Rebel Moon - Part Two The Scargiver 2024 - Movies (Apr 19th)
Asphalt City 2023 - Movies (Apr 19th)
Late Night with the Devil 2023 - Movies (Apr 19th)
Problemista 2023 - Movies (Apr 19th)
Blood for Dust 2023 - Movies (Apr 19th)
Ghostbusters Frozen Empire 2024 - Movies (Apr 19th)
The Christmas Break 2023 - Movies (Apr 19th)
The Christmas Detective 2023 - Movies (Apr 19th)
Meet Me in Paris 2023 - Movies (Apr 18th)
Never Alone For Christmas 2023 - Movies (Apr 18th)
Peppermint and Postcards 2023 - Movies (Apr 18th)
The Braid 2023 - Movies (Apr 18th)
A Royal Christmas Surprise 2023 - Movies (Apr 18th)
Civil War 2024 - Movies (Apr 18th)
The First Omen 2024 - Movies (Apr 18th)
All You Need Is Death 2023 - Movies (Apr 17th)
The Dive 2023 - Movies (Apr 17th)
Bad Hombres 2024 - Movies (Apr 17th)
Immaculate 2024 - Movies (Apr 16th)
An American Bombing The Road to April 19th 2024 - Movies (Apr 17th)
Red Island 2023 - Movies (Apr 16th)
David Lomas Investigates - (Apr 19th)
Theresa Caputo- Raising Spirits - (Apr 19th)
Swamp People- Serpent Invasion - (Apr 19th)
Swamp People - (Apr 19th)
WWE Main Event - (Apr 19th)
The Cook Up with Adam Liaw - (Apr 19th)
The First 48 Presents Critical Minutes - (Apr 19th)
Gardening Australia - (Apr 19th)
Renovate or Rebuild - (Apr 19th)
Accused- Guilty or Innocent? - (Apr 19th)
Interrogation Raw - (Apr 19th)
Young Sheldon - (Apr 18th)
Gutfeld! - (Apr 19th)
Hannity - (Apr 19th)
The Five - (Apr 19th)
The Ingraham Angle - (Apr 19th)
All In with Chris Hayes - (Apr 19th)
Alex Wagner Tonight - (Apr 19th)
The Last Word with Lawrence ODonnell - (Apr 19th)
Law and Order- Organized Crime - (Apr 19th)
“Inside” is a film that the more I think about, the more I like. It most certainly is a test of endurance, patience, and stamina, but director Vasilis Katsoupis‘ visual style paired with strong existential theming and a commanding performance from Willem Dafoe make this one of the more interesting (and challenging) films of the year. Art thief Nemo (Dafoe) is tasked with stealing five valuable paintings from a luxury New York penthouse, and the heist doesn’t go as planned. Just minutes into the job, the home’s high-tech security system malfunctions, trapping Nemo inside. Abandoned by his accomplice on the outside, Nemo is on his own and must figure out a way to escape. With no one home or even aware of his whereabouts, Nemo watches as the hours turn to days and eventually, to months. He must find a way to survive in his opulent surroundings before time runs out. It’s a thought-provoking idea for a film, especially when the value of art and luxury is at odds with human needs and survival. Nemo is surrounded by riches, but is forced to revert to his most primal instincts. There’s wealth at every turn, from the smart home devices to priceless works of art, yet there is very little that he needs for basic survival (the water has been shut off, and there’s not much food in the pantry). Co-screenwriters Ben Hopkins and Katsoupis add an interesting dimension to their story by offering a simple reflection on what’s really important: art or your life? The singular setting gives a real sense of claustrophobia disquieting anxiety, especially as Nemo can see the outside world, yet nobody can see him. Via the closed-circuit tvs that the owner used for security, Nemo watches the doorman and cleaning staff for entertainment. He eventually begins to fantasize and make up stories about them just to retain his own sanity. It’s voyeuristic entertainment, but also a sad thought that this trapped (and slowly dying) man is forced to watch as the rest of the world goes on living. There’s very little story or plot and the film feels dragged out. It gets tougher to watch as it goes on, and it would be more accessible if it lost a half hour or so of run time. Thankfully, Dafoe’s performance is so intense that you just can’t take your eyes off him. This is an emotionally and physically demanding role (and one with very little dialogue), and Dafoe is up to the challenge. He’s a legendary talent, especially when a lot is asked of him. He embodies the desperation of his character, especially when he begins to hallucinate and descend into madness. I can’t imagine anyone better suited for the role of Nemo than Defoe. “Inside” is what I like to call a “film festival movie,” a project that seems far too full of itself, is overly long and tedious, and is packed with irritating, overt symbolism. There’s a lot that will turn off many viewers, but those who enjoy a challenge in their art will find much to appreciate. In other words, you have to either be in the target audience or in the right mood for something like this. **By: Louisa Moore / SCREEN ZEALOTS / www.ScreenZealots.com**
