the end, he takes his video "Postcard" to his father. With the camera running, he confronts him with his past.

British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind - and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.

Gwen van de Pas returns to her hometown in search of answers about the man who sexually abused her as a child.

Taking an investigative look into the legal battles of the global superstar. Close friends, former staff and researchers paint an intimate portrait of Jackson's complicated world and put allegations of sexual abuse under the microscope. The film defends American singer Michael Jackson against allegations of child sexual abuse made in the documentary Leaving Neverland.