Ukraiński Sługa Narodu

The documentary film ANCESTRAL CODE is a research into the origins of the Ukrainian and Belarusian peoples, the search for their identity through the study of the melodism of Slavic ethnographic heritage. Nowadays many people talk about brotherhood, spiritual intimacy, affinity. The authors analyze the connection between the neighboring peoples of Ukraine, Lithuania, Belarus and Poland through music and folklore.

Due to the full-scale Russian invasion of Ukraine, tens of thousands of Ukrainians, fleeing the war, found refuge in Uzhhorod in western Ukraine. The local director decides to attract non-professional actors -displaced people - in bringing his dream into life - to stage the King Lear play. The theatrical performance helps them find themselves and their purpose in a new world where there is war, and the director finds an answer to the eternal question of what love is and why this world should not perish.

Lisa, student and artist, who is 17, is so in love with Kyiv, but because of the war she was forced to leave this city and emigrate to Western Europe. Together with this creative person, we tried to create the image of Kyiv as it appears to us today. Drawing is the best way to reflect the images and feelings of memories. I wanted Lisa to turn her “Lights of Kyiv” into a painting. I wanted to turn on “The Lights of Kyiv”.

Train “Kyiv-War“ is a full-length documentary film directed by Korniy Gricyuk. The dramatic history of the Kyiv-Kostyantynivka train, with its passengers` unique fates, pain, memories, secrets, hopes, is a history of today Ukraine. Only 12.5 hours away from peaceful Kyiv is Kostyantynivka, a small industrial city in the eastern part of the country, immediately after which the front begins. This entire time people with different characters, social status, political views, and beliefs are traveling on the train side by side. They talk, debate, even quarrel, but speak to each other and go in a common direction. And what`s important, they all want to get to peace. This film is the voice of ordinary people, the search for dialogue and the path to a common future, where everyone’s voice will be heard.

This is a once in a generation event that needs to be examined without the usual spin that is delivered by the controlled media. While the video will be interpreted one way or the other, it is one that supports the voice of reason and of peace rather than jingoistic war drums and the cacophony of white noise.

Documentary film about war crime — annexation of Crimea by the Russian Federation.

There is a rumor in the Kyiv musical community: once upon a time, in private conversation, Queen Elizabeth II mentioned Valentyn Silvestrov as one of her favorite composers of the modern age. The Royal Press Office hasn’t confirmed it, so no one knows for sure. But the stature of Silvestrov justifies this rumor. Highly respected by the world’s best music professionals, he remains a mystery for a wide audience. The documentary is far from a traditional biopic about a prominent person. It is an observation, a confession and, most of all, a story of great talent set against the backdrop of uncertain times.

Director, choreographer, actress, singer – the usual professional roles for the heroines of this film stopped working at the beginning of Russia’s full-scale invasion of Ukraine. Like millions of Ukrainian men and women, who were saving themselves and their loved ones and volunteering. Creative pursuits returned later, but now in a new dimension. Iryna, Olena, Oksana, and Maryna became the voices that tell the world about Ukrainians, their culture and their struggle for freedom. But how can one be heard in a world where Russian propaganda has been spread for centuries?

The story is not only about Ukrainian museums during a full-scale war, but about the survival of our culture in general. The occupiers are trying to destroy it and steal it, but thanks to museum workers, it is not only being protected, but also multiplied.

This is a story about the Ukrainian comic book industry. The authors introduce the audience to a still little-known and under-appreciated art form in Ukraine - drawn stories. Where did this art come from? When did it appear in our country? What forms did it take in the Soviet era and how did it change in the first years of independence?

When Russian armed forces invaded Ukraine, Moldovans raced to the borders to assist refugees, offering warm food, rides, and shelter. At the same time, a group of Moldovan filmmakers formed an ad-hoc film collective to document the unwavering efforts of volunteers and the fate of refugees through multifaceted lenses. Despite these acts of solidarity, a segment of the population's Soviet nostalgia fuels a growing fear that the country could be drawn into the war.