Stylish and smouldering. Frank White, a drug lord of New York, is released from prison and plans to make a more positive mark on the city. But after reuniting with his loyal and violence hungry gang, he finds the odds are very much stacked up against him. Not only has New York changed for the worse, being run by incompetent pretenders to his crown, but the police force are also after his head - dead or alive! First time viewers to this picture should not go into it expecting some Scarface type gangster movie, I made that mistake almost 17 years ago and came out the cinema totally cheesed off! Revisiting the film now has opened up a whole new ream of delights that when put together have created a simmering and brutal piece of work. What director Abel Ferrara has managed to do here is portray a fable of how a leopard never changes its spots - even though it wants too. Frank White is here a victim of his own past doings, with his reputation on the wane and the authorities with long and unforgiving memories. What hits the most (outside of some brilliant acting) is Abel Ferrara's bleak yet gorgeous vision of a sin city Big Apple, the characters are all one step away from a death, something that we the audience hope comes swift and nasty, all of which is cloaked in this plink plink lighted vision of the underworld. Ferrara chooses to pace his picture to give us a sense of pervading doom, it's quite a knack and means the viewers have to hang on in there to get to the wonderful, and dare I say it, bleakly appropriate conclusion. Christopher Walken is Frank White and gives one of his best career performances, all scary eyes and dialogue spurting precision, he pours out grit and emotion to garner sympathy where he perhaps really shouldn't be getting it. Larry Fishburne, David Caruso, Victor Argo, Wesley Snipes, Janet Julian and Steve Buscemi fill out the cast list, with Fishburne and his manic Jimmy Jump character practically walking off with the movie. So all in all it's a visual delight and a story that is very good on the ears, with the violence perfectly harsh to flesh out the grim nature of this pot boiling crime picture. So, those in need of a pick me up should probably steer well clear then. 8/10
Incredibly acted and beautifully stylized. Really enjoyed this entry in the 90s crime era, one of the best in my opinion.
Shoulda loved it, didn't. The violent nature of 'King of New York' is its strongest element, though otherwise I found this to be unsatisfying. A lot happens but none of it really clicked for me, while I held very little interest in any of the characters - despite an exceptional cast list. Christopher Walken, Laurence Fishburne, Wesley Snipes, Steve Buscemi and Giancarlo Esposito are all in there, yet none of their performances shone through to me to be honest. Walken is the obvious standout, though that's only via a process of elimination. Gritty gangster flicks would usually be my thing, but for some reason this 1990 release disappointed me.
Gun-toting gangsters, lawless lawyers and backstabbing bastards. There's a family in the middle, and while some are trying to keep it afloat, others want to tear it apart.
Movie Star Rating : 6 Read More
A stylized neo-western about a day in the life of a Teddy Boy in 1959. Marty is living the life of a public menace within his own town. Getting into fights and causing disruption on the streets, Marty is the 'King of the Teds' - or is he?
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A young man has to find the right words of farewell to his family in a New York pension room in 1942 before his draft sends him off to war, which for him means the possibility of an honorable hero`s death.
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There are a million stories to be told about New York City. This one is about the outlaw art form called Graffiti (bombing) where your name and the crew you rep is key. To society it’s vandalism, to graffiti writers it’s a part of everyday life. The late nights, the rattle of a spray can being emptied of its paint, running subway tunnels dodging the iron giants, the dangerous city nights, the chase from the law, the beef, the battles, and the rush. That’s what every graffiti writer experiences during his/her graffiti career. The purpose of putting "State Your Name" together is to show the true essence of graffiti, it’s not the watered down shit you see on the music videos or on trucker hats. To the old school cats this is a shout out for paving the way, to the newer generation of Graff writers pay your dues and learn your history...
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Danny Roberts shave his head after completing post-production on the film, "The Last Nice Sunday in the East Village"
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Three friends spend an unseasonably warm day together in the midst of immense loss.
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At the twenty-year apex of their career, the Japanese quartet add another captivating live release to their extensive catalog. Shot ‘in the round’ at le Poisson Rouge in NYC, DOKU-EN-KAI delivers the band completely absorbed by their element in a kinetic, impassioned and frenzied set that brings toe's renown and allure into sharp, unmistakable focus.
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