Dafoe is as outstanding as ever, commanding every scene with an unbelievably desperate and overwhelmingly engrossing performance, _Inside_ is overall held back by its predictable outcome and dreadfully slow pacing – which, sadly, no amount of Dafoe dancing to the Macarena of having a full-on conversation with a pigeon helps to alleviate. **Full review:** https://boundingintocomics.com/2023/03/24/inside-review-stuck-in-artistic-purgatory-with-willem-dafoe/
Psychological thriller about a thief end up locked up into a (broken) intelligent rooftop in NY during a heist - directed by Vasilis Katsoupi (in his 2nd incursion as director after "My Friend Larry Gus") and written by Ben Hopkins (Lost in Karastan). So ok, both of them don't have anything good on their CV. But I must say before anything that I don't think most reviews are just to this movie - he is actually good. Beside the plot he has some underlined themes as the value of art and some curious ways that art can be created. As a side extra the apartment had real art as art not props. All we know that Willem Dafoe acts in very controversial pieces of art when he choses it and 100% of the movie is in motion by him. And as I said it have a message - just not expect a totally explained end (although I got it, and the after is of no concern what may frustrate some people). As a whole I give this one a 7,0 out of 10,0 / B score.
Leia can't seem to find anything in her surroundings that would help her get some inspiration for her drawing. She feels stuck and burnt out until she has a dream that finally gives her the motivation she needed. She then realizes that you can't force art, it comes unexpectedly and naturally.
An embattled NYPD detective, is thrust into a citywide manhunt for a pair of cop killers after uncovering a massive and unexpected conspiracy. As the night unfolds, lines become blurred on who he is pursuing, and who is in pursuit of him.
A struggling writer in the midst of a divorce befriends a retired serial killer who incidentally becomes his marriage counselor by day, and killing counselor for his next book by night.
A couple is on vacation with their car. They drive past green hills and small roads. Suddenly the man realises he lost his way. They drive into a forest. How thin is the layer veneer of civilisation?
In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
Igby Slocumb, a rebellious and sarcastic 17-year-old boy, is at war with the stifling world of old money privilege he was born into. With a schizophrenic father, a self-absorbed, distant mother, and a shark-like young Republican big brother, Igby figures there must be a better life out there - and sets about finding it.
Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.
John Stoval, a guard in a New York subway, thinks that Philip Hurd, who owns a concession at Coney Island, would make a good husband for his daughter Sophie. Sophie, however, has her sights set on Bill Hedges, the son of a wealthy farmer in upstate New York. Her father arranges for her to marry Hurd in exchange for a 25% interest in the concession, but matters come to a halt when John slips and falls off a subway platform and is injured.
A group of strangers trapped in a farmhouse find themselves fending off a horde of recently dead, flesh-eating ghouls.
A depressed man moves back in with his parents following a recent heartbreak and finds himself with two women.
Will Plunkett and Captain James Macleane, two men from different ends of the social spectrum in 18th-century England, enter a gentlemen's agreement: They decide to rid the aristocrats of their belongings. With Plunkett's criminal know-how and Macleane's social connections, they team up to be soon known as "The Gentlemen Highwaymen". But when one day these gentlemen hold up Lord Chief Justice Gibson's coach, Macleane instantly falls in love with his beautiful and cunning niece, Lady Rebecca Gibson. Unfortunately, Thief Taker General Chance, who also is quite fond of Rebecca, is getting closer and closer to getting both.