Wicked 2024 - Movies (Dec 31st)
Mufasa The Lion King 2024 - Movies (Dec 31st)
Trilogy New Wave 2024 - Movies (Dec 31st)
Love in the Big City 2024 - Movies (Dec 31st)
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Sebastian 2024 - Movies (Oct 2nd)
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Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Michelle Buteau A Buteau-ful Mind at Radio City Music Hall 2024 - Movies (Dec 31st)
Avicii - My Last Show 2024 - Movies (Dec 31st)
Avicii - Im Tim 2024 - Movies (Dec 31st)
My National Gallery London 2024 - Movies (Dec 31st)
A Real Pain 2024 - Movies (Dec 30th)
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Saturday Night 2024 - Movies (Dec 30th)
Mr. Monks Last Case A Monk Movie 2023 - Movies (Dec 30th)
A Ghost Story for Christmas Woman of Stone 2024 - Movies (Dec 30th)
The Way My Way 2024 - Movies (Dec 30th)
Take My Hand 2024 - Movies (Dec 30th)
Star Wars- Skeleton Crew - (Jan 1st)
QI - (Jan 1st)
University Challenge - (Jan 1st)
The Bold and the Beautiful - (Jan 1st)
The Price Is Right - (Jan 1st)
WWE NXT - (Dec 31st)
Gutfeld - (Dec 31st)
Black Snow - (Dec 31st)
The View - (Dec 31st)
The Count of Monte Cristo - (Dec 31st)
Raw Talk - (Dec 31st)
Family Feud Canada - (Dec 31st)
The Chase Australia - (Dec 31st)
The Yorkshire Vet - (Dec 31st)
Shaun Micallefs Eve of Destruction - (Dec 31st)
Rob and Romesh Vs - (Dec 31st)
Great Pretender - (Dec 31st)
The Ingraham Angle - (Dec 31st)
The Five - (Dec 31st)
Special Report with Bret Baier - (Dec 31st)
I guess people have forgotten the difference between the meanings of "promotion" and "depiction". For those who really don't know what these words mean: promotion means to encourage, to support something. And depiction means to show something, to make people aware of something by showing it to them. Now, Joyland, nowhere in its 126 minutes run supports or encourages or "promotes" homosexuality or anything that is anti-Islamic. In fact, this isn't even the only theme of the film. It covers pretty much every aspect of the domestic life of a lower middle-class Pakistani man and a woman (I didn't mention transgender persons because those poor things have only one class of lifestyle). It shows every harsh reality of our society. It shows all the plagues our country is being devoured by, those which aren't remotely related to Islam but have become a part of our tradition despite being highly toxic. These are the stigmas that we suffer from in our lives but no one wants to get rid of them because they have been here for so long that they have become normal. And a life without them would be abnormal or even disgraceful and shameful according to our "elders". The film does show the homosexuality that exists in our country. It doesn't tell whether its good or bad, it just shows it. The only thing that could be a negative point in my opinion would be the graphic scenes. They weren't really that necessary. In the end, I would say that Joyland is probably the best film that's come out of Pakistani industry in a long time. We need to support such films and accept the existence of all the brutalities of the society they make us aware about. And lastly, try to do something about them.
The title here is a theme park that features only tangentially in this enjoyable and potent tale of "Haider" (Ali Junejo). He lives with his extended family, unemployed, whilst his wife "Mumtaz" (Rasti Farooq) goes to work. He is a bit put upon: he must carry out many of the household chores - even doing the ironing for his brother "Saleem" (Sameer Sohail). His brother has just had a child - another daughter and his father (Salmaan Peerzada) is desperate for a boy to carry on the family name. "Haider" goes and gets himself a job - and an unlikely one, at that. HeThanks to his friend, he auditions for a dancer's job at the local theatre and despite having two left feet, manages to secure a job at ₹40,000 per month for just two concerts. He fibs to his family about the exact nature of the job, and is soon flailing around at the behest "Biba" (Alina Khan) who is the undoubted star of the show. As we progress, however, we discover that there is a bit more to "Biba" the originally thought and as the two become friends we also discover a little more behind the reasons why a son is so slow in coming for the otherwise loving married couple. There is an effective chemistry between Khan and Junejo and as the story unfolds we are exposed to quite a few scenarios that challenge established (admittedly, Western) views of just how society should operate - from the role of both women and men through to the increasingly obvious issues faced by people who don't run in that linear two-horse race. It is funny at times and the dialogue is efficient at helping this characterful story along towards the denouement. Now this is where I felt a little disappointed. Not that it doesn't work - but somehow it seemed to me to be a bit of a sad cop-out from the writers who almost seemed to go along with the prevailing spirit of compliance at all costs. Still, you must judge that for yourselves if you watch it - which I suggest that you do.
Andreas, a young German student comes to Hungary on an exchange programme. In the Hungarian village he falls in love with the stationmaster's daughter Piroschka and spends much of his time with her. They have an enchanting summer until Andreas gets an invitation to join another young woman at a nearby resort. Piroschka is jealous and follows him there, causing trouble. It takes a long time for Andreas and Piroschka to even talk to each other again. When Andreas has to leave Hungary at the end of his holiday, he is determined to return some day.
A strong-willed peasant girl is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line, but is left traumatised from her experiences.
A former champion rodeo rider is reduced to using his saddle skills to promote a breakfast cereal in a gaudy Las Vegas show. When he's asked to perform with a $12 million horse, he discovers it is being doped to remain docile. He flees into the desert astride the beast in an act of defiance. A story-hungry female reporter gives chase.
A Woman named Rose is a virgin in her early twenties, who has a rare condition which cause her to kill every time she is sexually aroused. She tries to hide the bodies, fix herself and find out about her condition. That keeps her alone and in love with her knives. She takes up a job as a hired killer and stays single but meets another woman, named Sam, who has the same condition and has answers for her question, but does love prevail and what secrets are revealed?
As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo; Abhishek Verma's animated "The Fish Curry"; Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack; David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd; Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille; Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek; Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher; Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James; Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell; and Marco Alessi's "Four Quartets" with Laurie Kynaston.
Porn Star Grayson Lange along with Addison Graham and Robby Valls star in a film about two mercenaries on a secret mission in the jungles of South America. Once captured, their last night together will reveal dark secrets and create sexual tensions. So much so that it will cause unforeseen collateral damage that stretches well beyond the jungle. This highly provocative and erotic film was part of Eroddity(s) 2. Now re-worked as a stand-alone short the film seems to take on new meaning.
A crew member on a spaceship wakes up and comes to terms with himself and a robot about past decisions that were made.
Temmuz is an openly gay sculptor living at a flat with his dog in Istanbul. He lives a bohemian lifestyle and has a happy go lucky, carefree, eccentric (such as believing in good luck charms) character, frequently distracting him from his work as a children's book illustrator, and eventually leading him to be abandoned by his boyfriend via e-mail. He is given solace and affection by her wealthy mother, who is fully supportive of him, and best friend and co-worker, Beste. In the meantime, he keeps seeing a young man in his dreams, who repeatedly calls him for help and rescue. One day he runs into this guy while getting on the bus, who is accompanied by his mother, and helps them get into their home as the young man was born without limbs. From then on, two lives would collide into each other, starting a brotherhood full of discoveries and mutual help.
In San Francisco, Kira has a day job at a warehouse, writes jokes for her sister (who does stand-up back East), wants to perform her own material, hangs out with best friend Sydney (who writes food reviews), and sleeps once with every woman she can. Then, her roommate sets her up with Robin - who's recently come out and hasn't had a serious relationship yet - and her friendship with Sydney gets rocky. Meanwhile, Kira's being stalked by one of her one-night stands, her sister isn't showing any appreciation, and a night at an open microphone goes badly. Is this all life can offer?
Yesterday's Tomorrow is the story of three promising young and diverse adults, each with their own destiny who through extraordinary circumstances are left to die, as their lives collide and harmoniously come together.
Erik's boyfriend Marely left him. Now, the last chance for Erik to get him back is to make this movie to explain, that the only reason he sold sex was so they could afford to become parents one day.